Difference between revisions of "Holotopia"

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<div class="page-header" ><h1>Holotopia</h1></div>
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<div class="page-header" ><h1>HOLOTOPIA</h1><br><br><h2>An Actionable Strategy</h2></div>
  
 
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<small>Modernity <em>ideogram</em></small>  
 
<small>Modernity <em>ideogram</em></small>  
 
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<div class="col-md-3"><h2>Our proposal</h2></div>
 
<div class="col-md-3"><h2>Our proposal</h2></div>
  
<div class="col-md-6"><h3>In a nutshell</h3>
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<blockquote>  
 
<blockquote>  
The core of our [[Holotopia:Knowledge federation|<em>knowledge federation</em>]] proposal is to change the relationship we have with information.
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The core of our <em>knowledge federation</em> proposal is to change the relationship we have with information.
 
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"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."
 
"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."
 
</blockquote>
 
</blockquote>
<p>The objective of our proposal is to restore agency to information, and power to knowledge.</p>
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<div class="col-md-7"><h3>In detail</h3>
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<p>What would it take to <em>reconnect</em> information with action? </p>  
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<p>What would information and our handling of information be like, if we treated them as we treat other human-made things—if we adapted them to the purposes that need to be served? </p>  
<p>What would information and our handling of information be like, if we treated information as we treat other human-made things—if we adapted it to the purposes that need to be served? </p>
 
<p>What would our <em>world</em> be like, if academic researchers retracted the premise that when an idea is published in a book or an article it is already "known"; if they attended to the other half of this picture, the use and usefulness of information, with thoroughness and rigor that distinguish academic technical work? What do the people out there actually <em>need</em> to know?</p>  
 
  
<p>What would the academic field that develops this approach to information be like? How would information be different? How would it be used? By what methods, what social processes, and by whom would it be created? What new information formats would emerge, and supplement or replace the traditional books and articles? How would information technology be adapted and applied? What would public informing be like? And <em>academic communication, and education</em>? </p>  
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<p>By what methods, what social processes, and by whom would information be created? What new information formats would emerge, and supplement or replace the traditional books and articles? How would information technology be adapted and applied? What would public informing be like? And <em>academic communication, and education</em>? </p>  
  
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<blockquote>The substance of our proposal is a <em>complete</em> <em>prototype</em> of <em>knowledge federation</em>, where initial answers to relevant questions are proposed, and in part implemented in practice. </blockquote>
  
<blockquote>The substance of our proposal is a <em>complete</em> [[Holotopia:Prototype|<em>prototype</em>]] of [[Holotopia:Knowledge federation|<em>knowledge federation</em>]], by which those and other related questions are answered. </blockquote>  
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<blockquote>Our call to action is to institutionalize and develop <em>knowledge federation</em> as an academic field, and a real-life <em>praxis</em> (informed practice).</blockquote>
  
<p><em>Knowledge federation</em> is a [[Holotopia:Paradigm|<em>paradigm</em>]]. Not in a specific field of science, where new paradigms are relatively common, but in "creation, integration and application of knowledge" at large.</p>  
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<blockquote>Our purpose is to restore agency to information, and power to knowledge.</blockquote>
  
<blockquote>Our call to action is to institutionalize and develop <em>knowledge federation</em> as an academic field, and as real-life <em>praxis</em>.</blockquote>  
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<p>All elements in our proposal are deliberately left unfinished, rendered as a collection of <em>prototypes</em>. Think of them as composing a 'cardboard model of a city', and a 'construction site'.  By sharing them we are not making a case for a specific 'city'—but for 'architecture' as an academic field, and a real-life <em>praxis</em>. </p>  
  
  
 
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<div class="col-md-3"><h2>A proof of concept application</h2></div>
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<p>The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for putting the proposed ideas to a test.</p>
  
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<p>Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—[[Aurelio Peccei]] issued the following call to action: </p>
<div class="col-md-3"><h2>An application</h2></div>
 
<div class="col-md-6"><h3>The situation we are in</h3>
 
<p>The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for putting the proposed ideas to a test. Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—[[Aurelio Peccei]] issued the following call to action:  
 
 
<blockquote>
 
<blockquote>
 
"It is absolutely essential to find a way to change course."
 
"It is absolutely essential to find a way to change course."
 
</blockquote>
 
</blockquote>
</p>
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<p>Peccei also specified <em>what</em> needed to be done to "change course":</p>
 
<p>Peccei also specified <em>what</em> needed to be done to "change course":</p>
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<p>This conclusion, that we are in a state of crisis that has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century's thinkers. Arne Næss, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology". </p>  
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<p>This conclusion, that we are in a state of crisis that has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century thinkers. Arne Næss, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology". In what follows we shall assume that this conclusion has been <em>federated</em>—and focus on the more interesting questions, such as <em>how</em> to "change course"; and in what ways may the new course be different.</p>  
 
<p>In "Human Quality", Peccei explained his call to action:</p>
 
<p>In "Human Quality", Peccei explained his call to action:</p>
 
<blockquote>  
 
<blockquote>  
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The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".</p>  
 
The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".</p>  
  
<h3>Can the proposed 'headlights' help us "find a way to change course"?</h3>  
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<blockquote>Could the change of 'headlights' we are proposing be "a way to change course"?</blockquote>  
  
<p>Why did Peccei's call to action remain unanswered? Why wasn't The Club of Rome's purpose—to illuminate the course our civilization has taken—served by our society's regular institutions, as part of their function? Isn't this already showing that we are 'driving with candle headlights'?</p>
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<p>If we used <em>knowledge federation</em> to 'illuminate the way'—what difference would that make? </p>
 
  
<blockquote>The Holotopia project is conceived as a <em>knowledge federation</em>-based response to Aurelio Peccei's call to action.</blockquote>
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<div class="col-md-3"><h2>A vision</h2></div>
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<blockquote><em>Holotopia</em> is a vision of a possible future that emerges when proper 'light' has been 'turned on'.</blockquote> 
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<p>Since Thomas More coined this term and described the first utopia, a number of visions of an ideal but non-existing social and cultural order of things have been proposed. In view of adverse and contrasting realities, the word "utopia" acquired the negative meaning of an unrealizable fancy.</p>
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<p>As the optimism regarding our future waned, apocalyptic or "dystopian" visions became common. The "protopias" emerged as a compromise, where the focus is on smaller but practically realizable improvements.</p>
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<p>The <em>holotopia</em> is different in spirit from them all. It is a <em>more</em> attractive vision of the future than what the common utopias offered—whose authors either lacked the information to see what was possible, or lived in the times when the resources we have did not yet exist. And yet the <em>holotopia</em> is readily attainable—because we already have the information and other resources that are needed for its fulfillment.</p>  
  
<p>We coined the keyword [[Holotopia:Holotopia|<em>holotopia</em>]] to point to the cultural and social order of things that will result.</p>
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<blockquote>The <em>holotopia</em> vision is made concrete in terms of <em>five insights</em>, as explained below.</blockquote>
 
 
<p>To begin the Holotopia project, we are developing an initial <em>prototype</em>. It includes a vision, and a collection of strategic and tactical assets—that will make the vision clear, and our pursuit of it actionable. </p>  
 
  
 
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<div class="col-md-3"><h2>A vision</h2></div>
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<div class="col-md-3"><h2>A principle</h2></div>
<div class="col-md-7"><h3>The <em>holotopia</em> is not a utopia</h3>
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<p>Since Thomas More coined this term and described the first utopia, a number of visions of an ideal but non-existing social and cultural order of things have been proposed. But in view of adverse and contrasting realities, the word "utopia" acquired the negative meaning of an unrealizable fancy.</p>
 
<p>As the optimism regarding our future faded, apocalyptic or "dystopian" visions became common. The "protopias" emerged as a compromise, where the focus is on smaller but practically realizable improvements.</p>
 
<p>The <em>holotopia</em> is different in spirit from them all. It is a <em>more</em> attractive vision of the future than what the common utopias offered—whose authors either lacked the information to see what was possible, or lived in the times when the resources we have did not yet exist. And yet the <em>holotopia</em> is readily realizable—because we already have the information and other resources that are needed for its fulfillment.</p>
 
 
 
<p>The <em>holotopia</em> vision is made concrete in terms of <em>five insights</em>, as explained below.</p>  
 
  
<h3>Making things  [[Wholeness|<em>whole</em>]]</h3>
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<p><em>What do we need to do</em> to "change course" toward <em>holotopia</em>?</p>  
<p><em>What do we need to do</em> to change course toward the <em>holotopia</em>?</p>  
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<blockquote>The <em>five insights</em> point to a simple principle or rule of thumb—making things  [[Wholeness|<em>whole</em>]].</blockquote>
<blockquote> From a collection of insights from which the <em>holotopia</em> emerges as a future worth aiming for, we have distilled a simple principle or rule of thumb—making things  [[Wholeness|<em>whole</em>]].</blockquote>
 
 
<p>This principle is suggested by the <em>holotopia</em>'s very name. And also by the Modernity <em>ideogram</em>. Instead of <em>reifying</em> our institutions and professions, and merely acting in them competitively to improve "our own" situation or condition, we consider ourselves and what we do as functional elements in a larger system of systems; and we self-organize, and act, as it may best suit the [[Wholeness|<em>wholeness</em>]] of it all. </p>
 
<p>This principle is suggested by the <em>holotopia</em>'s very name. And also by the Modernity <em>ideogram</em>. Instead of <em>reifying</em> our institutions and professions, and merely acting in them competitively to improve "our own" situation or condition, we consider ourselves and what we do as functional elements in a larger system of systems; and we self-organize, and act, as it may best suit the [[Wholeness|<em>wholeness</em>]] of it all. </p>
  
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</div> </div>  
 
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<div class="col-md-3"><h2>A method</h2></div>
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<p>"The arguments posed in the preceding pages", Peccei summarized in One Hundred Pages for the Future, "point out several things, of which one of the most important is that our generations seem to have lost <em>the sense of the whole</em>." </p>
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<blockquote>To be able to make things [[Wholeness|<em>whole</em>]]—<em>we must be able to see things whole</em>! </blockquote>
  
 +
<p>To highlight that the <em>knowledge federation</em> methodology described and implemented in the proposed <em>prototype</em> affords that very capability, to <em>see things whole</em>, in the context of the <em>holotopia</em> we refer to it by the pseudonym <em>holoscope</em>. </p>
  
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<p>While the characteristics of the <em>holoscope</em>—the design choices or <em>design patterns</em>, how they follow from published insights and why they are necessary for 'illuminating the way'—will become obvious in the course of this presentation, one of them must be made clear from the start.</p>
  
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<div class="col-md-3"><h2>A method</h2></div>
 
<div class="col-md-7"><h3>We see things whole</h3>
 
<p>"The arguments posed in the preceding pages", Peccei summarized in One Hundred Pages for the Future, "point out several things, of which one of the most important is that our generations seem to have lost <em>the sense of the whole</em>." </p>
 
<blockquote>To make things whole—<em>we must be able to see them whole</em>! </blockquote>
 
<p>To highlight that the <em>knowledge federation</em> methodology described in the mentioned <em>prototype</em> affords that very capability, to <em>see things whole</em>, in the context of the <em>holotopia</em> we refer to it by the pseudonym <em>holoscope</em>.</p>
 
<p>The characteristics of the <em>holoscope</em>—the design choices or <em>design patterns</em>, how they follow from published insights and why they are necessary for 'illuminating the way'—will become obvious in the course of this presentation. One characteristic, however, must be made clear from the start.</p>
 
  
<h3>We look at all sides</h3>
 
 
<p>
 
<p>
 
[[File:Holoscope.jpeg]]<br>
 
[[File:Holoscope.jpeg]]<br>
 
<small>Holoscope <em>ideogram</em></small>
 
<small>Holoscope <em>ideogram</em></small>
 
</p>   
 
</p>   
<p>If our goal would be to put a new "piece of information" into an existing "reality picture", then whatever challenges that reality picture would be considered "controversial". But when  our goal is to see whether something is <em>whole</em> or 'cracked', then our attitude must be different.</p>
+
 
 
<blockquote>To see things whole, we must look at all sides.</blockquote>  
 
<blockquote>To see things whole, we must look at all sides.</blockquote>  
<p>In the <em>paradigm</em> we are proposing, every statement, or model, or <em>view</em>, is necessarily a simplification, which resulted from a certain specific way of looking or <em>scope</em>. Views that show the whole from a specific angle (as exemplified by the above picture) are called <em>aspects</em></p>
 
<p>The aim of this presentation being to challenge the <em>exclusiveness</em> of our present social and academic <em>paradigm</em> in order to propose an update, we will of necessity present views that are, relative to this <em>paradigm</em>, "controversial".  The views we are about to share may make you leap from your chair. You will, however, be able to relax and enjoy this presentation, if you consider that the communication we invite you to engage in with us  <em>is</em> academically rigorous—but with a different <em>idea</em> of rigor. In the <em>holoscope</em> we take no recourse to "reality". Coexistence of multiple ways of looking at any theme or issues (which in the <em>holoscope</em> are called <em>scopes</em>) is axiomatic. And so is the assumption that we <em>must</em> overcome our habits and resistances and look in new ways, if we should see things whole and finding a new course.</p>
 
  
<p>Although we have created all our claims, and <em>prototypes</em>, to our best ability, to be perfectly coherent and rigorous, and to stand to scrutiny, <em>we do not need to make such claims</em>, and we are not making them. Everything here is <em>prototypes</em>. Our invitation is not for adopting them as a "new reality"—but to begin a <em>dialog</em>, and by doing that co-create a social process by which our "realities", and the ways we create them, will be continuously evolving.</p>  
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<p>The <em>holoscope</em> distinguishes itself by allowing for <em>multiple</em> ways of looking at a theme or issue, which are called <em>scopes</em>. The <em>scopes</em> and the resulting <em>views</em> have similar meaning and role as projections do in technical drawing. The <em>views</em> that show the entire <em>whole</em> from a certain angle are called <em>aspects</em>.</p>  
  
<blockquote>We invite you to be with us in the manner of the <em>dialog</em>—to <em>genuinely</em> share, listen and co-create.</blockquote>  
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<p>This <em>modernization</em> of our handling of information—distinguished by purposeful, free and informed <em>creation</em> of the ways in which we look at a theme or issue—has become <em>necessary</em> in our situation, suggests the bus with candle headlights. But it also presents a challenge to the reader—to bear in mind that the resulting views are not "reality pictures", contending for that status with one other and with our conventional ones.</p>  
  
<p>Indeed, in the communication space where you are now invited to join us, in which this <em>holotopia</em> presentation is an integral part, launching an attack at a presented view from the old power positions would be as little sensible as claiming the validity of a scientific result by arguing that it was revealed to the author in a vision.</p>  
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<blockquote>In the <em>holoscope</em>, the legitimacy and the peaceful coexistence of multiple ways to look at a theme is axiomatic.</blockquote>  
  
<h3>We modified science</h3>
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<p>To liberate our worldview from the inherited concepts and methods and allow for deliberate choice of <em>scopes</em>, we used the scientific method as venture point—and modified it by taking recourse to insights reached in 20th century science and philosophy. </p>  
<p>To liberate our thinking from the inherited concepts and methods, and allow for deliberate choice of <em>scopes</em>, we used the scientific method as venture point—and modified it by taking recourse to insights reached in 20th century science and philosophy. </p>  
 
 
<blockquote>
 
<blockquote>
 
Science gave us new ways to look at the world: The telescope and the microscope enabled us to see the things that are too distant or too small to be seen by the naked eye, and our vision expanded beyond bounds. But science had the <em>tendency to keep us focused on things that were either too distant or too small to be relevant—compared to all those large things or issues nearby, which now demand our attention</em>. The <em>holoscope</em> is conceived as a way to look at the world that helps us see <em>any</em> chosen thing or theme as a whole—from all sides; and in proportion.
 
Science gave us new ways to look at the world: The telescope and the microscope enabled us to see the things that are too distant or too small to be seen by the naked eye, and our vision expanded beyond bounds. But science had the <em>tendency to keep us focused on things that were either too distant or too small to be relevant—compared to all those large things or issues nearby, which now demand our attention</em>. The <em>holoscope</em> is conceived as a way to look at the world that helps us see <em>any</em> chosen thing or theme as a whole—from all sides; and in proportion.
 
</blockquote>  
 
</blockquote>  
  
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<p>A discovery of a new way of looking—which reveals a structural problem, and helps us reach a correct general assessment of an object of study or a situation as a whole (see if 'the cup is broken or whole')—is a new <em>kind of result</em> that is made possible by (the general-purpose science that is modeled by) the <em>holoscope</em>.</p>
  
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<p>We will continue to use the conventional way of speaking and say that something <em>is</em> as stated, that <em>X</em> <em>is</em> <em>Y</em>—although it would be more accurate to say that <em>X</em> can or needs to (also) be perceived as <em>Y</em>. The views we offer are accompanied by an invitation to genuinely try to look at the theme at hand in a certain specific way (to use the offered <em>scopes</em>); and to do that collaboratively, in a [[dialog|<em>dialog</em>]].</p>
  
 
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<div class="page-header" ><h2>Five insights</h2></div>
 
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<div class="col-md-3"><h2><em>Scope</em></h2></div>
 
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<blockquote>What is wrong with our present "course"? In what ways does it need to be changed? What benefits will result?</blockquote>
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<p>  
 
<p>  
 
[[File:FiveInsights.JPG]]<br>
 
[[File:FiveInsights.JPG]]<br>
 
<small>Five Insights <em>ideogram</em></small>  
 
<small>Five Insights <em>ideogram</em></small>  
 
</p>  
 
</p>  
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<p>We use the <em>holoscope</em> to illuminate five <em>pivotal</em> themes, which <em>determine</em> the "course":</p>
  
<h3>Before we begin</h3>
 
<p>What theme, what evidence, what "new discovery" might have the force commensurate with the momentum with which our civilization is rushing onward—and have a <em>realistic</em> chance to make it "change course"?</p>
 
<p>We offer these [[Holotopia:Five insights|<em>five insights</em>]] as a <em>prototype</em> answer. </p>
 
<p>They result when we apply the <em>holoscope</em> to illuminate five pivotal themes:
 
 
<ul>  
 
<ul>  
<li>Innovation (how we use our ability to create, and induce change)</li>  
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<li><b>Innovation</b>—the way we use our ability to create, and induce change</li>  
<li>Communication (how information technology is being used)</li>  
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<li><b>Communication</b>—the social process, enabled by technology, by which information is handled</li>  
<li>Epistemology (fundamental premises on which our handling of information is based)</li>  
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<li><b>Epistemology</b>—the fundamental assumptions we use to create truth and meaning; or "the relationship we have with information"</li>  
<li>Method (how truth and meaning are created)</li>  
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<li><b>Method</b>—the way in which truth and meaning are constructed in everyday life, or "the way we look at the world, try to comprehend and handle it"</li>  
<li>Values (how we "pursue happiness")</li>  
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<li><b>Values</b>—the way we "pursue happiness", which in the modern society <em>directly</em> determines the course</li>  
</ul> </p>
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</ul>  
<p>For each of these five themes, we show that our conventional way of looking made us ignore a principle or a rule of thumb, which readily emerges when we 'connect the dots'—when we <em>combine</em> published insights. We see that by ignoring those principles, we have created deep <em>structural</em> problems ('crack in the cup')—which are causing problems, and "global issues" in particular.</p>  
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<p>In each case, we see a structural defect, which led to perceived problems. We demonstrate practical ways, partly implemented as <em>prototypes</em>, in which those structural defects can be remedied. We see that their removal naturally leads to improvements that are well beyond the removal of symptoms.</p>
  
<p>A 'scientific' approach to problems is this way made possible, where instead of focusing on symptoms, we understand and treat their deeper, structural causes—which <em>can</em> be remedied. </p>  
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<blockquote>The <em>holotopia</em> vision results.</blockquote>
  
<p>In the spirit of the <em>holoscope</em>, we only summarize each of the <em>five insights</em>—and provide evidence and details separately.</p>  
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<p>In the spirit of the <em>holoscope</em>, we here only summarize the <em>five insights</em>—and provide evidence and details separately.</p>  
 
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<h3><em>Scope</em></h3>  
 
<h3><em>Scope</em></h3>  
  
<p>"Man has acquired such decisive power that his future depends essentially on how he will use it", observed Peccei. We look at the <em>way</em> in which man uses his  power to <em>innovate</em> (create, and induce change). </p>  
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<blockquote><b>What</b> might constitute "a way to change course"?</blockquote>
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<p>"Man has acquired such decisive power that his future depends essentially on how he will use it", observed Peccei. Imagine if some malevolent entity, perhaps an insane dictator, took control over that power! </p>
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<blockquote>The [[Power structure|<em>power structure</em>]] insight allows us to see why no dictator is needed.</blockquote>  
  
<blockquote>We look at the way our civilization follows in its evolution; or metaphorically, at 'the itinerary' of our 'bus'. </blockquote>  
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<p>While the nature of the <em>power structure</em> will become clear as we go along, imagine it, to begin with, as our institutions; or more accurately, as <em>the systems in which we live and work</em> (which we simply call <em>systems</em>).</p>  
  
<p>We readily observe that we use competition or "survival of the fittest" to orient innovation, not information and "making things whole". The popular belief that "the free competition" or "the free market" will serve us better, also makes our "democracies" elect the "leaders" who represent that view. But is that view warranted?</p>  
+
<p>Notice that <em>systems</em> have an <em>immense</em> power—<em>over us</em>, because <em>we have to adapt to them</em> to be able to live and work; and <em>over our environment</em>, because by organizing us and using us in certain specific ways, <em>they decide what the effects of our work will be</em>. </p>  
  
<blockquote>Genuine revolutions include new ways to see freedom and power; <em>holotopia</em> is no exception. </blockquote>
+
<blockquote>The <em>power structure</em> determines whether the effects of our efforts will be problems, or solutions. </blockquote>   
<p>We offer this [[Keyword|<em>keyword</em>]], [[power structures|<em>power structure</em>]], as a means to that end. Think of the <em>power structure</em> as a new way to conceive of the intuitive notion "power holder", who might take away our freedom, or be our "enemy". </p>
 
<p>While the nature of <em>power structures</em> will become clear as we go along, imagine them, to begin with, as institutions; or more accurately, as <em>the systems in which we live and work</em> (we'll here call them simply <em>systems</em>).</p>
 
<p>Notice that <em>systems</em> have an <em>immense</em> power—<em>over us</em>, because <em>we have to adapt to them</em> to be able to live and work; and <em>over our environment</em>, because by organizing us and using us in a specific ways, <em>they determine what the effects of our work will be</em>.</p>
 
<blockquote>The <em>power structures</em> determine whether the effects of our efforts will be problems, or solutions. </blockquote>   
 
  
 
<h3>Diagnosis</h3>  
 
<h3>Diagnosis</h3>  
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<p>How suitable are <em>the systems in which we live and work</em> for their all-important role?</p>  
 
<p>How suitable are <em>the systems in which we live and work</em> for their all-important role?</p>  
  
<p>Evidence, circumstantial <em>and</em> theoretical, shows that they waste a lion's share of our resources. And that they <em>cause</em> problems, or make us incapable of solving them.</p>
+
<blockquote>Evidence shows that the <em>power structure</em> wastes a lion's share of our resources. And that it either <em>causes</em> problems, or make us incapable of solving them.</blockquote>  
 
 
<p>The reason is the intrinsic nature of evolution, as Richard Dawkins explained it in "The Selfish Gene". </p>
 
 
 
<blockquote>"Survival of the fittest" favors the <em>systems</em> that are by nature predatory, not the ones that are useful. </blockquote>
 
 
 
<p>[https://youtu.be/zpQYsk-8dWg?t=920 This excerpt]  from Joel Bakan's documentary "The Corporation" (which Bakan as law professor created to <em>federate</em> an insight he considered essential) explains how the corporation, the most powerful institution on the planet, evolved to be a perfect "externalizing machine" ("Externalizing" means maximizing profits by letting someone else bear the costs, such as the people and the environment), just as the shark evolved to be a perfect "killing machine".  [https://youtu.be/qsKQiVJkEvI?t=2780 This scene] from Sidney Pollack's 1969 film "They Shoot Horses, Don't They?" will illustrate how our <em>systems</em> affect <em>our own</em> condition.</p>  
 
  
<blockquote>Why do we put up with such <em>systems</em>? Why don't we treat them as we treat other human-made things—by adapting them to the purposes that need to be served?</blockquote>
+
<p>The root cause of this malady is in the way <em>systems</em> evolve. </p>  
  
<p>The reasons are interesting, and in <em>holotopia</em> they'll be a recurring theme. </p>
+
<blockquote>Survival of the fittest favors the <em>systems</em> that are predatory, not those that are useful. </blockquote>  
<p>One of them we have already seen: We do not <em>see things whole</em>. When we look in conventional ways, the <em>systems</em> remain invisible for similar reasons as a mountain on which we might be walking.</p>  
 
  
<p>A reason why we ignore the possibility of adapting <em>the systems in which we live and work</em> to the functions they have in our society, is that they perform for us a <em>different</em> function—of providing structure to power battles and turf strifes. Within a <em>system</em>, they provide us "objective" and "fair" criteria to compete;  and in the world outside, they give us as system <em>system</em> "competitive edge".</p>  
+
<p>[https://youtu.be/zpQYsk-8dWg?t=920 This excerpt]  from Joel Bakan's documentary "The Corporation" (which Bakan as a law professor created to <em>federate</em> an insight he considered essential) explains how the most powerful institution on our planet evolved to be a perfect "externalizing machine" ("Externalizing" means maximizing profits by letting someone else bear the costs, notably the people and the environment), just as the shark evolved to be a perfect predator.  [https://youtu.be/qsKQiVJkEvI?t=2780 This scene] from Sidney Pollack's 1969 film "They Shoot Horses, Don't They?" will illustrate how the <em>power structure</em> affects <em>our own</em> condition.</p>  
  
<p>Why don't media corporations <em>combine</em> their resources to give us the awareness we need? Because they must <em>compete</em> with one another for our attention—and use only "cost-effective" means.</p> 
+
<p>The  <em>systems</em> provide an ecology, which in the long run shapes our values and "human quality". They have the power to <em>socialize</em> us in ways that suit <em>their</em> needs. "The business of business is business"—and if our business is to succeed in competition, we <em>must</em> act in ways that lead to that effect. We either bend and comply—or get replaced. The effect on the <em>system</em> of both options will be the same.</p>  
 
 
<p>The most interesting reason, however, is that the <em>power structures</em> have the power to <em>socialize</em> us in ways that suit <em>their</em> interests. Through <em>socialization</em>, they can adapt to their interests both our culture <em>and</em> our "human quality".</p>  
 
 
<p>  
 
<p>  
 
[[File:Bauman-PS.jpeg]]
 
[[File:Bauman-PS.jpeg]]
 
</p>
 
</p>
<p>A result is that bad intentions are no longer needed for cruelty and evil to result. The <em>power structures</em> can co-opt our sense of duty and commitment, and even our heroism and honor.</p>  
+
<p>A consequence, Zygmunt Bauman diagnosed, is that bad intentions are no longer needed for bad things to happen. Through <em>socialization</em>, the <em>power structure</em> can co-opt our duty and commitment, and even heroism and honor.</p>  
<p>Zygmunt Bauman's key insight, that the concentration camp was only a special case, however extreme, of (what we are calling) the <em>power structure</em>, needs to be carefully digested and internalized: While our ethical sensibilities are focused on the <em>power structures</em> of yesterday, we are committing the greatest  [https://youtu.be/d1x7lDxHd-o massive crime] in human history (in all innocence, by only "doing our job" within the <em>systems</em> we belong to).</p>  
+
<p>Bauman's insight that even the holocaust was a consequence and a special case, however extreme, of the <em>power structure</em>, calls for careful contemplation: Even the concentration camp  employees, Bauman argued, were only "doing their job"—in a <em>system</em> whose character and purpose was beyond their field of vision, and power to change. </p>
 +
 
 +
<p>While our ethical sense is tuned to the <em>power structures</em> of the past, we are committing (in all innocence, by acting only through <em>power structures</em> that bind us together) the greatest  [https://youtu.be/d1x7lDxHd-o massive crime] in history.</p>  
 +
 
 +
<blockquote>Our children may not have a livable planet to live on.</blockquote>  
  
<blockquote>Our civilization is not "on the collision course with nature" because someone violated the rules—but <em>because we follow them</em>.</blockquote>  
+
<p>Not because someone broke the rules—<em>but because we follow them</em>.</p>  
  
 
<h3>Remedy</h3>  
 
<h3>Remedy</h3>  
  
<p>The fact that we will not "solve our problems" unless we learned to collaborate and adapt our <em>systems</em> to their contemporary roles and our contemporary challenges  has not remained unnoticed. Alredy in 1948, in his seminal Cybernetics, Norbert Wiener explained why competition cannot replace 'headlights and steering'. Cybernetics was envisioned as a <em>transdisciplinary</em> academic effort to help us understand <em>systems</em>, so that we may adapt their structure to the functions they need to perform. </p>  
+
<p>The fact that we will not solve our problems unless we develop the capability to update our <em>systems</em> has not remained unnoticed. </p>  
  
 
<p>
 
<p>
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</p>
 
</p>
  
<p>The very first step the founders of The Club of Rome did after its inception in 1968 was to convene a team of experts, in Bellagio, Italy, to develop a suitable methodology. They gave "making things whole" on the scale of socio-technical systems the name "systemic innovation"—and we adopted that as one of our <em>keywords</em>. </p>  
+
<p>The very first step that the The Club of Rome's founders did after its inception, in 1968, was to convene a team of experts, in Bellagio, Italy, to develop a suitable methodology. They gave making things whole on the scale of socio-technical systems the name "systemic innovation"—and we adapted that as one of our <em>keywords</em>. </p>  
  
<p>The Knowledge Federation was created as a system to enable <em>federation</em> into systems. To bootstrap <em>systemic innovation</em>. The method is to create a <em>prototype</em>, and a <em>transdiscipline</em> around it to update it continuously. This enables the information created in disciplines to be woven into systems, to have real or <em>systemic</em> impact.</p>  
+
<p>The work and the conclusions of this team were based on results in the systems sciences. In the year 2000, in "Guided Evolution of society", systems scientist Béla H. Bánáthy surveyed relevant research, and concluded in a true <em>holotopian</em> tone:</p>  
  
<p>The <em>prototypes</em> are created by weaving together <em>design patterns</em>. Each of them is a issue-solution pair. Hence each roughly corresponds to a discovery (of an issue), and an innovation (a solution). A <em>design pattern</em> can then be adapted to other design challenges and domains. The <em>prototype</em> shows how to weave the relevant <em>design patterns</em> into a coherent whole.</p>  
+
<blockquote>We are the <em>first generation of our species</em> that has the privilege, the opportunity and the burden of responsibility to engage in the process of our own evolution. We are indeed <em>chosen people</em>. We now have the knowledge available to us and we have the power of human and social potential that is required to initiate a new and historical social function: conscious evolution. But we can fulfill this function only if we develop evolutionary competence by evolutionary learning and acquire the will and determination to engage in conscious evolution. These two are core requirements, because <em>what evolution did for us up to now we have to learn to do for ourselves by guiding our own evolution.</em></blockquote>  
  
<p>While each of our <em>prototypes</em> is an example, the Collaborology educational <em>prototype</em> is offered as a canonical example. It has about a dozen <em>design patterns</em>, solutions to questions how to make education serve transformation of society—instead of educating people for society as is.</p>  
+
<p>In 2010 Knowledge Federation began to self-organize to make further headway on this creative frontier. The procedure we developed is simple: We create a [[prototype|<em>prototype</em>]] of a system, and a <em>transdisciplinary</em> community and project around it to update it continuously. The insights in participating disciplines can in this way have real or <em>systemic</em> effects.</p>  
  
<p>Each <em>prototype</em> is also an experiment, showing what works in practice. Our very first <em>prototype</em> of this kind, the Barcelona Ecosystem for Good Journalism 2011, revealed that the prominent experts in a system (journalism) cannot change the system they are part of. The key is to empower the "young" ones. We created The Game-Changing Game. And The Club of Zagreb.</p>  
+
<p>Our very first <em>prototype</em>, the Barcelona Innovation Ecosystem for Good Journalism in 2011, was of a public informing that identifies systemic causes and proposes corresponding solutions (by involving academic and other experts) of perceived problems (reported by people directly, through citizen journalism). </p>  
  
 +
<p>A year later we created The Game-Changing Game as a generic way to change <em>systems</em>—and hence as a "practical way to craft the future"; and based on it The Club of Zagreb, as an update to The Club of Rome.</p>
 +
 +
<p>Each of about forty [[prototype|<em>prototypes</em>]] in our portfolio illustrates [[systemic innovation|<em>systemic innovation</em>]] in a specific domain.  Each of them is composed in terms of [[design pattern|<em>design patterns</em>]]—problem-solution pairs, ready to be adapted for other applications and domains.</p>
 +
 +
<p>The Collaborology <em>prototype</em>, in education, will highlight some of the advantages of this approach.</p>
 +
 +
<p> An education that prepares us only for traditional professions, once in a lifetime, is an obvious obstacle to <em>systemic</em> change. Collaborology implements an education that is in every sense flexible (self-guided, life-long...), and in an <em>emerging</em> area of interest (collaborative knowledge work, as enabled by new technology). By being collaboratively created itself (Collaborology is created and taught by a network of international experts, and offered to learners world-wide), the economies of scale result that <em>dramatically</em> reduce effort. This in addition provides a sustainable business model for developing and disseminating up-to-date knowledge in <em>any</em> domain of interest. By conceiving the course as a design project, where everyone collaborates on co-creating the learning resources, the students get a chance to exercise their "human quality". This in addition gives the students an essential role in the resulting 'knowledge-work ecosystem' (as 'bacteria', extracting 'nutrients') .</p>
  
 
</div> </div>  
 
</div> </div>  
 
  
  
Line 262: Line 260:
 
<div class="col-md-7"><h3>Scope</h3>  
 
<div class="col-md-7"><h3>Scope</h3>  
  
 +
<p>We have just seen that our evolutionary challenge and opportunity is to develop the capability to update our institutions or <em>systems</em>, to learn how to make them <em>whole</em>.</p>
 +
 +
<blockquote><b>Where</b>—with what system—shall we begin?</blockquote>
 +
 +
<p>The handling of information, or metaphorically our society's 'headlights', suggests itself as the answer for several reasons. </p>
  
<p>If our next evolutionary task is to make institutions or <em>systems</em> <em>whole</em>—<b>where</b> shall we begin?</p>
+
<p>One of them is obvious: If we should use information as guiding light and not competition, our information will need to be different.</p>  
<p>Handling of information, or metaphorically our society's 'headlights', suggests itself as the answer for several reasons. One of them is that if we'll use information as guiding light and not competition, our information will need to be different.</p>  
+
 
<p>Norbert Wiener contributed another reason: In <em>social</em> systems, communication is what  <em>turns</em> a collection of independent individuals into a system. In his 1948 book Wiener talked about the communication in ants and bees to make that point. Furthermore, "the tie between information and action" is <em>the</em> key property of a system, which cybernetics invites us to focus on. The full title of Wiener's book was  "Cybernetics or Control and Communication in the Animal and the Machine". To be able to correct their behavior and maintain inner and outer balance, and to "change course" when the circumstances demand that (Wiener used the technical term "homeostasis", which we may here interpret as "sustainability")—the system must have <em>suitable</em> communication and control.</p>  
+
<p>In his 1948 seminal "Cybernetics", Norbert Wiener pointed to another reason: In <em>social</em> systems, communication is what  <em>turns</em> a collection of independent individuals into a system. Wiener made that point by talking about ants and bees. It is the nature of the communication that determines a social system's properties, and behavior.  Cybernetics has shown—as its main point, and title theme—that "the tie between information and action" has an all-important role, which determines (Wiener used the technical keyword "homeostasis", but let us here use this more contemporary one) the <em>sustainability</em> of a system. The full title of Wiener's book was  "Cybernetics or Control and Communication in the Animal and the Machine". To be able to correct their behavior and maintain inner and outer balance, to be able to "change course" when the circumstances demand that, to be able to continue living and adapting and evolving—a system must have <em>suitable</em> communication and control.</p>  
  
 
<h3>Diagnosis</h3>  
 
<h3>Diagnosis</h3>  
 +
 +
<p>That is presently <em>not</em> the case with our core systems; and with our civilization as a whole.</p>
  
 
<blockquote>The tie between information and action has been severed, Wiener too observed. </blockquote>  
 
<blockquote>The tie between information and action has been severed, Wiener too observed. </blockquote>  
<p>Our society's communication-and-control is broken, and it has to be restored.</p>  
+
<p>Our society's communication-and-control is broken; it needs to be restored.</p>  
 
<p>  
 
<p>  
 
[[File:Bush-Vision.jpg]]
 
[[File:Bush-Vision.jpg]]
 
</p>  
 
</p>  
<p>To make that point, Wiener cited an earlier work, Vannevar Bush's 1945 article "As We May Think", where Bush urged the scientists to make the task of revising <em>their own</em> communication their <em>next</em> highest priority—the World War Two having just been won.</p>  
+
<p>To make that point, Wiener cited an earlier work, Vannevar Bush's 1945 article "As We May Think", where Bush urged the scientists to make the task of revising <em>their</em> communication their <em>next</em> highest priority—the World War Two having just been won.</p>
 +
 
 +
<blockquote>These calls to action remained, however, without effect.</blockquote>  
  
<p>These calls to action remained, however, without effect. And it is not difficult to see why.</p>  
+
<p>"As long as a paradox is treated as a problem, it can never be dissolved," observed David Bohm. <em>Wiener too</em> entrusted his insight to the communication whose tie with action had been severed.</p>  
  
<p>"As long as a paradox is treated as a problem, it can never be dissolved," observed David Bohm.</p>  
+
<p>We have assembled a formidable collection of academic results that shared the same fate—to illustrate a general phenomenon we are calling [[Wiener's paradox|<em>Wiener's paradox</em>]]. The link between communication and action having been broken—the academic results will tend to be ignored <em>whenever they challenge the present "course"</em> and point to a new one!</p>
  
<blockquote><em>Wiener too</em> entrusted his results to the communication whose tie with action had been severed!</blockquote>  
+
<p>To an academic researcher, it may feel disheartening to see that so many best ideas of our best minds remained ignored.</p>  
  
<p>We have assembled an interesting collection of academic results that shared a similar fate, as illustration of the phenomenon we are calling [[Wiener's paradox|<em>Wiener's paradox</em>]].</p>
+
<p>This sentiment is transformed into <em>holotopian</em> optimism when we look at 'the other side of the coin'—the creative frontier that is opening up. We are invited to, we are indeed <em>obliged</em> to reinvent <em>the systems in which we live and work</em>, by recreating the very communication that holds them together. Including, of course, our own, academic system, and the way in which it interoperates with other systems—<em>or fails</em> to interoperate. </p>
  
<p>It may be disheartening, especially to an academic researcher, to see so many best ideas of our best minds unable to benefit our society. But this sentiment quickly changes to <em>holotopian</em> optimism, when we look at the vast creative frontier this is pointing to; which Vannevar Bush pointed to in 1945. </p>  
+
<p>Optimism will turn into enthusiasm, when we consider also <em>this</em> widely ignored fact:</p>  
  
<p>Optimism turns into enthusiasm, when the information technology, which we all now use to communicate with the world, is taken into consideration.</p>
+
<blockquote>The information technology we now use to communicate with the world was <em>created</em> to enable a paradigm change on that very frontier.</blockquote>  
  
<blockquote>Core elements of the contemporary information technology were <em>created to enable a paradigm change</em> on that creative frontier.</blockquote>  
+
<p>'Electricity', and the 'lightbulb', have already been created—<em>for the purpose of</em> giving our society the 'headlights' it needs.</p>  
  
<p>Vannevar Bush already pointed to this new paradigm, indeed already in the title, "As We May Think", of his 1945 article. His point was that "thinking" really means making associations or "connecting the dots". And that our knowledge work must be organized in such a way <em>that we may benefit from each other's "thinking"</em>—and in effect think <em>together</em>, as a single mind does. He described a <em>prototype</em> system called "memex", which was based on microfilm as technology.</p>  
+
<p>Vannevar Bush pointed to the need for this new paradigm already in his title, "As We May Think". His point was that "thinking" really means making associations or "connecting the dots". And that—given the vast volumes of our information—our knowledge work must be organized <em>in a way that enables us to benefit from each other's thinking</em>. Bush's point was that technology and processes must be devised to enable us to in effect "connect the dots" or think <em>together</em>, as a single mind does. He described a <em>prototype</em> system called "memex", which was based on microfilm as technology.</p>  
  
<p>Douglas Engelbart, however, took this development in a whole new direction—by observing (in 1951!) that when we, humans, are connected to a personal digital device through an interactive interface, and when those devices are connected together into a network—then the overall result is that we are connected together in a similar way as the cells in a human organism are connected by the nervous system. While all earlier innovations in this area—from clay tablets to the printing press—required that a physical medium that bears a message be physically <em>transported</em>, this new technology allows us to "create, integrate and apply knowledge" <em>concurrently</em>, as cells in a human nervous system do.</p>  
+
<p>Douglas Engelbart, however, took Bush's idea significantly further than Bush himself envisioned, and indeed in a whole new direction—by observing (in 1951!) that when each of us humans are connected to a personal digital device through an interactive interface, and when those devices are connected together into a network—then the overall result is that we are connected together as the cells in a human organism are connected by the nervous system. </p>  
  
<blockquote> We can now think and create—together!</blockquote>  
+
<p>All earlier innovations in this area—the clay tablets <em>and</em> the printing press—required that a physical object with a message be <em>physically transported</em>.</p>  
  
<p>[https://youtu.be/cRdRSWDefgw This three minute video clip], which we called "Doug Engelbart's Last Wish", offers an opportunity for a pause. Imagine the effects of improving the <em>system</em> by which information is produced and put to use; even "the effects of getting 5% better", Engelbart commented with a smile. Then he put his fingers on his forehead: "I've always imagined that the potential was... large..." The potential not only large; it is <em>staggering</em>. The improvement that can and needs to be achieved is not only large, it is <em>qualitative</em>— from a system that doesn't really fulfill its function, to one that does.</p>  
+
<blockquote>This new technology allows us to "create, integrate and apply knowledge" <em>concurrently</em>, as cells in a human nervous system do.</blockquote>  
  
<p>By collaborating in this new way, Engelbart envisioned, we would become able to comprehend our problems and respond to them incomparably faster than we do. Engelbart foresaw that the <em>collective intelligence</em> that would result would enable us to tackle the "complexity times urgency of our problems", which he saw as growing at an accelerated rate or "exponentially". </p>  
+
<p>We can now develop insights and solutions  <em>together</em>.</p>  
  
<p>But to Engelbart's dismay, this new "collective nervous system" ended up being use to only make the <em>old</em> processes and systems more efficient. The ones that evolved through the centuries of use of the printing press, which only <em>broadcast</em> data. </p>
+
<p>Engelbart conceived this new technology as a necessary step toward becoming able to tackle the "complexity times urgency" of our problems, which he saw as growing at an accelerated rate. </p>  
  
<blockquote>The difference that makes a difference, which <em>knowledge federation</em> is positioned to contribute, is to organize us in knowledge work in such a way, that the result is the production of <em>meaning</em>.</blockquote>  
+
<p>[https://youtu.be/cRdRSWDefgw This three minute video clip], which we called "Doug Engelbart's Last Wish", will give us an opportunity for a pause and an illuminating reflection. Think about the prospects of improving the planetary <em>collective mind</em>. Imagine "the effects of getting 5% better", Engelbart commented with a smile. Then our old man put his fingers on his forehead, and raised his eyes up: "I've always imagined that the potential was... large..." The potential is not only large; it is <em>staggering</em>. The improvement that is both necessary and possible is <em>qualitative</em>—from a system that doesn't really work, to one that does.</p>  
  
<p>The purpose of [[knowledge federation|<em>knowledge federation</em>]] is to
+
<p>To Engelbart's dismay, our new "collective nervous system" ended up being used to only make the <em>old</em> processes and systems more efficient. The ones that evolved through the centuries of use of the printing press. The ones that <em>broadcast</em> information. </p>
  
 
<p>  
 
<p>  
 
[[File:Giddens-OS.jpeg]]
 
[[File:Giddens-OS.jpeg]]
 
</p>  
 
</p>  
<p>The above observation by Anthony Giddens points to the impact that its absence, the impact of using the technology to merely broadcast information, had on culture and "human quality".</p>
 
<p>Dazzled by an overload of data, in a reality whose complexity is well beyond our comprehension—we have no other recourse but "ontological security". We find meaning in learning a profession, and performing in it a competitively.</p>
 
  
<p>But <em>ontological security</em> is what <em>binds us</em> to <em>power structure</em>. </p>  
+
<p>The above observation by Anthony Giddens points to the effects that our dazzled and confused <em>collective mind</em> had on our culture; and on "human quality".</p> 
 +
 
 +
<p>Our sense of meaning having been drowned in an overload of data, in a reality whose complexity is well beyond our comprehension—we have no other recourse but "ontological security". We find meaning in learning a profession, and performing in it a competitively.</p>
 +
 
 +
<blockquote>But that is exactly what <em>binds us</em> to <em>power structure</em>!</blockquote>
  
  
 
<h3>Remedy</h3>  
 
<h3>Remedy</h3>  
  
<blockquote><em>What is to be done</em>, if we should be able to use the new technology to change our <em>collective mind</em>?</blockquote>   
+
<p><em>What is to be done</em>, to restore the severed link between communication and action?</p>
 
+
<blockquote><em>How can we begin to change our collective mind</em>—as our technology enables, and our situation demands?</blockquote>   
<p>Engelbart left us a clear answer in the opening slides of his "A Call to Action" presentation, which were prepared for a 2007 panel that Google organized to share his vision to the world, but were not shown(!).</p>
 
  
<p>  
+
<p>Engelbart left us a simple and clear answer: [[bootstrapping|<em>bootstrapping</em>]].</p>  
[[File:DE-one.jpeg]]
 
</p>  
 
  
<p>In the first slide, Engelbart emphasized that "new thinking" or a "new paradigm" is needed. In the second, he pointed out what this "new thinking" was. </p>  
+
<p>His point was that only <em>writing</em> about what needs to be done would not have an effect (the tie between information and action having been broken). <em>Bootstrapping</em> means that we consider ourselves as <em>parts</em> in a <em>collective mind</em>; and that we self-organize, and <em>act</em>, as it may best serve its restoration to <em>wholeness</em>.</p>
  
<blockquote>  
+
<blockquote>The key to solution is to either <em>create</em> new systems with the material of our own minds and bodies—or to <em>help others</em> do that.</blockquote>  
<p>We ride a common economic-political vehicle traveling at an ever-accelerating pace through increasingly complex terrain.</p>
 
<p>Our headlights are much too dim and blurry. We have totally inadequate steering and braking controls. </p>
 
</blockquote>  
 
  
<p>There can be no doubt that <em>systemic innovation</em> was the direction Engelbart was pointing to. He indeed published an ingenious methodology for <em>systemic innovation</em> <em>already in 1962</em>, six years before Jantsch and others created theirs in Bellagio, Italy; and he used this methodology throughout his career. </p>  
+
<p>The Knowledge Federation <em>transdiscipline</em> was conceived by an act of <em>bootstrapping</em>, to enable <em>bootstrapping</em>. </p>  
  
<p>Engelbart also made it clear what needs to be our next step—by which the spell of the <em>Wiener's paradox</em> is to be broken. He called it "bootstrapping"—and we adopted <em>bootstrapping</em> as one of our <em>keywords</em>. The point here is that only <em>writing</em> about what needs to be done (the tie between information and action being broken) will not lead to a desired effect; the way out of the paradox, or <em>bootstrapping</em>, means that we <em>act</em>—and either create a new system with our own minds and bodies, or actively help others do that.</p>  
+
<p>What we are calling <em>knowledge federation</em> is an umbrella term for a variety of activities and social processes that together comprise the functions of a <em>collective mind</em>. Obviously, the development of the <em>collective mind</em> [[paradigm|<em>paradigm</em>]] will requires a <em>system</em>, a new kind of institution, which will assemble and mobilize the required knowledge and human and other resources toward that end. Presently, Knowledge Federation is a complete <em>prototype</em> of the <em>transdiscipline</em> for <em>knowledge federation</em>, ready for inspection, co-creative updates and deployment.</p>
  
<p>What we are calling <em>knowledge federation</em> is the 'collective thinking' that the new informati9on technology enables, and our society requires.</p>  
+
<p>But may will have the requisit knowledge, and who may be given the power—to update our <em>collective mind</em>?</p>  
  
<p>The Knowledge Federation <em>transdiscipline</em> was created by an act of <em>bootstrapping</em>, to enable <em>bootstrapping</em>. Originally, we were a community of knowledge media researchers and developers, developing the <em>collective mind</em> solutions that the new technology enables. Already at our first meeting, in 2008, we realized that the technology that we and our colleagues were developing has the potential to change our <em>collective mind</em>; but that to realize that potential, we need to self-organize differently.</p>  
+
<blockquote>The <em>praxis</em> of <em>knowledge federation</em> itself must, of course, also be <em>federated</em>.</blockquote>
  
<p>Ever since then have been <em>bootstrapping</em>, by developing <em>prototypes</em> with and for various communities and situations.</p>
+
<p>In 2008, when Knowledge Federation had its inaugural meeting, two closely related initiatives were formed: Program for the Future (a Silicon Valley-based initiative to continue and complete "Doug Engelbart's unfinished revolution") and Global Sensemaking (an international community of researchers and developers, working on technology and processes for collective sense making). </p>
 +
<p>
 +
[[File:BCN2011.jpg]]<br>
 +
<small>Paddy Coulter, Mei Lin Fung and David Price speaking at the 2011 An Innovation Ecosystem for Good Journalism workshop in Barcelona</small>
 +
</p>
 +
<p>We use the above triplet of photos ideographically, to highlight that Knowledge Federation is a true federation—where state of the art knowledge is combined in state of the art <em>systems</em>. The featured participants of our 2011 workshop in Barcelona, where our public informing <em>prototype</em> was created, are Paddy Coulter (the Director of Oxford Global Media and Fellow of Green College Oxford, formerly the Director of Oxford University's Reuter Program in Journalism) Mei Lin Fung (the founder of Program for the Future) and David Price (who co-founded both the Global Sensemaking R & D community, and Debategraph—which is now the leading global platform for collective thinking).  
 +
</p>  
  
<p>Among them, we highlight
+
<p>Other <em>prototypes</em> contributed other <em>design patterns</em> for restoring the severed link between information and action. The Tesla and the Nature of Creativity TNC2015 <em>prototype</em> showed what may constitute the <em>federation</em> of a research result—which is written in an esoteric academic vernacular, and has large potential general interest and impact. The first phase of this <em>prototype</em>, completed through collaboration between the author and our communication design team, turned the academic article into a multimedia object, with intuitive, metaphorical diagrams, and explanatory interviews with the author. The second phase was a high-profile, televised and live streamed event, where the result was made public. The third phase, implemented on Debategraph, modeled proper online collective thinking about the result—including pros and cons, connections with other related results, applications etc. </p>  
<ul>  
 
<li>Barcelona Innovation Ecosystem for Good Journalism, IEJ2011</li>  
 
<li>Tesla and the Nature of Creativity, TNC2015</li>  
 
<li>The LIghthouse 2016</li>
 
</ul> </p>
 
<p>The first, IEJ2011m, shows how researchers, journalists, citizens and creative media workers can collaborate to give the people exactly the kind of information they need—to be able to orient themselves in contemporary world, and handle its challenges correctly.</p>
 
<p>The second, TNC2015, shows how to <em>federate</em> a result of a single scientist—which is written in an inaccessible language, and has high potential relevance to other fields and to the society at large.</p>
 
<p>The third, The Lighthouse 2016, empowers a community of researchers (the concrete <em>prototype</em> was made for and with the International Society for the Systems Sciences) to <em>federate</em> a single core insight that the society needs from their field. (Here the concrete insight was that "the free competition" cannot replace "communication and control" and provide "homeostasis"—as Wiener already argued in Cybernetics, in 1948.)</p>  
 
  
<p>Together, those three <em>prototypes</em> constitute a <em>prototype</em> solution to the <em>Wiener's paradox</em>.</p>  
+
<p>The Lighthouse 2016 <em>prototype</em> is a conceived as a <em>direct</em> remedy for the <em>Wiener's paradox</em>, created for and with the International Society for the Systems Sciences. This <em>prototype</em> models a system by which <em>an academic community</em> can federate a single core message into the public sphere. The message in this case was also relevant—it was whether or not we can rely on "free competition" to guide the evolution and the functioning of our <em>systems</em>; or whether we must use its alternative—the knowledge developed in the systems sciences. </p>  
  
 
</div> </div>  
 
</div> </div>  
 
  
 
<div class="row">
 
<div class="row">
Line 362: Line 362:
 
<p>
 
<p>
 
<blockquote>"Act like as if you loved your children above all else",</blockquote>  
 
<blockquote>"Act like as if you loved your children above all else",</blockquote>  
Greta Thunberg, representing her generation, told the political leaders at Davos. <em>Of course</em> the political leaders love their children—don't we all? But what Greta was asking for was to 'hit the brakes'; and when our 'bus' is inspected, it becomes clear that its 'brakes' too are dysfunctional.</p>  
+
Greta Thunberg, representing her generation, told the political leaders at Davos. <em>Of course</em> political leaders love their children—don't we all? But what Greta was asking them to do was to 'hit the brakes'; and when the 'bus' they are believed to be 'driving' is inspected, it becomes clear that the 'brakes' too are missing. The job of a politician is to keep 'the bus on course' (the economy growing) for yet another four years. <em>Changing</em> the 'course' or the <em>system</em> is well beyond what they are able to do, or even imagine doing.</p>  
  
<p>So <b>who</b> will lead us through the next and vitally important step on our evolutionary agenda—where we shall learn how to update <em>the systems in which we live and work</em>?</p>  
+
<p>The COVID-19 pandemic may require systemic changes <em>now</em>.</p>  
  
<p>Both Jantsch and Engelbart believed that "the university" would have to be the answer; and they made their appeals accordingly. But they were ignored—and so were Vannevar Bush and Norbert Wiener before them, and the others who followed. </p>  
+
<blockquote><b>Who</b>—what institution or <em>system</em>—will take the leadership role, and guide us through our unprecedentedly immense creative and evolutionary challenges?</blockquote> 
 +
 
 +
<p>Both Erich Jantsch and Doug Engelbart believed that "the university" would have to be the answer; and they made their appeals accordingly. But the universities ignored them—just as they ignored Vannevar Bush and Norbert Wiener before them, and so many others who followed. </p>  
  
 
<p>Why?</p>  
 
<p>Why?</p>  
  
<p>It is tempting to conclude that the <em>academia</em> too followed the general trend, and evolved as a <em>power structure</em>. But to see solutions, we need to look at deeper causes.</p>  
+
<p>Isn't the prospect of restoring agency to information and power to knowledge deserving of academic attention?</p>
 +
 
 +
<p>It is tempting to conclude that the university institution followed the general trend, and evolved as a <em>power structure</em>. But to see solutions, we need to look at deeper causes.</p>
 +
<p>
 +
[[File:Toulmin-Vision2.jpeg]]
 +
</p>
 +
 
 +
<p>We readily find them in the way in which the university institution <em>originated</em>.</p>
 +
 
 +
<p>The academic tradition did not originate as a way to practical knowledge, but to <em>freely</em> pursue knowledge for its own sake; in a manner disciplined only by [[knowledge of knowledge|<em>knowledge of knowledge</em>]]—which philosophers have been developing since antiquity. Wherever this free-yet-disciplined pursuit of knowledge took us, we followed.</p>
 +
 
 +
<p>And as we pointed out in the opening paragraphs of this website, by highlighting the iconic image of Galilei in house arrest,
 +
 
 +
<blockquote>it was this <em>free</em> pursuit of knowledge that led to the <em>last</em> "great cultural revival".</blockquote>
 +
</p>
 +
 
 +
<p>We asked:
 +
<blockquote>Could a similar advent be in store for us today?</blockquote></p>
 +
 
 +
<p>The key to the positive answer to this question—which is obviously central to <em>holotopia</em>—is in the <em>historicity</em> of "the relationship we have with knowledge"—which Stephen Toulmin explicated so clearly in his last book, "Reurn to Reason", from which the above quotation was taken. So that is what we here focus on.</p> 
 +
 
 +
<p>As Toulmin pointed out, at the time when the <em>contemporary</em> academic ethos was taking shape, it was the Church and the tradition that had the prerogative of telling the people how to conduct their daily affairs and what to believe in. And as the image of Galilei in house arrest may suggest—they held onto that prerogative most firmly! But the censorship and the prison could not stop an idea whose time had come. They were unable to prevent a completely <em>new</em> way of exploring the world to transpire from astrophysics, where it originated, and transform first our pursuit of knowledge in general—and then our society and culture at large.</p>
 +
 
 +
<p>It is therefore natural that at the universities we consider the curation of this <em>approach</em> to knowledge to be our core role in our society. Being the heirs and the custodians of a tradition that has historically led to some of <em>the</em> most spectacular evolutionary leaps in human history, we remain faithful to that tradition. We do that by meticulously conforming to the methods and the themes of interests of mathematics, physics, philosophy, biology, sociology, philosophy and other traditional academic disciplines, which, we believe, <em>embody</em> the highest standards of that tradition. People can learn practical skills elsewhere. It is only at the <em>university</em> that they can acquire the highest standards of <em>knowledge of knowledge</em>—and the ability to pursue knowledge effectively in <em>any</em> domain.</p>
 +
 
 +
<p>We must ask:</p>
 +
 
 +
<blockquote>Can the academic tradition evolve still further? </blockquote>  
  
<p>As we pointed out in the opening paragraph of this website, the academic tradition did not develop as a way to pursue practical knowledge, but (let's call it that) "right" knowledge. 
+
<p>Can this tradition <em>once again</em> give us a completely <em>new</em> way to explore the world?</p>  
Our tradition developed from classical philosophy, where the "philosophical" questions such as "How do we know that something is <em>true</em>?" and even "<em>What does it mean</em> to say that something is true?" led to rigorous or "academic" standards for pursuing knowledge. The university's core social role, as we, academic people tend to perceive it, is to uphold those standards. By studying at a university, one becomes capable of pursuing knowledge in an academic way in <em>any</em> domain of interest.</p>  
 
  
<p>And as we also pointed out, by bringing up the image of Galilei in house arrest, this seemingly esoteric or "philosophical" pursuit was what largely <em>enabled</em> the last "great cultural revival", and led to all those various good things that we now enjoy. The Inquisition, censorship and prison were unable to keep in check an idea whose time had come—and the new way to pursue knowledge soon migrated from astrophysics, where it originated, and transformed all walks of life. </p>  
+
<p>Can the free pursuit of knowledge, curated by the <em>knowledge of knowledge</em>, once again lead to "a great cultural revival" ?</p>
 +
 
 +
<blockquote>Can "a great cultural revival" <em>begin</em> at the university?</blockquote>  
  
<p>We began our presentation of <em>knowledge federation</em> by asking "Could a similar advent be in store for us today?" </p>
 
  
 
<h3>Diagnosis</h3>
 
<h3>Diagnosis</h3>
  
<p>Here is why we felt confident in drafting an affirmative answer to this rhetorical question.</p>
 
  
<p>Early in the course of our modernization, we made a fundamental error whose consequences cannot be overratedThis error was subsequently uncovered and reported, but it has not yet been corrected.</p>  
+
<blockquote>In the course of our modernization, we made a <em>fundamental</em> error.</blockquote>  
 +
 
 +
<p>From the traditional culture we adopted a <em>myth</em> far more disruptive of modernization than the creation myth—that "truth" means "correspondence with reality"; and that the purpose of information, and of our pursuit of knowledge, is to "know the reality" objectively, as it truly is. It may take a moment of reflection to see how much this <em>myth</em> permeates our popular culture, our society and institutions; how much it marks "the relationship we have with information"—in all its various manifestations.</p>  
  
<p>Without thinking, from the traditional culture we've adopted a <em>myth</em> incomparably more disruptive of modernization that the creation myth—that "truth" means "correspondence with reality". And that the role of information is to provide us an "objectively true reality picture", so that we may distinguish truth from falsehood by simply checking whether an idea fits in. </p>  
+
<p>This fundamental error has subsequently been detected and reported, but not corrected. (We again witness that the link between information and action has been severed.)</p>  
  
<blockquote>The 20th century science and philosophy disproved and abandoned this naive view.</blockquote>
 
 
<p>  
 
<p>  
 
[[File:Einstein-Watch.jpeg]]
 
[[File:Einstein-Watch.jpeg]]
 
</p>
 
</p>
<p>It has turned out that <em>there is simply no way</em> to open the 'mechanism of nature' and verify that our models <em>correspond</em> to the real thing!</p>
+
<p><em>It is simply impossible</em> to open up the 'mechanism of nature', and verify that our ideas and models <em>correspond</em> to the real thing!</p>  
 
 
<p>How, then, did our "reality picture" come about?</p>
 
 
 
<p>Reality, reported scientists and philosophers, is not something we discover; it is something we <em>construct</em>. </p>
 
 
 
<p>Part of this construction is a function of our cognitive system, which turns "the chaotic diversity of our sense-experience" into something that makes sense, and helps us function. The other part is performed by our society. Long before we are able to reflect on these matters "philosophically", we are given certain concepts through which to look at the world and organize it and make sense of it. Through innumerable 'carrots and sticks', throughout our lives, we are induced to "see the reality" in a certain specific way—as our culture defines it. As everyone knows, every "normal human being" sees the reality as it truly is. Wasn't that the reason why our ancestors often considered the members of a neighboring tribes, who saw the reality differently, as not completely normal; and why they treated them as not completely human?</p>
 
 
 
<p>Of various consequences that have resulted from this historical error, we shall here mention two. The first will explain what really happened with our culture, and our "human quality"; why the way we handle them urgently needs to change. The second will explain what holds us back—why we've been so incapable of treating our <em>systems</em> as we treat other human-made things, by adapting them to the purposes that need to be served.  </p>  
 
  
<p>To see our first point, we invite you to follow us in a one-minute thought experiment. To join us on an imaginary visit to a cathedral. No, this is not about religion; we shall use the cathedral as one of our <em>ideograms</em>, to put things in proportion and make a point.</p>  
+
<blockquote>The "reality", the 20th century's scientists and philosophers found out, is not something we discover; it is something we <em>construct</em>. </blockquote>  
  
<p>What strikes us instantly, as we enter, is awe-inspiring architecture. Then we hear the music play: Is it Bach's cantatas? Or Allegri's Miserere? We see sculptures, and frescos by masters of old on the walls. And then, of course, there's the ritual...</p>
+
<p>This "social construction of reality" is a result of complex interaction between our cognitive organs and our culture. From the cradle to the grave, through innumerably many 'carrots and sticks', we are <em>socialized</em> to organize and communicate our experience <em>in a certain specific way</em>. </p>
<p>We also notice a little book on each bench. When we open it, we see that its first paragraphs explain how the world was created.</p>
 
<p>Let this difference in size—between the beginning of Genesis and all the rest we find in a cathedral—point to the fact that, owing to our error, our pursuit of knowledge has been focused on a relatively minor part, on <em>explaining</em> how the things we perceive originated, and how they work. And that what we've ignored is our culture as a complex ecosystem, which evolved through thousands of years, whose function is to <em>socialize</em> people in a certain specific way. To <em>create</em> certain "human quality". Notice that we are not making a value judgment, only pointing to a function.</p>  
 
  
<p>The way we presently treat this ecosystem reminds of the way in which we treated the natural ones, at the beginning of the Industrial Revolution. We have nothing equivalent to CO2 measurements and quotas, to even <em>try</em> to make this a scientific and political issue.</p>  
+
<blockquote>The <em>socialized reality</em> construction has has served as the 'DNA', which enabled the traditional cultures to reproduce themselves and evolve.</blockquote>  
  
<p>So how <em>are</em> our culture, and our "human quality" evolving? To see the answer, it is enough to just look around. To an excessive degree, the <em>symbolic environment</em>  we are immersed in is a product of advertising. And explicit advertising is only a tip of an iceberg, comprising various ways in which we are <em>socialized</em> to be egotistical consumers; to believe in "free competition"—not in "making things <em>whole</em>".</p>  
+
<p>Information, in other words, <em>has</em> traditionally served as 'headlights'; the purpose of the traditional myths was not to tell the people how the world really originated—but to serve as foundation for principles and norms, which oriented their behavior; and the development of "human quality".</p>  
  
<p>By believing that the role of information is to give us an "objective" and factual view of "reality", we have ignored and abandoned to decay core parts of our cultural heritage. <em>And</em> we have abandoned the creation of culture, and of "human quality", to <em>power structure</em>. </p>  
+
<p>Information, however, and <em>socialization</em>, have always served also a different purpose—as instruments of power, by which the power relationships were maintained. They have been not only core elements of culture—but also of the <em>power structure</em>.</p>  
  
<p>To see our second point, that reality construction is a key instrument of the <em>power structure</em>, and hence of power, it may be sufficient to point to "Social Construction of Reality", where Berger and Luckmann explained how throughout history, the "universal theories" about the nature of reality have been used  to <em>legitimize</em> a given social order. But this theme is central to <em>holotopia</em>, and here too we can only get a glimpse of a solution by looking at deeper dynamics and causes.</p>  
+
<p>In "Social Construction of Reality", Berger and Luckmann left us an analysis of the social process by which the reality is constructed—and pointed to the role that "universal theories" (which determine the relationship we have with information) play in maintaining a given social and political status quo. An example, but not the only one, is the Biblical worldview of Galilei's persecutors.</p>  
  
<p>To be able to do that we devised a <em>thread</em>—in which three short stories or <em>vignettes</em> are strung together to compose a larger insight.</p>
+
<p>To organize and sum up what we above all need to know about the <em>nature</em> of <em>socialization</em>, and about the relationship between power and culture, we created the Odin–Bourdieu–Damasio [[thread|<em>thread</em>]], consisting of three short real-life stories or [[vignette|<em>vignettes</em>]]. (The <em>thread</em> is an adaptation of Vannevar Bush's technical idea for organizing collective mind work, which he called "trail".) </p>  
  
<p>The first <em>vignette</em> describes a real-life event, where two Icelandic horses living outdoors—aging Odin the Horse, and New Horse who is just being introduced to the herd where Odin is the stallion and the leader—are engaged in turf strife. It will be suffice to just imagine these two horses running side by side, with their long hairs waving in the wind, Odin pushing New Horse toward the river, and away from his pack of mares.</p>  
+
<p>The first, Odin the Horse [[vignette|<em>vignette</em>]], points to the nature of turf struggle, by portraying the turf behavior of horses. </p>  
  
 +
<p>The second <em>vignette</em>, featuring Pierre Bourdieu as leading sociologist, shows that we humans exhibit a similar behavior—and that our culture may be perceived as a complex 'turf'.</p>
 
<p>
 
<p>
 
[[File:Bourdieu-insight.jpeg]]
 
[[File:Bourdieu-insight.jpeg]]
</p>  
+
</p>
 +
<p>Bourdieu used interchangeably two keywords—"field" and "game"—to refer to this 'turf'. By calling it a field, he portrayed it as something akin to  a magnetic field, which orients our seemingly random or "free" behavior, without us noticing. By calling it a game, he portrayed it as something that structures or "gamifies" our social existence, by giving each of us certain "action capabilities" (which Bourdieu called "habitus"), pertaining to a role, which tends to be transmitted from body to body <em>directly</em>. Everyone bows to the king, and we do that too. With time, we become <em>socialized</em> to accept those roles and behaviors as <em>the</em> "reality". Bourdieu called this experience (that our social reality is as immutable and real as the physical reality) <em>doxa</em>. </p>  
  
<p>The second story is about sociologist Pierre Bourdieu, and his "theory of practice"—where Bourdieu provided a conceptual framework to help us understand how <em>socialization</em> works; and in particular its relationship with what he called "symbolic power". Our reason for combining these two stories together is to suggest that we humans exhibit a similar turf behavior as Odin—but that this tends to remain largely unrecognized. Part of the reason is that, as Bourdieu explained, the ways in which this atavistic disposition of ours manifests itself are incomparably more diverse and subtle than the ones of horses—indeed as more diverse so as our culture is more complex than theirs. </p>  
+
<p>The third story, featuring Antonio Damasio in the role of a leading cognitive neuroscientist, completes this <em>thread</em> by explaining that we, humans, are <em>not</em> the rational decision makers, as the founding fathers of the Enlightenment made us believe. Each of us has an <em>embodied</em> cognitive filter, which <em>determines what options</em> we are able to rationally consider. This cognitive filter is <em>programmed</em> through <em>socialization</em>. Damasio's insight allows us to understand why we civilized humans don't rationally <em>consider</em> taking off our clothes and walking into the street naked; and that for <em>cognitively similar reasons</em> we don't consider changing <em>the systems in which we live and work</em>.</p>  
  
<p>Bourdieu devised two keywords for the symbolic cultural 'turf'" "field" and "game", and used them interchangeably. He called it a "field", to suggest (1) a field of activity or profession, and the <em>system</em> where it is practiced; and (2)  something akin to a magnetic field, in which we people are immersed as small magnets, and which subtly, without us noticing, orients our seemingly random or "free" movement.  He referred to it as "game", to suggests that there are certain semi-permanent roles in it, with allowable 'moves', by which our 'turf strife' is structured in a specific way.</p>  
+
<blockquote><em>Socialized reality</em> constitutes a <em>pseudo-epistemology</em>.</blockquote>  
  
<p>To explain the dynamics of the game or the field, Bourdieu adapted two additional keywords, each of which has a long academic history: "habitus" and "doxa". A habitus is composed of embodied behavioral predispositions, and may be thought of as distinct 'roles' or 'avatars' in the 'game'. A king has a certain distinct habitus; and so do his pages. The habitus is routinely maintained through direct, body-to-body action (everyone bows to the king, and you do too), without conscious intention or awareness. Doxa is the belief, or embodied experience, that the given social order is <em>the</em> reality. "Orthodoxy" acknowledges that multiple "realities" coexist, of which only a single one is "right"; doxa ignores even the <em>possibility</em> of alternatives.</p>
+
<p>We can "know" something because we've been <em>socialized</em> to "know" it; and because the people around us "know" it too.</p>  
  
<p>Hence we may understand <em>socialized reality</em> as something that 'gamifies' our social behavior, by giving everyone an 'avatar' or a role, and a set of capabilities. Doxa is the 'cement' that makes such <em>socialized reality</em> relatively permanent.</p>  
+
<p>The <em>socialized reality</em> insight adds substantial explanatory power to the <em>power structure</em> insight. We can now understand <em>why</em> we can be socialized to accept any societal order of things as just "reality". </p>  
  
<p>A [[vignette|<em>vignette</em>]] involving Antonio Damasio as cognitive neuroscientist completes this <em>thread</em>, by helping us see that the "embodied predispositions" that are maintained in this way have a <em>decisive role</em>, contrary to what the 19th century science and indeed the core of our philosophical tradition made us believe. Damasio showed that our socialized <em>embodied</em> predispositions act as a cognitive filter—<em>determining</em> not only our priorities, but also the <em>options</em> we may be able to rationally consider. Our embodied, socialized predispositions are a reason, for instance, why we don't consider showing up in public naked (which in another culture might be normal). </p>
 
  
<p>This conclusion suggests itself: Changing <em>the systems in which we live and work</em>—however rational, and necessary, that may be—is for <em>similar</em> reasons inconceivable. </p>  
+
<p>The <em>socialized reality</em> insight, which we have so far only touched upon, delineates and opens up a truly <em>wonderful</em> creative frontier—where three realms that are usually considered as independent are inextricably intertwined: culture, power and <em>epistemology</em> ("the relationship we have with information"). It is here that we can truly understand why "a great cultural revival" is possible—and see all the wonderful things that can be done to help it emerge. </p>
  
<blockquote>We are incapable of changing our <em>systems</em>, because we have been <em>socialized</em> to accept them as reality.</blockquote>  
+
<p>As an <em>understandable</em> consequence of historical circumstances, as Toulmin showed, our hitherto modernization has ignored these subtleties—and we've assumed that (1) the purpose of information is to mirror reality and (2) the traditions got it all wrong.  The consequences are far reaching and central to <em>holotopia</em>. </p>  
  
<p>We may now condense this diagnosis to a single keyword: <em>reification</em>. We are incapable of replacing 'candle headlights' because we have <em>reified</em> them as 'headlights'! "Science" has no systemic purpose. Science <em>is</em> what the scientists are doing. Just as "journalism" is the profession we've inherited from the tradition. </p>
+
<ul>
<p>  
+
<li><b>Severed link between information and action</b>. The (perceived) purpose of information being to complete the 'reality puzzle'—every new piece appears to be as relevant as others, and <em>necessary</em> for completing the 'puzzle'. In the sciences <em>and</em> in the media, enormous quantities of information are produced "disconnected from usefulness"—as Neil Postman diagnosed. </li> 
[[File:Beck-frame.jpeg]]
+
<li><b>Stringent limits to creativity</b>. A vast global army of selected, trained and publicly sponsored creative people are obliged to confine their repertoire of creative action to producing research articles in traditional academic fields. </li>
</p>  
+
<li><b>Loss of cultural heritage</b>. A trivial observation will suffice to make a point: With the threat of eternal fire on the one side, and the promise of heavenly pleasures on the other, a 'field' was created that oriented people's ethical sense and behavior. To see that the ancient myths were, however, only a tip of an iceberg (a small part of a complex ecosystem whose purpose was to develop "human quality") this one-minute thought experiment—an imaginary visit to a cathedral—might be helpful: There is awe-inspiring architecture; Michelangelo's Pietà meets the eye, and his frescos are near by. Allegri's Miserere reaches us from above. And there's of course also the ritual. All this comprises an ecosystem—in which the emotions of awe and respect make one open to practicing and learning. By its complex dynamics, it resembles our biophysical environment—but there is a notable difference: There we have nothing equivalent to the temperature and CO2 measurements, to be able to diagnose problems and propose remedies. </li>  
<p>But <em>reification</em> reaches still deeper—to include the very <em>language</em> we use to organize our world. It includes the very concepts by which we frame our "issues". Ulrich Beck continued the above observation:</p>
+
<li><b>"Human quality" abandoned to <em>power structure</em></b>. Advertising is everywhere. And <em>explicit</em> advertising too is only a tip of an iceberg, the bulk of which consists of a variety of ways in which "symbolic power" is used to <em>socialize</em> us in ways that suit the <em>power structure</em> interests. Scientific techniques are used; [https://youtu.be/lOUcXK_7d_c the story of Edward Bernays], Freud's American nephew who became "the pioneer of modern public relations and propaganda", is iconic.</li>  
<blockquote>  
+
<li><b><em>Reification</em> of institutions</b>. Even when they cause us problems, and make us incapable of solving them.</li>
"Max Weber's 'iron cage' – in which he thought humanity was condemned to live for the foreseeable future – is for me the prison of <em>categories and basic assumptions</em> of classical social, cultural and political sciences."
+
</ul>
</blockquote>
 
  
<p>We may now see not only our inherited physical institutions or <em>systems</em> as 'candles'—but also our inherited or socialized concepts, which determine the very <em>way</em> in which we look at the world.</p>  
+
<p>This conclusion suggests itself.</p>  
  
<p><em>Reification</em> underlies <em>both</em> problems. It is what <em>keeps us</em> in 'iron cage'.</p>  
+
<blockquote>The Enlightenment did not liberate us from power-related reality construction, as it is believed.</blockquote>  
  
 +
<blockquote>Our <em>socialization</em> only changed hands—from the kings and the clergy, to the corporations and the media.</blockquote>
  
 +
<p>Ironically, our carefully cultivated academic self-identity—as "objective observers of reality"—keeps us on the 'back seat'; we diagnose problems—but we cannot <em>federate</em> solutions.</p>
  
 
<h3>Remedy</h3>  
 
<h3>Remedy</h3>  
  
<p>Notice the depth and the beauty of our challenge.</p>  
+
<p>We have already seen the remedy.</p>  
  
<p>When we write "worldviews", our word processor underlines the word in red. <em>Even grammatically</em>, there can be only one worldview—the one that <em>corresponds</em> with the world!  <em>Whatever we say</em>, even when that is "we are constructing reality", <em>by default</em> we are making a statement <em>about</em> reality, we are saying how the things "really are" out there. But in this latter case, of course, the result is a paradox. </p>  
+
<blockquote>The remedy is to change the relationship we have with information.</blockquote>  
  
<p>We <em>are</em> in a paradox; how can we ever come out?</p>  
+
<p>To consider information as <em>the</em> core element of our <em>systems</em>; and to adapt it to the functions that need to be served.</p>  
  
<p>The answer we proposed is in two steps.</p>  
+
<p>In the spirit of the <em>holoscope</em>, we condensed the <em>fundamental</em> part of this argument by a metaphorical image, the Mirror <em>ideogram</em>. This <em>ideogram</em> renders the essence of the <em>academic</em> situation we are in.</p>
 +
 
 +
<p>The Mirror [[ideogram|<em>ideogram</em>]] invites us to interrupt what we are doing and self-reflect—as Socrates used to invite his contemporaries, at the Academia's point of inception.</p>  
  
  
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<div class="col-md-6">
 
<div class="col-md-6">
  
 +
<p>This self-reflection leads us to two insights.</p>
  
<p>The first – pointed to by the metaphor of the mirror, and the Mirror <em>ideogram</em> – is to self-reflect. We are proposing the kind of self-reflection that Socrates championed, which was the academic tradition's very source, and point of inception. We believed that something was the case, and it turned out that it was not. Meanwhile, we built on that assumption our institutional organization, our ethos and our self-image. We built on it even a formal logic, which excludes the middle.</p>
+
<blockquote>We are compelled to abolish <em>reification</em>.</blockquote>  
 
 
<p>The <em>mirror</em> reflects the fact that we are not <em>above</em> the world, looking at it objectively. However it might have seemed otherwise, the procedures we use were not objectively existing ways to objectively see the world, which were only <em>discovered</em> by our predecessors. We cannot forever continue being busy doing the work that is <em>defined</em> by those procedures. The evolution of <em>our</em> system must be allowed to continue.  </p>
 
 
 
<p>The <em>mirror</em> warns us that <em>we</em> are now 'keeping Galilei in house arrest'—by using only "symbolic power", of course, and without being aware of that.</p>
 
 
 
<p>Our self-reflection in front of the <em>mirror</em> is not from a power position, but in the manner of the [[dialog|<em>dialog</em>]]. Which means—in a completely different tone of voice, which reflects <em>genuine</em> intention to see what goes on, correct errors, and make improvements.</p>
 
 
 
<p>The Mirror <em>ideogram</em> points to the nature of our contemporary academic situation, in a similar way as the Modernity <em>ideogram</em> points to our general one. The spontaneous evolution of <em>knowledge of knowledge</em> has brought us here, in front of the <em>mirror</em>. Seeing ourselves in the <em>mirror</em> means seeing ourselves in the world. It means the end of <em>reification</em>—and the beginning of <em>accountability</em>. The world we see in the <em>mirror</em> is a world in dire need—for <em>new</em> ways to be creative. The role in which we see ourselves, in that world, by looking at the <em>mirror</em> is all-important.</p>
 
 
 
<p>Imagine what it will mean to liberate the vast academic 'army', all of us who have been selected, trained and publicly sponsored to produce new ideas—from disciplinary constraints, to empower us to see ourselves as the core part of our society's 'headlights', and to self-organize and be creative accordingly!</p>
 
  
 +
<p>When we look at a mirror, we see ourselves <em>in the world</em>. We are not <em>above</em> the world, observing it "objectively". The disciplinary interests, methods and institutions are not something that objectively existed, which our predecessors only discovered. They <em>created</em> them—in certain historical circumstances. Hence it is academically legitimate to create new ones.</p>
  
<p>But how shall we do that, how shall we step into that so much larger and freer yet more responsible role—without sacrificing the core element of our tradition; which is logical and methodological <em>rigor</em>?</p>  
+
<blockquote>We are compelled to embrace <em>accountability</em>.</blockquote>  
  
 +
<p>The world we see ourselves in, when we look at the <em>mirror</em>, is a world in dire need—for <em>new</em> ideas, new ways of thinking and being. We see that, by virtue of the role we have in that world, we hold the very key to its transformation.</p>
 
</div>  
 
</div>  
 
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<div class="col-md-3">
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</p>  
 
</p>  
 
</div> </div>  
 
</div> </div>  
 
 
 
<div class="row">
 
<div class="row">
 
<div class="col-md-3"></div>
 
<div class="col-md-3"></div>
 
<div class="col-md-7">
 
<div class="col-md-7">
  
<p>The answer, and the second step we are proposing, is unexpected; even seemingly impossible, or magical.</p>  
+
<p>We are then also compelled to ask:</p>
 +
 
 +
<blockquote>How can we be accountable in our new social role, without sacrificing the academic rigor—which has been <em>the</em> distinguishing trait of our tradition?</blockquote>  
  
<blockquote>We can go <em>through</em> the <em>mirror</em>—into a completely <em>new</em> academic and social reality.</blockquote>  
+
<p>The answer offers itself as an unexpected result of our metaphorical <em>self-reflection</em>:</p>
  
<p>Symbolically, that means liberating ourselves from the entrapment of <em>reification</em>—and liberating the people, the oppressed. We all must be liberated from reifying the way we see our world, from reifying our <em>systems</em> or institutions, and the very concepts we use to make sense of our world. We must all move to a world where what constitutes our society, and our culture, is given the kind of status that the technology has—of humanly created things; which must continue to evolve, by being adapted to their purposes. </p>  
+
<blockquote>We can walk right <em>through</em> the <em>mirror</em>!</blockquote>  
  
<p>Academically or philosophically, this crucial step, through the <em>mirror</em>, is made possible by what philosopher Villard Van Orman Quine called "truth by convention"—which we adapted as one of our <em>keywords</em>.</p>   
+
<p>This takes only two steps.</p>  
 +
 
 +
<p>The first is to use what philosopher Villard Van Orman Quine called "truth by convention"—which we adapted as one of our <em>keywords</em>.</p>   
 
<p>
 
<p>
 
[[File:Quine–TbC.jpeg]]
 
[[File:Quine–TbC.jpeg]]
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</blockquote>
 
</blockquote>
  
<p>But if the switch to <em>truth by convention</em> is the way in which the sciences repair their logical foundations—then why not use it to update the logical foundations of our <em>knowledge work</em> at large?</p>  
+
<p>But if <em>truth by convention</em> has been the way in which <em>the sciences</em> improve their logical foundations—why not use it to update the logical foundations of <em>knowledge work</em> at large?</p>
 +
 
 +
<p>Having explored this direction, we can offer the following conclusion:</p>
 +
 
 +
<blockquote><em>Truth by convention</em> is the new Archimedean point, by which we can once again empower knowledge to make a difference.</blockquote> 
 +
 
 +
<p>As we are using this [[keyword|<em>keyword</em>]], the [[truth by convention|<em>truth by convention</em>]] is the kind of truth that is common in mathematics: "Let <em>X</em> be <em>Y</em>. Then..." and the argument follows. Insisting that <em>X</em> "really is" <em>Y</em> is obviously meaningless. A  convention is valid only <em>within a given context</em>—which may be an article, or a theory, or a methodology.</p>
 +
 
 +
<p>The second step is to use <em>truth by convention</em> to <em>define</em> an <em>epistemology</em>.</p>
 +
 
 +
<p>We defined [[design epistemology|<em>design epistemology</em>]] by rendering the core of our proposal (to change the relationship we have with information—by considering it a human-made thing, and adapting information and the way we handle it to the functions that need to be served) as a convention.</p>
 +
 
 +
<p>Notice that nothing has been changed in the traditional-academic scheme of things. The <em>academia</em> has only been <em>extended</em>; a new way of thinking and working has been added to it, for those who might want to engage in that new way. On the 'other side of the <em>mirror</em>', we see ourselves and what we do as (part of) the 'headlights' and the 'light'; and we self-organize, and act, and use our creativity freely-yet-responsibly, and create a variety of new methods and results—just as the founding father of science did, at the point of its inception. </p> 
 +
 
 +
<p>In the "Design Epistemology" research article (published in the special issue of the Information Journal titled "Information: Its Different Modes and Its Relation to Meaning", edited by Robert K. Logan) where we articulated this proposal, we made it clear that the <em>design epistemology</em> is only one of the many ways to manifest this approach. We drafted a parallel between the <em>modernization</em> of science that can result in this way and the emergence of modern art:  By defining an <em>epistemology</em> and a <em>methodology</em> by convention, we can do in the sciences as the artists did—when they liberated themselves from the demand to mirror reality, by using the techniques of Old Masters. </p>
 +
 
 +
<blockquote>As the artists did—we can become creative <em>in the very way in which we practice our profession.</em></blockquote>  
  
<p><em>Truth by convention</em>, as we use this [[keyword|<em>keyword</em>]], is the kind of truth that is common in mathematics: "Let <em>x</em> be <em>y</em>. Then..." and the argument follows. Obviously, the claim that <em>x</em> "really is" <em>y</em> is unintended, and meaningless. Only a  convention has been made—which is valid <em>within the given context</em>, of an article, or a theory, or a methodology.</p>
+
<p>To complete this proposal and make it concrete, we developed two <em>prototypes</em>: the <em>holoscope</em> models the <em>academic</em> reality on the other side of the [[mirror|<em>mirror</em>]]; the <em>holotopia</em> models the corresponding <em>social</em> reality.</p>  
  
<p>In our <em>prototype</em> we used [[truth by convention|<em>truth by convention</em>]] to define an <em>epistemology</em>; and a <em>methodology</em>. </p>  
+
<p>Let us illustrate these abstract ideas by brief and self-contained module, comprising an academically stated challenge, and two examples of its resolution—by using the techniques just described. Each of the examples includes both a concept definition <em>by convention</em>, and a <em>prototype</em> (of disciplinary or institutional re-definition) that was embedded and tested in academic practice, with encouraging results.</p>  
  
<p>The <em>epistemology</em>, called <em>design epistemology</em>, turns the core of our proposal (to change the relationship we have with information, as we described above) into a convention.</p>
 
  
<p>In the "Design Epistemology" research article, where we articulated this proposal, we drafted a parallel between the modernization of knowledge work we are proposing, and the emergence of modern art. By defining an <em>epistemology</em> and a <em>methodology</em> as conventions, we academic researchers can do as the artists did, when they liberated themselves from the demand to faithfully depict the reality, by using the techniques of Old Masters—we can be creative in the very way in which we practice our profession. We made it clear that the approach we proposed was a general one, and that our <em>design epistemology</em> was only an <em>example</em> showing what might be possible when the approach is developed.</p>  
+
<p>The definition of <em>design</em> allowed us to capture the essence of our post-traditional cultural condition, and suggest how to adapt to it.</p>  
  
<p>Notice that logically <em>anything</em> can be turned into a convention. The "proof of the pie" is that it works!  <em>truth by convention</em>. We, however, chose to use [[truth by convention|<em>truth by convention</em>]] to codify the state-of-the-art <em>epistemological</em> insights; the ones that now serve as anomalies, challenging the epistemological and methodological status quo, and demanding change. In this way, by weaving those insights into a <em>prototype</em> <em>methodology</em>, and configuring a system that will continuously keep them up to date (we are doing that as we speak)—we use [[knowledge federation|<em>knowledge federation</em>]] to give information the agency to <em>modify</em> the <em>epistemology</em> and the <em>methods</em>; and to enable the latter to <em>evolve</em>.</p>  
+
<p>We defined <em>design</em> as "alternative to <em>tradition</em>", where <em>design</em> and <em>tradition</em> are (by convention) two alternative ways to <em>wholeness</em>. <em>Tradition</em> relies on spontaneous, gradual, Darwinian-style evolution. Change is resisted, small changes are tried—and tested and assimilated through generations of use. We practice <em>design</em> when we consider ourselves <em>accountable</em> for <em>wholeness</em>. </p>  
  
<p>A <em>vast</em> creative frontier opens up before us on the other side of the <em>mirror</em>, both academic <em>and</em> cultural. We developed the <em>holoscope</em> and the <em>holotopia</em> as <em>prototypes</em>, to show what might be possible if we pursued this <em>new course</em>. </p>  
+
<blockquote>When <em>tradition</em> cannot be relied on, <em>design</em> must be used.</blockquote>  
  
<p>By using [[truth by convention|<em>truth by convention</em>]], language too can be liberated from <em>reification</em> and tradition; and so can our professional and specifically disciplinary-academic pursuits. We conclude here by only mentioning two examples, each of which illustrates <em>both</em> possibilities (both were proposed to corresponding communities of interest, where they proved welcome, and useful). </p>  
+
<p>The situation we are in, which we rendered by the bus with candle headlights metaphor, can now be understood as a result of a transition: We are no longer <em>traditional</em> (our technology evolves by <em>design</em>); but we are not yet <em>designing</em> ("the relationship we have with information" is still <em>traditional</em>). Our call to action can be understood as a practical way to <em>complete</em> modernization. </p>  
  
<p>Our definition of <em>design</em>, as "the alternative to <em>tradition</em>", introduced <em>design</em> and <em>tradition</em> as two alternative ways to <em>wholeness</em>. Here <em>tradition</em> means relying on what we've inherited from the past, and relying on small changes and "the survival of the fittest"; <em>design</em> is the alternative, where we consciously and intentionally "make things <em>whole</em>". The point is that when <em>tradition</em> can no longer be relied on, <em>design</em> must be used. This pair of <em>keywords</em> allows us to understand the Modernity <em>ideogram</em>, and our situation or the "world problematique" in simple terms: We are no longer <em>traditional</em>; and yet we are not yet <em>designing</em>. We are caught up in an unstable way of evolving, where neither of the options work. Our <em>technology</em> is developed by <em>design</em>—and progressed at an accelerated rate; our culture (represented by the <em>headlights</em>) has remained <em>traditional</em>, and fallen behind.</p>  
+
<p><em>Reification</em> can now be understood as the foundation for truth and meaning that suits the <em>tradition</em>; <em>truth by convention</em> is what empowers us to <em>design</em>.</p>  
  
<p>Our definition of <em>implicit information</em> as <em>information</em> that is not making a factual statement, but is implicit in cultural artifacts, mores etc., and of <em>visual literacy</em> (a definition for the International Visual Literacy Association), as "literacy associated with <em>implicit information</em>", opens up a whole realm of possibilities to be developed. While our ethics, legislature and academic production have been focused on factual, <em>explicit information</em>, we have been culturally (and ethically and politically) dominated by the subtle <em>implicit information</em>, which we have not yet learned to decode, <em>or</em> control. The creation of <em>prototypes</em>—the core activity on the other side of the <em>mirror</em>, by which agency is restored to information—opens up a myriad possibilities for combining art and science. As we shall see, in the Holotopia project this will be our core approach.</p>  
+
<p>We proposed this definition to the academic design community, as part of an answer to its quest for logical foundations. The fact that Danish Designers chose our presentation to be repeated as opening keynote at their tenth anniversary conference suggests that this praxis—of <em>assigning</em> a purpose to a discipline and a community by using <em>ruth by convention</em>—may have <em>immediate</em> interest and applications. </p>
  
 +
<p>The definition of <em>implicit information</em> and of <em>visual literacy</em> as "literacy associated with <em>implicit information</em> for the International Visual Literacy Association was in spirit similar—but its point was different.</p>
 +
<p>
 +
[[File:Whowins.jpg]]
 +
</p>
 +
<p>We showed the above <em>ideogram</em> as depicting a situation where two kinds of information—the <em>explicit information</em> with explicit, factual and verbal warning in a black-and-white rectangle, and the visual and "cool" rest—meet each other in a direct duel. The image shows that the <em>implicit information</em> wins "hands down" (or else this would not be a cigarette advertising). Our larger point was that while our legislation, ethical sensibilities and "official" culture at large are focused on <em>explicit information</em>, our culture is largely created through subtle <em>implicit information</em>. Hence we need a <em>literacy</em> to be able to decode those messages—and reverse the negative consequences of <em>reification</em>. </p>
 +
<p>Lida Cochran, the only surviving IVLA founder, found that this definition expressed and served the founders' original intention.</p> 
  
  
 
</div> </div>  
 
</div> </div>  
 
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<div class="col-md-7"><h3><em>Scope</em></h3>
 
<div class="col-md-7"><h3><em>Scope</em></h3>
  
<p>The question we'll explore here is the one posed by the Modernity <em>ideogram</em>: <b>How</b> do we need to "look at the world, try to comprehend and handle it". </p>
+
<p>We have just seen that the academic tradition—instituted as the modern university—finds itself in a much larger and more central social role than it was originally conceived for. We look up to the <em>academia</em>, and not to the Church and the tradition, for an answer to <em>the</em> pivotal question:</p>
 +
 
 +
<blockquote><b>How</b> should we look at the world, to be able to comprehend and handle it?</blockquote>
 +
 
 +
<p>That role, and that question, carry an immense power!</p>  
  
<p>We build part of our case for the <em>holoscope</em> and the <em>holotopia</em> by developing an analogy between the <em>last</em> "great cultural revival", where a <em>fundamental</em> change of the way we look at the world (from traditional/Biblical, to rational/scientific) effortlessly caused nearly <em>everything</em> to change. Notice that to meet <em>that</em> sort of a change, we do not need to convince the political and business leaders, we do not need to occupy Wall Street. It is the prerogative of our, academic occupation to uphold and update and give to our society this most powertful agent of change—the standard of "right" knowledge.</p>  
+
<p>It was by providing a completely <em>new</em> answer to that question, that the last "great cultural revival" came about.</p>  
  
  
 
<h3>Diagnosis</h3>  
 
<h3>Diagnosis</h3>  
  
<blockquote>So <em>how</em> should we look at the world, try to comprehend it and handle it? <br>
+
<blockquote>So how <em>should</em> we look at the world, to be able to comprehend and handle it? </blockquote>  
Nobody knows! </blockquote>  
+
<blockquote>Nobody knows! </blockquote>  
  
<p>Of course, countess books and articles have been written that could inform an answer to this most timely question. But no consensus has emerged—or even a consensus about a <em>method</em> by which that could be achieved. </p>  
+
<p>Of course, countess books and articles have been written about this theme since antiquity. But in spite of that—or should we say <em>because</em> of that—no consensus has emerged.</p>  
  
<p>That being the case, we'll begin this diagnostic process by simply sharing what <em>we</em>'ve been told while we were growing up. Which is roughly as follows.</p>
+
<p>The way we the people look at the world, try to comprehend and handle it, shaped itself spontaneously—from scraps of science that were most visible around the middle of the 19th century, when Darwin and Newton as cultural heroes replaced Adam and Moses. What is today popularly considered as the "scientific worldview" took shape then—and remained largely unchanged.</p>
  
<p>As members of the <em>homo sapiens</em> species, we have the evolutionary privilege to be able to understand the world, and to make rational choices based on such understanding. Give us a correct model of the natural world, and we'll know exactly how to go about satisfying "our needs", which we of course know because we can experience them directly. But the traditions got it all wrong! Being unable to understand how the nature works, they put a "ghost in the machine", and made us pray to the ghost to give us what we needed. Science corrected this error. It <em>removed</em> the "ghost", and told us how 'the machine' <em>really</em> works. </p>
+
<p>As members of the <em>homo sapiens</em> species, this worldview would make us believe, we have the evolutionary privilege to be able to comprehend the world in causal terms, and to make rational choices accordingly. Give us a correct model of the world, and we'll know exactly how to satisfy our needs (which we can experience directly). But the traditional cultures got it all wrong: Not knowing how the nature works, they put a "ghost in the machine", and made us pray to him to give us what we needed. Science corrected this error—and now we can satisfy our needs by manipulating the mechanisms of nature directly, with the help of technology. </p>
  
<p>Of course no rational person would ever <em>write</em> this sort of a silly idea. But—and this is a key point in this diagnosis—this idea was <em>not</em> written. It has simply <em>emerged</em>—around the middle of the 19th century, when Adam and Moses as cultural heroes were replaced for so many of us by Darwin and Newton. Science originated, and shaped its disciplinary divisions and procedures <em>before</em> that time, while still the tradition and the Church had the prerogative of telling people how to see the world, and what values to uphold.</p>  
+
<p>It is this causal or "scientific" understanding of the world that made us modern. Isn't that how we understood that women cannot fly on broomsticks?</p>  
  
<p>From a collection of reasons why this popular idea of what constitutes the "scientific worldview" needs to be updated, we here mention only two.</p>  
+
<p>From our collection of reasons why this way of looking at the world is neither scientific nor functional, we here mention only two.</p>  
  
 
<p>  
 
<p>  
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</p>
 
</p>
 
<blockquote>The first reason is that the nature is not a mechanism.</blockquote>  
 
<blockquote>The first reason is that the nature is not a mechanism.</blockquote>  
<p>The mechanistic or "classical" worldview of 19th century's science was disproved and disowned by modern science. <em>Even the physical reality</em> cannot be understood as a mechanism, or explained in "classical" or "causal" terms. Werner Heisenberg, one of the progenitors of this research, expected that the largest impact of modern physics would be <em>on popular culture</em>—because the way of looking at the world that it took over from the 19th century's science, which he called the "narrow frame" (and which we adapted as a <em>keyword</em>), would be removed. </p>
 
  
<p>In "Physics and Philosophy" Heisenberg described how the destruction of religious and other traditions on which the continuation of culture and "human quality" depended, and the dominance of "instrumental" thinking and values (which Bauman called "adiaphorisation") followed from the assumptions that the modern physics <em>proved</em> were wrong.</p>  
+
<p>The mechanistic way of looking at the world that Newton and his contemporaries developed in physics, which around the 19th century shaped the worldview of the masses, was later disproved and disowned by modern science. Research in physics showed that even the <em>physical</em> phenomena exhibit the <em>kinds of</em> interdependence that cannot be understood in "classical" or causal terms.</p>  
  
<p>In 2005, Hans-Peter Dürr, Heisenberg's intellectual "heir", co-authored the Potsdam Manifesto, whose title and message was "We have to learn to think in a new way". The new way of thinking, conspicuously impregnated by "seeing things whole" and seeing ourselves as part of a larger whole, was shown to follow from the worldview of new physics, and the environmental and larger social crisis.</p>  
+
<p>In "Physics and Philosophy", Werner Heisenberg, one of the progenitors of this research, described how "the narrow and rigid" way of looking at the world that our ancestors adapted from the 19th century science was damaging to culture—and in particular to its parts on on which the "human quality" depended, such as ethics and religion. And how as a result the "instrumental" thinking and values, which Bauman called "adiaphorized", became prominent. Heisenberg believed that the dissolution of that "rigid and narrow frame" would be <em>the</em> most valuable gift of his field to humanity. </p>
  
<p>The second reason is that even mechanisms, when they are complex, (or technically even <em>classical</em> nonlinear and dynamic or "complex" systems) cannot be understood in causal terms.</p>  
+
<p>In 2005, Hans-Peter Dürr (considered as Heisenberg's scientific "heir") co-wrote the Potsdam Manifesto, whose title and message is "We need to learn to think in a new way". The proposed new thinking is similar to the one that leads to <em>holotopia</em>: "The materialistic-mechanistic worldview of classical physics, with its rigid ideas and reductive way of thinking, became the supposedly scientifically legitimated ideology for vast areas of scientific and political-strategic thinking. (...) We need to reach a fundamentally new way of thinking and a more comprehensive under­standing of our <em>Wirklichkeit</em>, in which we, too, see ourselves as a thread in the fabric of life, without sacrificing anything of our special human qualities. This makes it possible to recognize hu­manity in fundamental commonality with the rest of nature (...)"</p>  
  
<p>This is yet another core insight that we the people needed to acquire from the systems sciences, and from cybernetics in particular.</p>  
+
<blockquote>The second reason is that even complex mechanisms ("classical" nonlinear dynamic systems) cannot be understood in causal terms.</blockquote>
  
 
<p>
 
<p>
 
[[File:MC-Bateson-vision.jpeg]]
 
[[File:MC-Bateson-vision.jpeg]]
 
</p>
 
</p>
 
+
<p>It has been said that the road to Hell is paved with good intentions. Research in the systems sciences, one of which is cybernetics, explained this <em>scientifically</em>: The "hell" (which you may imagine as global issues, or the 'destination' toward which our 'bus' is diagnosed to be headed) tends to be a "side effect" of our best efforts and "solutions", reaching us through "nonlinearities" and "feedback loops" in the natural and social systems we are trying to manipulate. </p>
<p>It has been said that the road to Hell is paved with good intentions. There is a <em>scientific</em> reason for that: The "hell" (which you may imagine as the global issues, or as the destination toward which our 'bus' is currently taking us) consisting largely of "side effects" of our best efforts, and "solutions".
 
 
<p>
 
<p>
[https://youtu.be/nXQraugWbjQ?t=57 Hear Mary Catherine Bateson] (cultural anthropologist and cybernetician, and the daughter of Margaret Mead and Gregory Bateson who pioneered both fields) say:
+
[https://youtu.be/nXQraugWbjQ?t=57 Hear Mary Catherine Bateson] (cultural anthropologist and cybernetician, daughter of Margaret Mead and Gregory Bateson who pioneered both fields) say:
 
<blockquote>  
 
<blockquote>  
 
"The problem with Cybernetics is that it is not an academic discipline that belongs in a department. It is an attempt to correct an erroneous way of looking at the world, and at knowledge <em>in general</em>. (...) Universities do not have departments of epistemological therapy!"  
 
"The problem with Cybernetics is that it is not an academic discipline that belongs in a department. It is an attempt to correct an erroneous way of looking at the world, and at knowledge <em>in general</em>. (...) Universities do not have departments of epistemological therapy!"  
Line 591: Line 630:
 
</p>  
 
</p>  
  
 +
<h3>Remedy</h3>
 +
 +
<blockquote><em>Truth by convention</em> allows us to explicitly <em>define</em> and academically <em>develop</em> new ways to look at the world.</blockquote>
 +
 +
<p>We called the result a <em>methodology</em>, and our <em>prototype</em> the Polyscopic Modeling <em>methodology</em> or [[polyscopy|<em>polyscopy</em>]]. </p>
 +
 +
<p>A <em>methodology</em> is in essence a toolkit; anything that does the job would do. We, however, defined <em>polyscopy</em> by turning state of the art <em>epistemological</em> insights into conventions.</p>
 +
 +
<blockquote>By creating a <em>methodology</em>, the severed link between fundamental scientific insights and the popular worldview can be restored.</blockquote>
 +
 +
<p>The <em>polyscopy</em> definition comprises eight aphorismic postulates; by using [[truth by convention|<em>truth by convention</em>]], each of them is given an interpretation.</p>
 +
 +
<p>The first postulate defines <em>information</em> as "recorded experience". It is thereby made explicit that the substance communicated by information is not "reality", but human experience. Since human experience can be recorded in a variety of ways (a chair is a record of experience related to sitting and chair making), the notion of <em>information</em> is extended well beyond written documents. The first postulate enables <em>knowledge federation</em> across cultural traditions and fields of interests; the barriers of language and method are bridged by reducing all that is of relevance to human experience, as 'common denominator'. </p>
 +
 +
<p>The second postulate is that the [[scope|<em>scope</em>]] (the way we look) determines the <em>view</em> (what is seen). In <em>polyscopy</em> the experience (or "reality" or whatever is "behind" experience) is not assumed to have an a priori structure. We <em>attribute</em> to it a structure with the help of the concepts and other elements of our <em>scope</em>. This postulate enables us to create new ways of looking, and to make the basic approach of science generally applicable—as prototyped by the <em>holoscope</em>. </p>
 +
 +
<p><em>Polyscopy</em> did not talk about knowledge. We may now improvise this new axiom:</p>
 +
 +
<blockquote><em>Knowledge</em> must be <em>federated</em>.</blockquote>
 +
 +
<p>This only states the intuitive or common-sense idea of "knowledge": If we should be able to say that we "know" something, we must <em>federate</em> not only supporting evidence, but also potential counter-evidence—and hence <em>information</em> in general. Academic peer reviews implement that principle in science; but this <em>federation</em> tends to be restricted to a discipline. An analogy with constitutional democracy also comes to mind—where even a hated criminal has the right for a fair trial. Like a dutiful attorney, <em>knowledge federation</em> does its best to gather suitable evidence, and back each <em>federated</em> insight with a convincing case.</p>
 +
 +
<p>A <em>methodology</em> allows us to state explicitly what information needs to be like; and what being "informed" means. We modeled this intuitive notion with the keyword [[gestalt|<em>gestalt</em>]]. To be "informed", one needs to have a <em>gestalt</em> that is appropriate to one's situation. "Our house is on fire" is a canonical example. The knowledge of <em>gestalt</em> is profoundly different from only knowing the data (such as the room temperatures and the CO2 levels.). To have an appropriate <em>gestalt</em> means to be moved to do the action that a situation is calling for.</p>
 +
 +
<blockquote>Can we be uninformed—in spite of all the information we have?</blockquote>
 +
 +
<p>"One cannot not communicate", reads one of Paul Watzlawick's axioms of communication. Even when everything in a news report is <em>factually</em> correct, the <em>gestalt</em> it conveys <em>implicitly</em> can be profoundly deceptive—because we are told what Donald Trump has said, and not Aurelio Peccei.</p>
 +
 +
<p><em>Polyscopy</em> offers a collection of techniques for communicating and 'proving' or <em>justifying</em> general or <em>high-level</em> insights and claims. <em>Knowledge federation</em> is conceived as the social process by which such insights can be created and maintained. To create the <em>methodology</em>, we <em>federated</em> methodological insights from a variety of fields:</p>
 +
<ul>
 +
<li>[[pattern|<em>Patterns</em>]] have a closely similar function as mathematics does in traditional sciences—and at the same time completely generalize the implementation of this function</li>
 +
<li>[[ideogram|<em>Ideograms</em>]] allow us to include the expressive power and the insights and techniques from art, advertising and communication design</li>
 +
<li>[[vignette|<em>Vignettes</em>]] implement the basic technique from media informing, where an insight or issue is made accessible by telling illustrative and engaging or "sticky"  real-life people and situation stories</li>
 +
<li>[[thread|<em>Threads</em>]] implement Vannevar Bush's technical idea of "trails" as a way to combine specific ideas into higher-level units of meaning</li>
 +
</ul>
  
<h3>Remedy</h3>
 
  
<p>The remedy we proposed is to spell out the rules, by defining a <em>general-purpose methodology</em> as a convention; and by turning it into a <em>prototype</em> and developing it continuously—to represent the state of the art of relevant knowledge, and technology.</p>  
+
<p>We conclude by telling a [[vignette|<em>vignette</em>]]—which will illustrate some of the further nuances of this <em>methodological</em> approach to information and knowledge.</p>  
  
<p>Our <em>prototype</em> is called Polyscopic Modeling <em>methodology</em>, and nicknamed <em>polyscopy</em>. </p>  
+
<p>A situation with overtones of a crisis, closely similar to the one we now have in our handling of information at large, arose in the early days of computer programming. The buddying industry undertook ambitious software projects—which resulted in thousands of lines of "spaghetti code", which nobody was able to 'detangle' (understand and correct). The solution was conceived as "computer programming methodology"; [https://holoscope.info/2019/02/07/knowledge-federation-dot-org/#InformationHolon the longer story] is interesting, but we only highlight a couple of lessons learned from the "object oriented methodology", developed in the 1960s by Ole-Johan Dahl and Krysten Nygaard.</p>
  
<p>This approach allows us to <em>specify</em> what "being informed" means (by claiming it not as a "fact about reality", but as a convention, and part of a practical toolkit). In <em>polyscopy</em>, the intuitive notion, when one may be considered "informed", is made concrete by the technical keyword <em>gestalt</em>; one is informed, if one has a <em>gestalt</em> that is appropriate to one's situation. An <em>appropriate gestalt</em> interprets a situation in a way that points to right action—and you'll easily recognize now that we'll be using this idea all along, by rendering our general situation as the Modernity <em>ideogram</em>, and our academic one as the Mirror <em>ideogram</em>. Suitable techniques for communicating and 'proving' or <em>justifying</em> such claims are offered, most of which are developed by generalizing the standard toolkit of science.</p>
 
  
<p>Most of the <em>design patterns</em> of this <em>methodology prototype</em> are <em>federated</em>; and we here give a single example of a source, to point in a brief and palpable way to some of the important nuances, and to give due credit.</p>  
+
<blockquote>The designers of a computer programming language made themselves accountable for the "usability" of the results, and developed a methodology.</blockquote>  
  
<p>A situation with overtones of a crisis, closely similar to the one we now have in our handling of information at large, arose in the early days of computer programming, when the buddying industry undertook ambitious software projects—which resulted in thousands of lines of "spaghetti code", which nobody was able to understand and correct.  [https://holoscope.info/2019/02/07/knowledge-federation-dot-org/#InformationHolon The story] is interesting, but here we only highlight the a couple of main points and lessons learned.</p>
+
<p>Any sufficiently complete programming language, even the "machine language" of the computer, will allow the programmers to create <em>any</em> application program. The creators of the object oriented methodology, however, took it upon themselves to provide the programmers the kind of programming tools that would enable them, or even <em>compel</em> them, to write comprehensible, reusable and well-structured code. </p>  
  
 
<p>  
 
<p>  
 
[[File:Dahl-Vision.-R.jpeg]]
 
[[File:Dahl-Vision.-R.jpeg]]
</p>  
+
</p>
<p>They are drawn from the "object oriented methodology", developed in the 1960s by Old-Johan Dahl and Krysten Nygaard. The first one is that—to understand a complex system—<em>abstraction</em> must be used. We must be able to <em>create</em> concepts on distinct levels of generality, representing also distinct angles of looking (which, you'll recall, we called <em>aspects</em>). But that is exactly the core point of <em>polyscopy</em>, suggested by the methodology's very name.</p>  
+
 
 +
<blockquote>To understand a complex system, <em>abstraction</em> must be used. We must be able to <em>create</em> views of the complex whole on distinct levels of generality.</blockquote>
 +
 
 +
<p>The object oriented methodology provided a structuring template called "object"—which "hides implementation and exports function". What this means is that an object can be "plugged into" more general objects based on the functions it produces—without the burden of the details of its code. </p>
 +
 
 +
<p>We have seen, in <em>socialized reality</em>, that the <em>academia</em> too needs to consider itself accountable for the tools and processes by which information and knowledge are handled—<em>both</em> for the ones used by academic researchers,  <em>and</em> for the ones used by people at large. To see what those two lessons learned may mean practically, Imagine a highly talented young person, let's call him Pierre Bourdieu to be concrete, about to become a researcher. The <em>academia</em> will give Bourdieu a certain way to render his results, which he'll be using throughout his career. The "usability", comprehensibility and in a word—the <em>usefulness</em> of Bourdieu's life work will largely depend on the format in which he'll render his results. This format, however, will not be in his power to change, and it is unlikely that even Bourdieu would even think about doing that.</p>  
  
<p>The second point we'd like to highlight is is the <em>accountability</em> for the method. Any sufficiently complete programming language including the native "machine language" of the computer will allow the programmers to create <em>any</em> sort of program. The creators of the "programming methodologies", however, took it upon themselves to provide the programmers the kind of programming tools that would not only enable them, but even <em>compel</em> them to write comprehensible, reusable, well-structured code. To see how this reflects upon our theme at hand, our proposal to add systemic self-organization to the <em>academia</em>'s repertoire of capabilities, imagine that an unusually gifted young man has entered the <em>academia</em>; to make the story concrete, let's call him Pierre Bourdieu. Young Bourdieu will spend a lifetime using the toolkit the <em>academia</em> has given him. Imagine if what he produces, along with countless other selected creative people, is equivalent to "spaghetti code" in computer programming! Imagine the level of improvement that this is pointing to!</p>  
+
<p>Bourdieu is, of course, only a drop in the ocean.</p>  
  
 
</div> </div>  
 
</div> </div>  
Line 618: Line 695:
  
  
<p>The object oriented methodology provided a template called "object"—which "hides implementation and exports function". What this means is that an object can be "plugged into" more general objects based on the functions it produces—without inspecting the details of its code! (But those details are made available for inspection; and of course also for continuous improvement.)</p>
+
<p>The solution for structuring information we devised in <em>polyscopy</em> is called <em>information holon</em>. An <em>information holon</em> is closely similar to the "object" in object oriented methodology. Information, represented in the Information <em>ideogram</em> as an "i", is depicted as a circle on top of a square. The circle represents the point of it all ('the cup has a crack'); the square represents the details, the side views. </p>  
 
 
 
 
 
 
<p>The solution for structuring information we provided in <em>polyscopy</em>, called <em>information holon</em>, is closely similar. Information, represented in the Information <em>ideogram</em> as an "i", is depicted as a circle on top of a square. The circle represents the point of it all (such as "the cup is whole"); the square represents the details, the side views. </p>
 
 
 
<p>When the <em>circle</em>  is a <em>gestalt</em>, it allows this to be integrated or "exported" as a "fact" into <em>higher-level</em> insights; and it allows various and heterogeneous insights on which it is based to remain 'hidden', but available for inspection, in the <em>square</em>. When the <em>circle</em> is a <em>prototype</em> it allows the multiplicity of insights that comprise the <em>square</em> to have a direct <em>systemic</em> impact, or agency.</p>
 
</div>
 
 
 
<div class="col-md-3">
 
  
 +
<p>When the <em>circle</em>  is a general insight or a <em>gestalt</em>, it allows that insight to be integrated or "exported" as a "fact" into <em>higher-level</em> insights (while the contributing insights and data remain "hidden" in the <em>square</em>). When the <em>circle</em> is a <em>prototype</em>, the multiplicity of insights that comprise the <em>square</em> are given direct <em>systemic</em> impact, and hence agency.</p>
 +
</div> <div class="col-md-3">
 
[[File:Information.jpg]]<br>
 
[[File:Information.jpg]]<br>
 
<small>Information <em>ideogram</em></small>  
 
<small>Information <em>ideogram</em></small>  
 
 
</div> </div>  
 
</div> </div>  
 
 
<div class="row">
 
<div class="row">
 
<div class="col-md-3"></div>
 
<div class="col-md-3"></div>
 
<div class="col-md-7">  
 
<div class="col-md-7">  
  
 +
<p>The Holotopia <em>prototype</em> may now be understood as the <em>circle</em> by which our <em>knowledge federation</em> proposal is being <em>federated</em>. The <em>holotopia</em> vision is hereby not only described—but also turned into a collaborative strategy game, whose goal is to "change course".</p>
 +
 +
<p>A <em>prototype</em> <em>polyscopic</em> book manuscript titled "<em>Information</em> Must Be <em>Designed</em>" is structured as an <em>information holon</em>. Here the claim made in the title (which is the same we made in the opening of this presentation by talking about the bus with candle headlights) is <em>justified</em> in four chapters of the book—each of which presents a specific angle of looking at it. The book's four chapters present four <em>aspects</em> of our handling of information; they identify anomalies and propose remedies—which are the <em>design patterns</em> of the proposed <em>methodology</em>. </p>
  
<p>The <em>prototype</em> <em>polyscopic</em> book manuscript titled "<em>Information</em> Must Be <em>Designed</em>" book manuscript is structured as an <em>information holon</em>. Here the claim made in the title (which is the same we made in the opening of this presentation by talking about the bus with candle headlights) is <em>justified</em> in four chapters of the book—each of which presents a specific angle of looking at it.</p>  
+
<p>It is customary in programming language design to showcase the language by creating its first compiler in the language itself. In this book we described the <em>paradigm</em> that is modeled by <em>polyscopy</em>,  and then used <em>polyscopy</em> to make a case for that <em>paradigm</em>.</p>  
  
<p>It is customary in computer methodology design to propose a programming language that implements the methodology—and to <em>bootstrap</em> the approach by creating a compiler for that language in the language itself. In this book we did something similar. The book's four chapters present four angles of looking at the general issue of information, identify anomalies and propose remedies—which are the <em>design patterns</em> of the proposed <em>methodology</em>. The book then uses the <em>methodology</em> to justify the claim that motivates it—that makes a case for the proposed <em>paradigm</em>, by using the <em>paradigm</em>.
+
<p>The book's [http://folk.uio.no/dino/IDBook/Introduction.pdf introduction] is available online. What we (at the time this manuscript was written) branded <em>information design</em>, has subsequently been completed and rebranded as <em>knowledge federation</em>. </p>  
  
 
</div> </div>  
 
</div> </div>  
 
<!-- XXX
 
  
  
Line 652: Line 721:
 
<div class="col-md-7"><h3><em>Scope</em></h3>
 
<div class="col-md-7"><h3><em>Scope</em></h3>
  
<p>In this last of the <em>five insights</em>, we answer the question that has remained as perhaps most intriguing—and <em>portray</em> "a great cultural revival" that is now ready to emerge. To see what this may mean practically, think of the world in Galilei's time. Concerns about "original sin" and "eternal punishment" were soon to be replaced; happiness and beauty would be lived here and now, and elevated and celebrated by the arts. What might the <em>next</em> "great cultural revival" be like? </p>  
+
<p>We turn to culture and to "human quality", and ask: </p>
 +
 
 +
<blockquote>
 +
<b>Why</b> is "a great cultural revival" realistically possible?</blockquote>
 +
 
 +
<p>What insight, and what strategy, may divert our "pursuit of happiness" from material consumption and opportunism to human cultivation?</p>
 +
 
 +
<p>We approach this theme also from another angle: Suppose we developed the <em>praxis</em> of <em>federating</em> information—and used it to combine <em>all</em> relevant heritage and insights, from sciences, world traditions, therapy schools... </p>
 +
 
 +
<blockquote>Suppose we used <em>real</em> information to guide our choices, not advertising. What changes would develop? What difference would they make?</blockquote>
 +
 
 +
<p>The Renaissance replaced the original sin and the eternal reward as preoccupations, by happiness and beauty here and now.</p>  
  
<p>Another place to begin is what we've just proposed—to develop a <em>general purpose methodology</em>, or 'generalized science', which allows us to <em>federate</em> cultural insights emanating from ancient and contemporary cultural traditions, religions, schools of therapy <em>and</em> science, that would allow us to create insights, rules of thumb or principles in <em>any</em> domain of choice. We are about to apply our <em>prototype</em> to the pivotal issue, the one that gives our cultural evolution or our 'bus' its direction—the question of human aims and values. To inform our "pursuit of happiness". What insights, what new discoveries might emerge?</p>  
+
<blockquote> What values might the <em>next</em> "great cultural revival" bring to the fore? </blockquote>  
  
 
<h3>Diagnosis</h3>  
 
<h3>Diagnosis</h3>  
  
<p>The insight we propose is closely similar to the <em>academic</em> one resulting from the self-reflection with the help of the metaphorical [[mirror|<em>mirror</em>]]; the discovery that emerges is as simple as—the discovery of ourselves.</p>  
+
<blockquote>In the course of <em>modernization</em> we made a <em>cardinal</em> error—by elevating <em>convenience</em> (what <em>feels</em> attractive or pleasant) to the status of our cardinal value.</blockquote>
 +
 
 +
<p>This error can easily be understood if we consider that we've been looking at the world through the <em>narrow frame</em>—which elevated (direct) causality to the status of our chosen ("scientific") way to create truth and meaning. <em>Convenience</em> indeed <em>appears</em> to make us happy—and we take it for granted that it indeed does. </p>
 +
 
 +
<p>The value of <em>convenience</em> is endlessly reinforced by advertising.</p>
 +
 
 +
<p>We let <em>convenience</em> orient even our choice of—information!</p>
 +
 
 +
<p>The consequences are sweeping.</p>  
  
<p>The values that will be challenged are the ones that resulted by looking at the world through the <em>narrow frame</em>, as we've just described. First of all (in the more <em>private</em> pursuits) the value of <em>convenience</em> (or "instant gratification"), which <em>appeared</em> as "scientific" because it roughly corresponds to the scientific experiment. And then (in the more social ones) the value of <em>egotism</em> (or "egocenteredness"), which appears to follow as "natural" from Darwin's theory. And relying on "free competition" to take care of <em>wholeness</em>. </p>  
+
<p>When <em>convenience</em> is the criterion by which we measure life quality, <em>the systems in which we live and work</em> easily appear as the best possible ones. We lose interest in "cultural revival", and "human quality". We believe that we can simply <em>feel</em> what we want—and that the rest is <em>a practical matter</em> of getting it.</p>  
  
<p>Both values ignore systems—first of all the natural ones, and then also social. Both are the environments, whose quality largely determines our life quality. They have, however, a difference—that in culture we have no CO2 and CO2 quotas; and that the destruction can be <em>more</em> pervasive, and remain unnoticed.</p>  
+
<blockquote>When we recognize that <em>convenience</em> is a deceptive value—we are compelled to acknowledge that we have no reliable basis for deciding what our goals should be.</blockquote>  
  
<p>What we, however, focus on here is the third system—ourselves. The observation that our "values" made us neglect how our choices influence our own condition, including our <em>capability to feel</em> in the long run. And that by 'seeing ourselves in the <em>mirror</em>',  we become liberated from <em>objectifying</em> our own emotional responses—that when we feel something is attractive, or repulsive, it "really is" so. </p>  
+
<p>A cultural frontier opens up—where <em>real</em> information is created and used for making choices. </p>  
  
<blockquote>The way in which we emotionally react to stimuli from the outside will turn out to be <em>the</em> most fertile ground for improvement.</blockquote>  
+
</div> </div>
  
<p>Completely ignored!</p>  
+
<div class="row">
 +
<div class="col-md-3"></div>
 +
<div class="col-md-6">
  
 
<h3>Remedy</h3>  
 
<h3>Remedy</h3>  
 +
 +
<p>We point to the remedy by the Convenience Paradox <em>ideogram</em>. Like all of us, the person in the picture wants his life to be convenient. But he made a wise choice: Instead of simply following the direction downwards, which <em>feels</em> easier, he paused to reflect whether this direction leads to a more convenient <em>condition</em>. </p>
 +
 +
<blockquote>It doesn't.</blockquote>
 +
 +
<p>The <em>convenience paradox</em> is a <em>pattern</em>, where a more convenient direction leads to a less convenient situation. The iconic image of a "couch potato" in front of a TV is an obvious instance. The less obvious instances are, however, abundant, and often surprising.</p>
 +
 +
<p>The <em>convenience paradox</em> is a result of us simplifying "pursuit of happiness" by ignoring its two most interesting <em>dimensions</em>—time; and our own condition, which makes us inclined or <em>able to feel</em> in some specific way.</p>
 +
 +
<p>By depicting the <em>way</em> to <em>wholeness</em> as "yang" in the traditional yin-yang <em>ideogram</em>, it is suggested that its nature is paradoxical and obscure—and that the <em>way</em> needs to be illuminated by suitable <em>information</em>. This <em>way</em> is what the Buddhists call "Dhamma" and the Taoists "Tao". </p>
 +
 +
 +
<p>However paradoxical, the <em>way</em> follows a certain pattern that <em>can</em> be understood; not in a mechanistic-causal way, not by studying what various cultures <em>believe</em> in—but by focusing on and <em>federating</em> the <em>phenomenology</em> repeated in the world traditions.</p>
 +
</div>
 +
<div class="col-md-3">
 +
[[File:Convenience Paradox.jpg]]
 +
<small>Convenience Paradox <em>ideogram</em></small>
 +
</div> </div>
 +
<div class="row">
 +
<div class="col-md-3"></div>
 +
<div class="col-md-7">
 +
<blockquote>We showed that the <em>convenience paradox</em> is a <em>pattern</em> repeated or subtly reflected in all major aspects of our civilized human condition.</blockquote>
 +
 +
<p>To do that, we created an <em>information holon</em>—where the <em>square</em> comprises the main <em>aspects</em> of human <em>wholeness</em>. </p>
 +
 +
<p>Here, however, we only <em>motivate</em> this work. We do that by sharing three specific insights—and supporting them by a few anecdotes and examples. </p>
 +
 +
<blockquote>1. Human wholeness <em>feels</em> better than most of us can imagine.</blockquote>
 +
 +
<p>We called this insight "the best kept secret of human culture" , and made it a theme of one of our chosen <em>ten conversations</em>. </p>
 +
 +
<p><em>It was a glimpse or an experience or side of human wholeness</em> that attracted our ancestors to the Buddha, the Christ, Mohammed and other adepts and teachers of the <em>way</em>, or "sages" or "prophets". C.F. Andrews described this in "Sermon on the Mount":</p>
 
   
 
   
<p>When we apply the <em>holoscope</em> to this most fertile realm of questions, three insights emerge.</p>  
+
<blockquote>"Through their practice, the early disciples of Jesus found out) that the Way of Life, which Jesus had marked out for them in His teaching, was revolutionary in its moral principles. It turned the world upside down (Acts 17. 6). (...) They found in this new 'Way of Life' such a superabundance of joy, even in the midst of suffering, that they could hardly contain it. Their radiance was unmistakable. When the Jewish rulers saw their boldness, they 'marvelled and took knowledge of them that they had been with Jesus' (Acts 4. 13). (...) It was this exuberance of joy and love which was so novel and arresting. It was a 'Way of Life' about which men had no previous experience. Indeed, at first those who saw it could not in the least understand it; and some mocking said, 'These men are full of new wine' (Acts 2. 13)."</blockquote>
 +
 
 +
<p>The existence and character of this experience can, however, readily be verified by simply observing or asking the people who have followed the <em>way</em>, and tasted some of its fruits.</p>
 +
 
 +
<blockquote>2. The <em>way</em> to <em>wholeness</em> is counter-intuitive.</blockquote>  
  
<p>The first is the <em>convenience paradox</em>—that <em>convenience</em> is a deceptive and useless value, behind which <em>enormous</em> cultural opportunities have remained hidden. The idea of a "couch potato" provides a common-sense illustration—but, we show, the depth and breadth of possibilities for improving our condition through long-term cultivation is beyond what most of us will dare to consider possible.</p>
 
 
<p>
 
<p>
 
[[File:LaoTzu-vision.jpeg]]
 
[[File:LaoTzu-vision.jpeg]]
 
</p>  
 
</p>  
 +
<p>To get a glimpse of it, compare the above utterances by Lao Tzu (acclaimed as progenitor of Taoism; "tao" literally means "way"), with what Christ taught in his Sermon on the Mount. Why was Teacher Lao claiming that "the weak can defeat the strong"? Why did the Christ advise his disciples to "turn the other cheek"?</p>
 +
 +
<p>Aldous Huxley's book "Perennial Philosophy" is <em>alone</em> sufficient to give an answer.  Coming from a family that gave some of Britain's leading scientists, Huxley undertook to not only <em>federate</em> some of the core insights about the <em>way</em> (by demonstrating the consistency of both the relevant practices <em>and</em> their results across historical periods and cultures), but to also make a case for the method he used, as an extension of science needed to support <em>cultural</em> evolution.</p> 
 +
 +
<blockquote>3. To overcome the paradox, we must <em>reverse</em> the modernity's characteristic values.</blockquote>
 +
 +
<p><em>Convenience</em> must be replaced by "human development". </p>
 +
 +
<p><em>Egotism</em> must be subjugated by service to larger purposes.</p>
 +
 +
<p>Lao Tzu (the Holotopia <em>prototype</em>'s iconic pointer to the <em>way</em>) is often portrayed as reading a bull—which signifies that he achieved that.</p>
 +
 +
<p>While this insight can easily be <em>federated</em> in the manner just described, we here point to it by a curiosity.</p> 
  
<p>The second insight is what we propose to call "the best kept secret of human culture": Human <em>wholeness</em> does exist; and it feels, and looks, incomparably better than most of us will dare to imagine. It is this that drove people to the Buddha, Christ, Mohammed and other founders of religion. We represent them all here by Lao Tzu, who is often considered the founder of "Taoism". "Tao" literally means "way". The point here is to develop one's way of live, and culture, based on on <em>where the way is leading to</em>—and not (only) based on how attractive a direction may feel at the moment.</p>
 
<p>The most fascinating insight is reached as soon as we ignore the differences in worldview, what the adherents of different religion "believe in"—and pay attention to the <em>symbolic environment</em> they produce, and the kind of values and way of being they nourish. Compare, for instance, the above Lao Tzu's observations with what Christ told his disciples in the Sermon on the Mount. </p>
 
 
<p>
 
<p>
 
[[File:Huxley-vision.jpeg]]
 
[[File:Huxley-vision.jpeg]]
 
</p>
 
</p>
<p>The third insight is that the <em>transcendence</em> of <em>egotism</em> is a key element of the "way". </p>
+
<p>In "The Art of Seeing", Huxley observed that overcoming egotism is a necessary element of even <em>physical</em> wholeness!</p>
<p>Lao Tzu is often pictured as riding a bull, which signifies that he conquered and tamed his ego. We here quote Aldous Huxley, to point out that transcending <em>egotism</em> is so much part of our <em>wholeness</em>, that even <em>physical</em> effort and effortlessness—which we now handle exclusively by developing the technology—is conditioned by it. </p>
+
 
 +
<p>We may now perceive significant parts of our cultural history as a struggle between <em>cultivation</em> of <em>wholeness</em> guided by insights into the nature of the <em>way</em>—and the <em>power structure</em>–related <em>socialization</em>, aided by the attraction of <em>convenience</em> and <em>egotism</em>. It is on the outcome of this struggle, Peccei warned us, that our future will depend. </p>  
 +
 
 +
<blockquote>What hope do we have of reversing its outcome?</blockquote>
 +
 
 +
<p>The answer is, of course, that we now have a whole new <em>dimension</em> to work with.</p>
 +
 
 +
<blockquote>We can <em>design</em> communication.</blockquote>
 +
 
 +
<p>We can create media content that will communicate the <em>convenience paradox</em> in clear and convincing ways; we can guide people to an <em>informed</em> use of information; <em>and</em> we can create various elements of culture to <em>socialize</em> us or <em>cultivate</em> us accordingly. Including, of course, <em>the systems in which we live and work</em>. </p>
 +
 
 +
 
 +
<blockquote>A <em>vast</em> creative frontier opens up.</blockquote>
 +
 
 +
<p>We illustrate it here by a handful of examples.</p>
 +
 
 +
 
 +
<p>The NaCuHeal-Information Design was our project developed in collaboration with the European Public Health Association, through Prof. Gunnar Tellnes who was then its president. In Norway Tellnes developed an authentic approach to health, which was based on nature and culture-related activities. This collaboration resulted in several <em>prototypes</em>, of which we mention two.</p>
 +
 
 +
<p>We contributed "Healthcare as a Power Structure" to the European Association for the History of Medicine and Health. Historiographically, we based this research on the results  of Weston Price and Werner Kollath—two pioneers of the scientific "hygiene", understood as a scientific study of the ways in which civilized lifestyle influences people's health. But we also added a <em>methodological</em> contribution—a way to 'connect the dots' and supplement historiographic research by a general "law of change" result. By seeing that also our approach to health and medicine can develop pathological tendencies, we can explain the fact that the results of those pioneers are still virtually unknown even to medical professionals; and why, in spite of them, our "caring for health" so consistently ignores the lifestyle factors, and relies on far more costly interventions.</p>
 +
 
 +
<p>Kommunewiki—a <em>dialog</em>-based communication project for Norwegian municipalities (as basic units of Norwegian democracy)—was conceived to empower their members to counter <em>power structure</em> lifestyle tendencies, and develop <em>salutogenic</em> new ones.</p>
 +
 
 +
<p>We developed the "Movement and Qi" educational <em>prototype</em> as a way to add to the conventional academic portfolio a collection of ways to use human <em>body</em> as medium—and work with "human quality" directly. And as a way to include the insights and techniques of the "human quality" traditions such as yoga and qigong into the academic repertoire. </p> 
 +
 
 +
<p>"Liberation", subtitled "Religion beyond Belief", is a book manuscript and a communication design project. The book <em>federates</em> the message of Ven. Ajahn Buddhadasa, a 20th century's Buddhism reformer in Thailand, who—having through experimentation and practice understood and 'repeated the Buddha's experiment', found in it also a natural antidote to rampant materialism. The first four chapters present four <em>aspects</em> of human <em>wholeness</em>, including physical effortlessness, creativity, emotions and vitality. Buddhadasa's insights are shown to be a <em>necessary</em> piece in this large puzzle. The closing four chapters explain how <em>societal</em> <em>wholeness</em> may result.</p>  
  
<p>Concrete <em>prototypes</em>: Definition of <em>religion</em> as "reconnection with archetypes". </p>  
+
<p>The core Buddhadasa's message, which is also the message of this book, is to  portray <em>religion</em> as "liberation"—not only from rigidly held beliefs that form our self-identity, but from rigidly held <em>anything</em>, as well as from <em>self-identity</em> as such.</p>  
  
<p>The book "Liberation" subtitled "Religion beyond Belief" is an ice breaker. It <em>federates</em> "the best kept secret", and creates a <em>dialog</em>. </p>  
+
<p>We chose this book as part of our strategy for launching the <em>holotopia</em>. Many people have strong opinions about religion—be they "religious" and pro, or "scientific" and against. This book is likely to surprise both sides and challenge <em>both</em> positions—while at the same time reconciling their differences. </p>
  
<p>Movement and Qi is a template how to put the <em>language</em> of "movement" (doing something with the body) into the academic repertoire. And how to put the heritage of the world traditions such as yoga and qigong into academic repertoire.</p>  
+
<blockquote>Isn't the prospect of <em>evolving</em> religion further a promising strategy for remedying religion-inspired violence?</blockquote>  
  
 +
<p>And of course, a way to evolve further culturally and ethically—as Peccei requested; and <em>holotopia</em> promised to deliver.</p>
  
 
</div> </div>  
 
</div> </div>  
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<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>A great cultural revival</h2></div>
+
<div class="col-md-3"><h2>Summary and conclusions</h2></div>
<div class="col-md-7">
+
<div class="col-md-7"><h3>Human quality and cultural revival</h3>
  
<p>The <em>five insights</em> have been chosen to reflect five <em>aspects</em> of the last "great cultural revival", to which we point by bringing up the image of Galilei in hose arrest. Our point is that when those five centrally important aspects of our society's 'drive into the future' are no longer looked at by using the <em>inherited</em> ways of looking at the world ('in the light of a pair of candles') but by a deliberately <em>designed</em> way (represented by the <em>holoscope</em>), or in other words when our minds and eyes are liberated from the habit and the tradition and we allow ourselves to <em>create</em> the way we look at the world—then once again the blind spots and the opportunities for creative action are seen that <em>naturally</em> lead to a deep and comprehensive change.</p>  
+
<p>We <em>assumed</em> that Peccei's call to action (that we must "find a way to change course") was <em>federated</em>, and undertook to find out in what way the specific "change of course" he diagnosed was necessary,  "the advent of a new humanism essentially based on and aiming at man’s cultural development, that is, a substantial improvement in human quality throughout the world" could realistically be achieved.</p>  
  
<p>Hence the <em>five insights</em> together reveal a vast creative frontier, where dramatic improvements can be reached. And which <em>together</em> constitute "a great cultural revival"—each of them being a piece in the large puzzle, a mechanism that unleashes our creative potential on such major scale.</p>  
+
<p>The first of the <em>five insights</em>, the <em>power structure</em>, showed that when we use "free competition" or "the survival of the fittest" to direct our efforts and our evolutionary course, then <em>we</em> end up being 'the enemy' <em>creating</em> the "problematique". We have seen that the key to "changing course" is a change of values—from <em>convenience</em> and <em>egotism</em> to <em>wholeness</em>. We have seen (the <em>convenience paradox</em> insight) that this change of values follows when we substitute <em>federated</em> information for various forms of power-motivated <em>socialization</em>, such as advertising. </p>  
  
<h3>A revolution in innovation</h3>
+
<p>The values are an easy target, if we consider that <em>convenience</em> and <em>egotism</em> are so obviously lame that they hardly merit to be called "values". In the [[Holotopia:Socialized reality|<em>Socialized reality</em>]] detailed article, we however showed that those values inhibit also our <em>personal</em> "pursuit of happiness", profoundly and directly. And that as soon as an <em>informed</em> "pursuit of happiness" is in place, not only the direction is changed, but also a vast culture-creative frontier opens up, where the levels of human <em>wholeness</em> and fulfillment come within reach that are well beyond what the now common ways of "pursuing happiness" can achieve.</p>
  
<p>By bringing a radical improvement of the efficiency and effectiveness of human work, through innovation, the Industrial Revolution liberated our ancestors from the toil for survival, and empowered them to devote themselves to more humane pursuits such as developing their "human quality", by developing culture. Or so we were told. The real story may, however, be entirely different. Research has shown that the hunger-gatherers used only a small fraction of their time for hunting and gathering. The <em>power structure</em> insight shows that not only today—but throughout history the improvements in effectiveness and efficiency in human work have been largely wasted by the <em>systems in which we live and work</em></p>
+
<p>Furthermore, in <em>narrow frame</em>, we have seen how a general-purpose <em>methodology</em> can be developed for doing that, on state-of-the-art academic premises.</p>  
  
<p>We saw, by illuminating those systems and the way in which they evolve, that this age-old negative trend in our evolution can be countered by innovating differently—through [[systemic innovation|<em>systemic innovation</em>]], or by "making things whole". And how this <em>socio-technical</em> innovation can, finally, liberate us from toil and empower us to engage in cultural revival.</p>  
+
<p>We can now offer the following conclusion.</p>
  
<h3>A revolution in communication</h3>  
+
<blockquote>The <em>five insights</em> show that "a way to change course" is by changing the relationship we have with information.</blockquote>  
  
<p>The printing press enabled the Enlightenment by enabling a revolution in literacy, and in communication.  The <em>collective mind</em> insight shows that the new information technology enables a <em>similar</em> revolution—whose effects will not be only a mass production of volumes of information, but most importantly a revolution in the production of <em>meaning</em>. A revolution where information is considered and treated as the lifeblood of human society—and enabled to make all the differences it can and needs to make, in a post-industrial society.</p>  
+
<p>From using <em>convenience</em> to choose information—to using <em>information</em> as 'guiding light' to make choices in general—and the choice of values in particular.</p>  
  
<h3>A revolution in vision</h3>  
+
<h3>The relationship we have with information</h3>  
  
<p>The Enlightenment was a combined revolution; our ancestors were first empowered to use their reason to <em>understand</em> the world; and then to see that the royalties were not divinely ordained, but indeed part of a human-made <em>power structure</em>. The whole revolution, however, began as a relatively minor epistemological innovation in astrophysics. By putting the Sun into the center of the Solar system, a scientific explanation of the movement of the planets became possible. We have seen that a <em>continuation</em> of that revolution is now due, by which all <em>reification</em> is seen as obsolete and a product of <em>power structure</em>; and in particular the <em>reification</em> of our worldview, and of our <em>systems</em>. By liberating the <em>academia</em> from the pitfall of <em>reification</em>, we can both empower ourselves to adapt our <em>systems</em> to the purposes they need to serve <em>and</em> liberate the vast global army of academic researchers from the disciplinary constraints on creativity—and empower them to be creative in ways and on the scale that a "great cultural revival" enables and requires.</p>  
+
<p>A case for what we called the "core of our proposal"—to change the relationship we have with information—follows from the <em>five insights</em> directly. They are, after all, <em>insights</em>; each of them shows, in its own specific domain, that a radical change of perception, and of direction, follows as soon as we develop the <em>praxis</em> of <em>federating</em> insights, and using basic insights as "guiding light" to orient our action. </p>  
  
<h3>A revolution in method</h3>
+
<p>The core of our proposal is to extend the academic or "scientific" approach to knowledge to include all those basic issues of human life and culture that have so far remained untouched by it—or even touched in a wrong way. A simple argument follows from the <em>historicity</em> of our handling of information: Science was conceived as a way to explore the natural phenomena; it ended up in its much larger role, of "the Grand Revelator of modern Western Culture" [http://holoscope.org/STORIES#Whorf as Benjamin Lee Whorf called it], "without intending to". </p>  
  
<p>Galilei in house arrest was really <em>science</em> in house arrest. It was this new way to understand the natural phenomena that liberated our ancestors from superstition, and empowered them to understand and change their world by developing technology. The <em>narrow frame</em> insight shows that the "project science" can and needs to be extended into all walks of life—to illuminate all those core issues that science left in the dark. </p>  
+
<h3><em>Knowledge federation</em> as academic field and real-life <em>praxis</em></h3>  
  
<h3>A revolution in culture</h3>  
+
<p>Academically, the <em>prototype</em> we've proposed is a <em>paradigm</em> proposal (we have adapted from Thomas Kuhn's familiar keyword).</p>  
  
<p>The Renaissance <em>was</em> a "great cultural revival"—a liberation and celebration of life, love, and beauty, by changing the values and the lifestyle, and developing the arts. The <em>convenience paradox</em> insight illuminates two <em>dimensions</em> of this most fertile creative domain we've neglected—the time dimension, and the inner one. When this is done, a completely new <em>direction</em> of human pursuits readily emerge as natural—where our goal is the cultivation of inner <em>wholeness</em>, by developing culture. </p>  
+
<p>Each of the <em>five insights</em> can now be seen as a large <em>anomaly</em>; a costly error, which has already been amply reported—and yet those reports remained ignored.</p>  
  
<p>This new revolution perhaps finds its most vivid expression in re-evolution of religion—by which an age-old conflict between science and religion is seen as a conflict between two <em>power structures</em>, which hindered the evolution of <em>both</em> our understanding of the world and our understanding of our selves. And how a completely <em>new</em> phase in this relationship can now begin.</p>  
+
<p>The handling of each of the anomalies, we have shown, <em>requires</em> the specific choices or <em>design patterns</em> that our <em>prototype</em>, which forms the substance of our proposal, embodies.</p>  
  
</div> </div>  
+
<p>We can now offer the following conclusion.</p>  
  
  
<div class="row">
+
<blockquote>Our call to action, to institutionalize and develop <em>knowledge federation</em> as an academic field and a real-life <em>praxis</em>, is a practical way to implement the changes that have become necessary. As an academic field, <em>knowledge federation</em> is conceived as the <em>academia</em>'s and the society's evolutionary organ; as a real-life <em>praxis</em>, it is the collective thinking we now need to develop.</blockquote>
<div class="col-md-3"><h2>The 6th insight</h2></div>
+
<p>
<div class="col-md-7">
+
[[File:Jantsch-university.jpeg]]
 +
</p>
 +
<p>When making this call to action, we are not saying anything new; we are only echoing the call to action that <em>many</em> have made before us.</p>  
  
 +
<p>We, however, also <em>federate</em> that call to action, by organizing together a broad variety of insights that motivate it; and we <em>operationalize</em> the action, by evolving [[prototype|<em>prototypes</em>]].</p>
  
  
  
 +
<h3>The <em>holotopia</em> vision</h3>
  
<h3>These solutions compose a <em>paradigm</em></h3>
 
  
<p>The five issues, and their solutions, are closely co-dependent; the key to resolving them is the relationship we have with information (the <em>epistemology</em> by which the proposed <em>paradigm</em> is defined).  </p>  
+
<p>The <em>five insights</em> together compose a vision of "a great cultural revival". They complete the analogy between our time and the situation at the twilight of the Middle Ages and the dawn of the Renaissance, which we've been pointing to by using the iconic image of Galilei in house arrest:</p>  
  
 
<ul>  
 
<ul>  
<li>The <em>power structure</em> issue cannot be resolved (we cannot begin "guided evolution of society", as Bela H. Banathy called the new evolutionary course that is emerging) without resolving the <em>collective mind</em> issue (by creating a knowledge-work infrastructure that provides "evolutionary guidance")</li>
+
<li><b>A revolution in innovation</b>. By bringing a radical improvement of the efficiency and effectiveness of human work, through innovation, the Industrial Revolution promised to liberate our ancestors from hardship and toil, so that they may focus on developing culture and "human quality".  The <em>power structure</em>, however, thwarted our aspirations. This issue can be resolved, and progress can be resumed, by learning to "make things whole" on the level of <em>the systems in which we live and work</em>.</li>  
<li>The resolution of the <em>collective mind</em> issue requires that we resolve the <em>socialized reality</em> issue (that instead of <em>reifying</em> our present institutions or systems, and the way in which we look at the world, we consider them as functional elements in a larger whole)</li>
 
<li>The resolution of the <em>socialized reality</em> issue follows from <em>intrinsic</em> considerations—from the reported anomalies, and published epistemological insights (Willard Van Orman Quine identified the transition to truth by convention as a sign of maturing that has manifested itself in the evolution of every science)</li>
 
<li>The resolution of the <em>narrow frame</em> issue, by developing a general-purpose <em>methodology</em>, is made possible by just mentioned <em>epistemological</em> innovation</li>
 
<li>The resolution of the <em>convenience paradox</em> issue is made possible by <em>federating</em> knowledge from the world traditions, by using the mentioned methodology</li>
 
<li>The <em>power structure</em> issue can only be resolved when we the people find strength to overcome self-serving, narrowly conceived values, and collaborate and self-organize to create radically better <em>systems in which we live and work</em></li>
 
</ul>  
 
  
<p>Hence we have an overarching new insight.</p>  
+
<li><b>A revolution in communication</b>. The printing press enabled the Enlightenment by enabling a revolution in literacy and communication.  The <em>collective mind</em> insight shows that the new information technology can power a <em>similar</em> revolution—whose effect will be a revolution of <em>meaning</em>. The kind of revolution that can make the differences that needs to make, in a post-industrial society.</li>  
  
<blockquote>A comprehensive change can be easy—even when smaller and obviously necessary changes may have proven impossible.</blockquote>  
+
<li><b>A revolution in <em>epistemology</em></b>. By reviving the academic tradition, the Enlightenment empowered our ancestors to use their reason to comprehend the world, and evolve faster. The <em>socialized reality</em> insight shows that the evolution of the academic tradition brought us to a <em>new</em> turning point—which will liberate us from  <em>reifying</em> our inherited <em>systems</em> and worldviews; and enable us to evolve culturally, at a similar rate as we've evolved technologically.</li>  
  
<p>The global system does maintain a self-destructive <em>homeostasis</em>. It resist the changes that are contrary to its nature.</p>  
+
<li><b>A revolution in method</b>. Galilei in house arrest was <em>science</em> in house arrest. Once liberated, this new way to understand the the world liberated our ancestors from superstition, and empowered them to change their condition by developing technology. The <em>narrow frame</em> insight shows that the "project science" can and needs to be extended into all walks of life—to illuminate the core issues that traditional science left in the dark. </li>  
  
<p>We have seen that, however, <em>the system as a whole</em> is ripe for change.</p>  
+
<li><b>A revolution in culture</b>. The Renaissance <em>was</em> a "great cultural revival"—a liberation and celebration of life, love, and beauty, through lifestyle change and the arts. The <em>convenience paradox</em> insight shows that our culture is again a victim of <em>power structure</em>; and that a <em>final</em> liberation is possible.</li>  
  
<p>And that the key to that change, the "systemic leverage point", is to change the relationship we have with information.</p>  
+
</ul>  
  
<p>We have also seen (and called it the <em>socialized reality</em> insight) that this change is now due also for fundamental reasons, because our <em>knowledge of knowledge</em> demands it. And hence that the spontaneous evolution of the academic tradition has brought us to that point.</p>  
+
</div> </div>  
  
<p>This completes the analogy with Galilei's time—which is or main line of argument, in the case for developing <em>knowledge federation</em> as an academic field, and a real-life <em>praxis</em>.</p>
 
  
</div> </div>
 
  
 
<div class="page-header" ><h2>A strategy</h2></div>
 
<div class="page-header" ><h2>A strategy</h2></div>
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>We will <em>not</em> solve "the huge problems now confronting us"</h2></div>
+
<div class="col-md-3"><h2>We will <em>not</em> solve our problems</h2></div>
 
<div class="col-md-6">
 
<div class="col-md-6">
  
<p>Already in 1964, four years before The Club of Rome was established, Margaret Mead wrote:
+
<p>The Holotopia [[prototype|<em>prototype</em>]] is conceived as a co-creative space, where we make tactical moves toward "changing course".</p>
 +
 
 +
<p>We respond to Margaret Mead's call to action (published in "Continuities in Cultural Evolution", in 1964—four years before The Club of Rome was founded):
 
<blockquote>  
 
<blockquote>  
 
"(W)e are living in a period of extraordinary danger, as we are faced with the possibility that our whole species will be eliminated from the evolutionary scene. One necessary condition of successfully continuing our existence is the creation of an atmosphere of hope that the huge problems now confronting us can, in fact, be solved—and can be solved in time."
 
"(W)e are living in a period of extraordinary danger, as we are faced with the possibility that our whole species will be eliminated from the evolutionary scene. One necessary condition of successfully continuing our existence is the creation of an atmosphere of hope that the huge problems now confronting us can, in fact, be solved—and can be solved in time."
 
</blockquote> </p>  
 
</blockquote> </p>  
<p>Despite the <em>holotopia</em>'s optimistic tone, we <em>do not</em> assume that the problems we are facing <em>can</em> be solved.</p>  
+
<p>We do not claim, or even assume, that "the huge problems now confronting us" can be solved.</p>  
 
</div>  
 
</div>  
  
Line 785: Line 944:
 
[[File:Mead.jpg]]<br>
 
[[File:Mead.jpg]]<br>
 
<small>Margaret Mead</small>  
 
<small>Margaret Mead</small>  
</div> </div>
+
</div> </div>  
  
 
<div class="row">
 
<div class="row">
 
<div class="col-md-3"></div>
 
<div class="col-md-3"></div>
 
<div class="col-md-7">
 
<div class="col-md-7">
<p>[https://youtu.be/U7Z6h-U4CmI?t=223 Hear Dennis Meadows] (the leader of the team that produced The Club of Rome's seminal 1972 report Limits to Growth) diagnose, based on 44 years of experience on this frontier, that our pursuit of "sustainability" falls short of avoiding the "predicament" they were warning us about back then:</p>  
+
<p>[https://youtu.be/U7Z6h-U4CmI?t=223 Hear Dennis Meadows] (who coordinated the team that produced The Club of Rome's seminal 1972 report Limits to Growth) diagnose, based on 44 years of experience on this frontier, that our pursuit of "sustainability" falls short of avoiding the "predicament" they were warning us about back then:</p>  
 
<blockquote>  
 
<blockquote>  
 
"Will the current ideas about "green industry", and "qualitative growth", avoid collapse? No possibility. Absolutely no possibility of that. (...) Globally, we are something like sixty or seventy percent <em>above</em> sustainable levels."
 
"Will the current ideas about "green industry", and "qualitative growth", avoid collapse? No possibility. Absolutely no possibility of that. (...) Globally, we are something like sixty or seventy percent <em>above</em> sustainable levels."
 
</blockquote>   
 
</blockquote>   
  
<p>Yes, we've wasted a precious half-century pursuing the neoliberal dream ([https://youtu.be/0141gupAryM?t=95 hear Ronald Reagan] set the tone for it, in the role of "the leader of the free world"). </p>
+
<p>We wasted precious four decades pursuing a dream ([https://youtu.be/0141gupAryM?t=95 hear Ronald Reagan] set the tone for it, in the role of "the leader of the free world"). </p>  
 
 
<p>So no, we do not claim that our problems can be solved. Neither do we deny them. </p>
 
 
 
<p>There is a sense of sobering up, and of <em>catharsis</em>, of empowerment, of deep understanding that small things don't matter, that only being creative in the manner and on the scale we are proposing <em>can</em> matter—which needs to reach us from the depth of our problems. <em>That</em> must be our very first step.</p>
 
<p>We take a deep dive into that depth. But we do not <em>dwell</em> there.</p>
 
 
 
<p>"The huge problems now confronting us" <em>must</em> be dealt with, conscientiously and resolutely. We, however, do not do that. We propose to add to those most necessary and timely efforts a strategy—through which the solutions may be made easy; and which may well be necessary for the solutions to even exist.</p>
 
</div> </div>  
 
  
<div class="row">
+
<blockquote>A sense of sobering up, and of <em>catharsis</em>, now needs to reach us from the depth of our problems. </blockquote>  
<div class="col-md-3"><h2>We will begin "a great cultural revival"</h2></div>
 
<div class="col-md-7">
 
  
<p>Ironically, our problems can only be solved when we no longer see them as problems—but as <em>symptoms</em> of much deeper, structural or systemic defects, which <em>can</em> and must be corrected to continue our evolution, or "progress", irrespective of problems.</p>  
+
<p>Small things don't matter. Business as usual is a waste of time. </p>  
<p>And most interestingly, our evolution, or "progress", can and <em>must</em> take a completely new—cultural—direction and focus.
+
<p>Our evolution, or "progress", must acquire a new—cultural—focus and direction.</p>  
<p>[https://youtu.be/U7Z6h-U4CmI?t=291 Hear Meadows say], in the same interview:</p>  
+
<p>[https://youtu.be/U7Z6h-U4CmI?t=291 Hear Dennis Meadows say], in the interview cited above:</p>  
 
<blockquote>  
 
<blockquote>  
 
"Will it be possible, here in Germany, to continue this level of energy consumption, and this degree of material welfare? Absolutely not. Not in the United States, not in other countries either. Could you <em>change</em> your cultural and your social norms, in a way that gave attractive future? Yes, you could."
 
"Will it be possible, here in Germany, to continue this level of energy consumption, and this degree of material welfare? Absolutely not. Not in the United States, not in other countries either. Could you <em>change</em> your cultural and your social norms, in a way that gave attractive future? Yes, you could."
 
</blockquote>  
 
</blockquote>  
  
<p>Margaret Mead encouraged us, with her best known motto:
+
<p>It is <em>this</em> change—of our very idea of "progress"—that the <em>holotopia</em> is focusing on.</p>
<blockquote>
 
"Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has."
 
</blockquote> </p>  
 
<p>And she also pointed to the critical task at hand: "Although tremendous advances in the human sciences have been made in the last hundred years, almost no advance has been made in their use, especially in ways of creating reliable new forms in which cultural evolution can be directed to desired goals."</p>
 
 
 
<p>It is that "creating" that the Holotopia project is about. We set it up as a research lab, for resolutely working on that goal. We create a transformative 'snowball', with the material of our own bodies, and we let it roll. </p>  
 
  
 +
<p>Ironically, our problems can only be solved when we no longer see them as problems—but as <em>symptoms</em> of much deeper, structural or systemic defects, which <em>can</em> and must be corrected to continue our evolution; to resume "progress". But this we need to do irrespective of problems!</p>
  
<p>"(W)e take the position that the unit of cultural evolution is neither the single gifted individual nor the society as a whole", Mead wrote, "but <em>the small group of interacting individuals</em> who, together with the most gifted among them, can take the next step; then we can set about the task of creating the conditions in which the appropriately gifted can actually make a contribution. That is, rather than isolating potential "leaders," we can purposefully produce the conditions we find in history, in which clusters are formed of a small number of extraordinary and ordinary men and women, so related to their period and to one another that they can consciously set about solving the problems they propose for themselves."</p>
+
<blockquote>The <em>five insights</em> show that the <em>structural</em> problems now confronting us <em>can</em> be solved.</blockquote>
  
<p>As we have seen, and will see, the "single gifted individuals" have already offered us their gifts, already a half-century ago. But their insights failed to incite the kind of self-organization and action that would enable them to make a difference.</p>  
+
<p>Hence the <em>holotopia</em> fulfills "one necessary condition of successfully continuing our existence" in a much <em>larger</em> degree than Mead asked for. It fosters <em>more than</em> "an atmosphere of hope". It is indeed a clear vision of a future that is far <em>more</em> worth living in than our present-day condition, <em>and</em> of what we must do to get there, that the <em>holotopia</em> 'brand' stands for.</p>  
  
<p>Here the <em>holotopia</em>'s "rule of thumb", to "make things <em>whole</em>", which is really an ethical stance, plays a central role. While we are creating a small 'snowball' and letting it roll, the cohesive force that holds it together is of a paramount importance. We are not developing this project to further our careers; nor to earn some money, or get a grant. We are doing that because it's beautiful. And because it's what we need to give to our next generation.</p>
+
<p>And we don't even need to <em>wait</em> for our problems to be solved; we can be part of "a great cultural revival" instantly—by joining <em>holotopia</em> in action, or even only in spirit. </p>  
<p>We are developing the <em>holotopia</em> as (what Gandhi would have called) our "experiments with truth".</p>
 
</div> </div>  
 
  
<b>To be continued...</b>
+
<p>We, however, neither deny that the problems we are facing must be attended to, nor belittle the heroic efforts of our frontier colleagues who are working on their solution.</p>  
  
<div class="page-header" ><h2>Tactical assets</h2></div>
+
<blockquote>The <em>holotopia</em> only <em>complements</em> the problem-based approaches—by adding what is still lacking to make solutions possible.</blockquote>  
  
 +
</div> </div>
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"></div>
+
<div class="col-md-3"><h2>Holotopia is not <em>our</em> project</h2></div>  
<div class="col-md-7"><p>The Holotopia project continues to evolve as a collaborative strategy game—where we make tactical moves toward the <em>holotopia</em> vision. We bring to this 'game' a collection of tactical assets we've developed—to make it flow. </p>
+
<div class="col-md-6">
  
</div> </div>  
+
<p>Holotopia is the project of our generation and more—it is <em>trans-generational</em>.</p>
  
<div class="page-header" ><h2>A pilot project</h2></div>
+
<p><em>Our</em> generation's task is to it. Instead of living our children a mess—to leave them the beginning of a <em>new</em> world.</p>  
  
 +
<p>Margaret Mead left us this encouragement:
 +
<blockquote>
 +
"Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has."
 +
</blockquote> </p>
 +
<p>She also pointed to the critical task at hand: "Although tremendous advances in the human sciences have been made in the last hundred years, almost no advance has been made in their use, especially in ways of creating reliable new forms in which cultural evolution can be directed to desired goals."</p>
  
<div class="row">
+
<p><em>That</em> is where the Holotopia <em>prototype</em> finds its niche! We set it up as a research lab, for resolutely working toward that goal. We create a transformative 'snowball', with the material of our own bodies; and we let it roll. </p>
<div class="col-md-3"></div>
+
</div>  
<div class="col-md-7"><p>To bring all this down to earth, we describe the pilot project we've developed in art gallery Kunsthall 3.14 in Bergen. </p>
 
  
 +
<div class="col-md-3">
 +
<p>
 +
[[File:SagradaFamilia.png]]<br>
 +
<small>Like Gaudi's Sagrada Familia, the <em>holotopia</em> is a trans-generational building project. (We preliminarily borrow this photo found on the Web.)</small>
 +
</p>
  
[[File:KunsthallDialog01.jpg]]
+
</div> </div>
<br>
 
 
 
 
 
<!-- YYY
 
  
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>Before we begin</h2></div>
+
<div class="col-md-3"><h2>We <em>federate</em> a strategy</h2></div>
<div class="col-md-7"><p>Before we share the "tactical assets" we've put together to prime the Holotopia project, a couple of notes are in order to explain how exactly we want them to be understood and received.</p>
+
<div class="col-md-7">
 
 
<h3>A 'cardboard city'</h3>
 
 
 
<p>While each of these "assets" is created, to the best of our ability, to serve as a true solution, <em>we do not need to make that claim</em>, and we are not making it. Everything here is just <em>prototypes</em>. Which means models, each made to serve as a "proof of concept", to be experimented with and indefinitely improved.</p>
 
<p>Think of what's presented here as a cardboard model of a city. </p>
 
<p>It includes a 'school', and a 'hospital', a 'main square' and 'residential areas'. The model is complete enough for us to see that this 'city' will be a wonderful place to be in; and to begin building. But as we build—<em>everything</em> can change!</p>
 
<p>One of the points of using this keyword, <em>prototype</em>, is to consider them as placeholders. A city needs a school, and a hospital, and... The whole thing models a 'modern city' (an up-to-date approach to knowledge).</p>
 
<p>Another important point: <em>design patterns</em>. The <em>prototypes</em> * model * a multiplicity of challenge–solution pairs. <em>With</em> provisions for updating the solutions continuously. The point here is that while solutions can and need to evolve, the <em>design patterns</em> (as 'research questions') can remain relatively stable.</p>
 
<p>This will all make even more sense when one takes into consideration that the core of our proposal is not to build a city; it is <em>to develop 'architecture'</em>!</p>
 
 
 
<h3>A 'business plan'</h3>
 
 
 
<p>No, we are not doing this to start a business, or to make money. But a 'business plan' is still a useful metaphor, because we <em>do</em> "mean business". The purpose of the Holotopia project is <em>to make a difference</em>. In the social and economic reality we are living in.</p>
 
<p>These "tactical assets" can then also be read as points in a business plan—which point to the realistic <em>likelihood</em> of it all to achieve its goals.</p>
 
<p>The point here is not money, but impact. Making a <em>real</em> difference. From the business point of view, perhaps a suitable metaphor could be 'branding'. And 'strategy'. There are numerous movements, dedicated to a variety of causes. Can we unite under a single flag and mission, not as a monolithic thing but a 'federation', or a 'franchise' of sorts, so that the <em>holotopia</em> offers <em>these</em> resources.</p>  
 
 
<p>Peccei wrote in One Hundred Pages for the Future (the boldface emphasis is ours):</p>  
 
<p>Peccei wrote in One Hundred Pages for the Future (the boldface emphasis is ours):</p>  
 
<blockquote><p>For some time now, the perception of (our responsibilities relative to "problematique") has motivated a number of organizations and small voluntary groups of concerned citizens which have mushroomed all over to respond to the demands of new situations or to change whatever is not going right in society. These groups are now legion. They arose sporadically on the most variend fronts and with different aims. They comprise peace movements, supporters of national liberation, and advocates of women's rights and population control; defenders of minorities, human rights and civil liberties; apostles of "technology with a human face" and the humanization of work; social workers and activists for social change; ecologists, friends of the Earth or of animals; defenders of consumer rights; non-violent protesters; conscientious objectors, and many others. These groups are usually small but, should the occasion arise, they can mobilize a host of men and women, young and old, inspired by a profound sense of te common good and by moral obligations which, in their eyes, are more important than all others.</p>  
 
<blockquote><p>For some time now, the perception of (our responsibilities relative to "problematique") has motivated a number of organizations and small voluntary groups of concerned citizens which have mushroomed all over to respond to the demands of new situations or to change whatever is not going right in society. These groups are now legion. They arose sporadically on the most variend fronts and with different aims. They comprise peace movements, supporters of national liberation, and advocates of women's rights and population control; defenders of minorities, human rights and civil liberties; apostles of "technology with a human face" and the humanization of work; social workers and activists for social change; ecologists, friends of the Earth or of animals; defenders of consumer rights; non-violent protesters; conscientious objectors, and many others. These groups are usually small but, should the occasion arise, they can mobilize a host of men and women, young and old, inspired by a profound sense of te common good and by moral obligations which, in their eyes, are more important than all others.</p>  
 
<p>They form a kind of popular army, actual or potential, with a function comparable to that of the antibodies generated to restore normal conditions in a biological organism that is diseased or attacked by pathogenic agents. The existence of so many spontaneous organizations and groups testifies to the vitality of our societies, even in the midst of the crisis they are undergoing. <b>Means will have to be found one day to consolidate their scattered efforts in order to direct them towards strategic objectives.</b></p> </blockquote>  
 
<p>They form a kind of popular army, actual or potential, with a function comparable to that of the antibodies generated to restore normal conditions in a biological organism that is diseased or attacked by pathogenic agents. The existence of so many spontaneous organizations and groups testifies to the vitality of our societies, even in the midst of the crisis they are undergoing. <b>Means will have to be found one day to consolidate their scattered efforts in order to direct them towards strategic objectives.</b></p> </blockquote>  
<p>An obvious problem is the lack of a shared and effective strategy that would allow the movements to <em>really</em> make a difference. As it is, they are largely reactive and not <em>pro</em>-active. But as we have seen, the problems can only be solved when their <em>systemic</em> roots are understood and taken care of.</p>
 
<p>But there is a subtle and perhaps even more important difficulty—that our efforts at making a difference tend to be <em>symbolic</em>. We adapted this <em>keyword</em> from political scientist Murray Edelman, and attribute to it the following meaning.</p>
 
<p><em>Real</em> impact, we might now agree, is impact on <em>systems</em>. They are the 'riverbed' that directs the 'current' in which we are all swimming. We may 'swim against the current' for awhile, with the help of all our courage and faith and togetherness—but ultimately we get exhausted and give up.</p>
 
<p>The difficulty, however, is our <em>socialization</em>—owing to which we tend to take <em>systems</em> for granted; they <em>are</em> the "reality" within which we seek solutions. And so our attempts at solution end up being akin to social rituals, where we <em>symbolically</em> act out our "responsibilities" and concerns (by writing an article, organizing a conference, or a demonstration) and put them to rest.</p>
 
<p>The alternative is, of course, <em>to restore agency to information, and  power to knowledge</em>—i.e. to create a clear guiding light under which efforts can be <em>effectively</em> focused.</p>
 
<p>The <em>five insights</em>, which we'll list as our first "tactical asset", are our <em>prototype</em> placeholder in that role.</p>
 
<p>So here we have a <em>design pattern</em>: The challenge is How to create a shared strategy, so that efforts can be coordinated and meaningfully directed? The <em>holotopia</em> is offered as a <em>prototype</em>. As all <em>prototypes</em> do, here too the solution part has provisions for updating itself continuously—with everyone's participation</p> 
 
  
</div> </div>   
+
<p>Especially in times of change, diversity is good and useful, and it needs to be preserved and nourished. The systems scientists have a keyword, "requisite variety", which points to a <em>necessary</em> spectrum of capabilities or <em>memes</em> that make a social system capable of responding to environmental change, by changing itself—and hence viable or "sustainable".</p>
 +
 
 +
<blockquote>The risk is, however, that the actions of "small voluntary groups of concerned citizens" may be reactive, not <em>pro</em>active.</blockquote>   
 +
 
 +
<p>To point to this risk, from political scientist Murray Edelman we adapted the keyword [[symbolic action|<em>symbolic action</em>]]. We engage in <em>symbolic action</em> when we act out our concerns and responsibilities <em>within the limits of what's allowed</em>—i.e. within the limits set by <em>the systems in which we live and work</em>. We organize a demonstration; or an academic conference. As a rule, <em>symbolic action</em> will have only <em>symbolic</em> effects; it will make us <em>feel</em> that we've done our duty. But it won't affect the <em>systemic</em> causes from which our problems result.</p>
  
 +
<p>There is a lot to be said in favor of <em>informing</em> the work on change—by allowing the "strategic objectives" to emerge by <em>federating</em> insights, and by learning from one another. "Design for evolution" was Erich Jantsch's fruitful slogan, and we let it be our guiding light.</p>
  
 +
<p>The advantages of adding an "evolutionary learning" module to the frontier where change is under way become especially striking when we consider the following insight, which follows as an obvious consequence of the <em>five insights</em>, and from all the rest we've shared above:</p>
  
<div class="row">
+
<blockquote>Comprehensive change can be easy—even when small and obviously necessary changes may have proven to be impossible.</blockquote>  
<div class="col-md-3"><h2>[[Holotopia:Five insights|Five insights]]</h2></div>
 
<div class="col-md-7"><p>They provide us a frame of reference, around which the <em>city</em> is built.  They serve as foundation stones, or as 'five pillars' lifting the emerging construction up from the mundane reality, and making it stand out.</p>  
 
  
<p>In our challenge to come through the sensationalist press and reach out to people, each of them is a sensation in its own right; but a <em>real</em> sensation, which merits our attention.</p>  
+
<p>Comprehensive change, however, has its own way in which it may need to proceed; it has its own [http://kf.wikiwiki.ifi.uio.no/CONVERSATIONS#Donella systemic leverage points].</p>  
  
<p>In our various artistic, research, media... projects—they provide us building material.</p>  
+
<blockquote>The Holotopia <em>prototype</em> is envisioned as a 'research lab', organized to help the best strategies and strategic directions emerge.</blockquote>  
  
 +
<p>Here we are presenting an initial variant, to get us started.</p>
  
 
</div> </div>  
 
</div> </div>  
  
 +
<b>This text will be corrected, improved and completed by the end of 2020.</b>
  
 +
<!-- AAA
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>The <em>mirror</em></h2></div>
+
<div class="col-md-3"><h2>We foster a <em>meme</em></h2></div>
 
 
 
<div class="col-md-7">
 
<div class="col-md-7">
<p>POINT: Bring in the fundamental element. CHANGE of WORLDVIEW begins with FOUNDATIONS—and here we orchestrate it carefully. BRING ACADEMIA ALONG! LIBERATE the enormous creative potential it contains. WE DO NOT NEED TO "PUBLISH OR PERISH".</p>
 
  
<p>The appeal here is to institutionalize a FREE academic space, where this line of work can be developed with suitable support.</p>  
+
<p>Margaret Mead also left us an admonition—what exactly distinguishes "a small group of citizens" that is capable of making a large difference—which we do not take lightly.</p>  
  
<h3>A way out</h3>
 
  
<p>That there is an unexpected, seemingly magical way into a new cultural and social reality is really good news. But is it realistic?</p>
+
<blockquote>"(W)e take the position that the unit of cultural evolution is neither the single gifted individual nor the society as a whole, but <em>the small group of interacting individuals</em> who, together with the most gifted among them, can take the next step; then we can set about the task of creating the conditions in which the appropriately gifted can actually make a contribution. That is, rather than isolating potential "leaders," we can purposefully produce the conditions we find in history, in which clusters are formed of a small number of extraordinary and ordinary men and women, so related to their period and to one another that they can consciously set about solving the problems they propose for themselves."</blockquote>
<p>We here carefully develop the analogy with Galilei's time, when a new <em>epistemology</em> was ready to change the world, but still kept in house arrest. All we need to do is to set it free.</p>  
 
  
<h3>The discovery of ourselves</h3>
 
  
<p>The <em>mirror</em> symbolizes the ending of <em>reification</em> (when we see ourselves <em>in the world</em>, we realize that we are not above it and observing it "objectively"); and the beginning of accountability (we see the world in dire need for creative action; and we see our own role in it).</p>  
+
<p>We have demonstrated that we are <em>not</em> creating the conditions "in which the appropriately gifted can actually make a contribution". Our stories, deliberately chosen to be a half-century old, show that the "appropriately gifted" have <em>offered</em> their gifts—but we did not receive them.</p>
  
<p>This insight extends into ending of the <em>reification</em> of our personal preferences, feelings, tastes... <em>What we are able to</em> feel, think, create... is determined, to an astounding degree, by the degree in which our "human quality" has been developed. And our ability to develop it depends in an overwhelming degree on the way in which our culture has been developed.</p>  
+
<blockquote>Through innumerably many 'carrots and sticks', we have been socialized to turn a deaf ear to the hero in us, and conform to our institutions as "little cogs that mesh together" (see [https://youtu.be/tRpWtQOpFm4 this excerpt] from the animated film The Incredibles). </blockquote>  
  
<h3>The <em>academia</em>'s situation</h3>  
+
<p>To act in ways we <em>know</em> don't work, because our embodied experience tells us that, is an epitome of stupidity. Unless, of course, our goal is to shift the paradigm—in which case acting in ways we know don't work is exactly <em>what we have to be able to do</em>!  </p>
  
<p>The <em>mirror</em> symbolizes also the <em>academia</em>'s situation, just as the bus with candle headlights symbolizes our civilization's situation. The point is that the hitherto development of the academic tradition brought us there, in front of the <em>mirror</em>. </p>  
+
<p>Can the Holotopia <em>prototype</em> mobilize enough "human quality", within us who take in it an active part, and on the interface where it meets the world, to manifest its vision?</p>  
  
<p>An enormous liberation of our creative abilities results when we realize they must not be confined to traditional disciplinary pursuits and routines. </p>  
+
<blockquote>In the Holotopia <em>prototype</em>, we turn the challenge of <em>transforming</em> the cultural ecology that would make us "little cogs that mesh together" into a co-creative strategy game.</blockquote>  
  
<p>Especially important is the larger understanding of <em>information</em> that the self-reflection in front of the <em>mirror</em> brings us to; <em>information</em> is no longer only printed text; it includes <em>any</em> artifacts that embody human experience, refined by human ingenuity. </p>  
+
<p>Our core goal is, in other words, to <em>federate</em> a value, and a way of being in the world—where we make both things and <em>ourselves</em> <em>whole</em>—by <em>being</em> responsible, responsive and self-organizing parts in a whole.</p>  
  
 +
</div> </div>
  
<h3> Occupy the university</h3>  
+
<div class="page-header" ><h2>Tactical assets</h2></div>
  
<p>Who holds 'Galilei in house arrest'</p>
 
  
<p>We don't need to occupy Wall Street. The key is in another place.</p>  
+
<div class="row">
 +
<div class="col-md-3"></div>
 +
<div class="col-md-7"><p>The Holotopia <em>prototype</em> is conceived as a collaborative strategy game—where we make tactical moves toward the <em>holotopia</em> vision. By prime it by this collection of tactical assets. </p>
  
<p>We really just need to occupy our own profession—by continuing the tradition that our great predecessors have created.</p>  
+
</div> </div>  
  
<h3>A sand box</h3>  
+
<div class="row">
 
+
<div class="col-md-3"><h2>Art</h2></div>
<p>On the other side of the <em>mirror</em> we create a 'sandbox'; that's really the <em>holotopia</em> project. </p>
+
<div class="col-md-7"><p>The Holotopia <em>prototype</em> extends science as we know it—and at the same time thoroughly transforms it. The <em>science</em> we practice is not limited to academic professionals and laboratories, on the contrary—it <em>extends</em> the traditional <em>academia</em> into a vibrant space of transformative action.</p>  
 
+
<p>
 
+
[[File:KunsthallDialog01.jpg]]
<p>Note: on the other side of the <em>mirror</em> the contributions of Jantsch and Engelbart are seen as <em>fundamental</em> (they were drafting, and <em>creating</em> strategically, a new 'collective mind'). </p>  
+
</p>
 
+
<br>
<p>See the description of 'sandbox' in our contribution  [https://holoscope.info/2013/06/22/enabling-social-systemic-transformations-2/ Enabling Social-Systemic Transformations] to the 2013 conference "Transformations in a Changing Climate"</p>  
+
<small>An example of a transformative space, created by our "Earth Sharing" pilot project, in Kunsthall 3.14 art gallery in Bergen, Norway.</small>  
  
</div> </div>  
+
<p>Just as the case was during the Renaissance, only the <em>art</em> can give transformative insights a transformative form. </p>
  
 +
<p>We are reminded of Michelangelo painting the ceiling of the Sistine Chapel, and in the midst of the old <em>order of things</em> planting seeds of a new one. Art is what first comes to mind when we think of the Renaissance. What sort of art will be the vehicle for this new one?</p>
  
 +
<p>When Marcel Duchamp exhibited the urinal, he challenged not only the meaning of "art", but also the limits of what we can conceive of as creative action. The deconstruction of the tradition, has, however, now been completed.</p>
  
 +
<blockquote>Our situation calls for artistic <em>construction</em> of a completely new kind.</blockquote>
  
<div class="row">
 
<div class="col-md-3"><h2>[[Holotopia:Ten themes|Ten themes]]</h2></div>
 
<div class="col-md-7">
 
<p>The <em>five insights</em>, and the ten direct relationships between them, provide us reference—in the context of which some of the age-old challenges are understood and handled in entirely new ways.</p>
 
  
<h3>How to put an end to war</h3>  
+
<p>Here is a <em>very</em> brief sketch of <em>holotopia</em> ("white") being "(...) also the new red"; through a brief sketch of (possible) <em>holotopia</em>'s interpretation of "young Marx". Point is: Young Marx arrived at a theoretical / philosophical standpoint for understanding the society and its ills. But having seen the miserable condition of the workers, he (in the eyes of the revolutionary left "matured" and) eschewed the intellectual idealism of his era, and embraced revolutionary engagement instead. The paradox of Marx is that this latter having become controversial and in many ways inappropriate for our conditions, the former got forgotten and ignored...</p>
 +
<p>In "Production of Space", Henri Lefebvre summarized  Marx's essential and <em>increasingly</em> vital point, his objection to capitalism (or what we would call <em>power structure</em> evolution) as causing "alienation" (by which humans are forced to abandon their quest for <em>wholeness</em>), by observing that capital (machines, tools, materials...) or "investments" are products of past work, and hence represent "dead labour". Our past activity "crystalyzed, as it were, and became a precondition for new activity." Under capitalism, "what is dead takes hold of what is alive". Lefebvre proposed to turn this relationship upon its head. "But how could what is alive lay hold of what is dead? The answer is: through the production of space, whereby living labour can produce something that is no longer a thing, nor simply a set of tools, nor simply a commodity.</p>  
  
<p>Consider, for instance, this age-old question: "How to put an end to war?" So far our progress on this all-important frontier has largely been confined to palliative measures; and ignored those far more interesting <em>curative</em> ones. What would it take to <em>really</em> put an end to war, once and for all?</p>
+
<blockquote>As an initiative in the arts, Holotopia produces a <em>space</em> where what is alive in us can overcome what is making us dead.</blockquote>
<p>When this question is considered in the context of two direction-changing insights, <em>power structure</em> and <em>socialized reality</em>, we become ready to see the whole compendium of questions related to justice, power and freedom in a <em>completely</em> new way. We then realize in what way exactly, throughout history, we have been coerced, largely through cultural means, to serve renegade power, in the truest sense our enemy, by engaging our sense of duty, heroism, honor and other values and traits that constitute "human quality". We then become ready to redeem the best sides of ourselves from the <em>power structure</em>, and apply them toward true betterment of our condition.</p>  
 
  
<h3>Religion beyond belief</h3>
 
<p>Or think about religion—which has in traditional societies served to bind each person with "human quality", and the people together into a culture or a society. But which is in modern times all too often associated with dogmatic beliefs, and inter-cultural conflicts.</p>
 
<p>When religion is, however, considered in the context provided by <em>socialized reality</em> and <em>convenience paradox</em>, a whole <em>new</em> possibility emerges—where <em>religion</em> no longer is an instrument of <em>socialization</em>—but of <em>liberation</em>; and as an essential way to cultivate our personal and communal <em>wholeness</em>.</p>
 
<p>A <em>natural</em> strategy for remedying religion-related dogmatic beliefs and inter-cultural conflicts emerges—to <em>evolve</em> religion further!</p>
 
  
<h3>The ten themes cover the <em>holotopia</em></h3>
 
<p>Of course <em>any</em> theme can be placed into the context of the <em>five insights</em>, and end up being seen and handled radically differently. To prime these eagerly sought-for conversations, we provided a selection of ten themes (related to the future of education, business, science, democracy, art, happiness...)  that—together with the <em>five insights</em>—cover the space of <em>holotopia</em> in sufficient detail to make it transparent and tangible.</p>
 
 
</div> </div>  
 
</div> </div>  
 
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>The <em>dialogs</em></h2></div>
+
<div class="col-md-3"><h2>Stories</h2></div>
<div class="col-md-7"><h3>The <em>dialog</em> is an art form</h3>
+
<div class="col-md-7">
<p>We make conversation themes alive through dialogs.</p>   
+
<p>The "stories" here are what is technically called [[vignette|<em>vignettes</em>]]. They are a basic journalistic technique (where a relevant or complex issue is made palpable by telling people and situation stories), applied to basic academic ideas and developments. But not only; stories or <em>vignettes</em> can be used to <em>federate</em> any other relevant <em>meme</em> as well. </p>  
<p>We turn conversations into artistic and media-enabled events (see the Earth Sharing <em>prototype</em> below).</p>  
+
<p>We are, of course, not limited to verbal story telling. Like the [[ideogram|<em>ideograms</em>]], the [[vignette|<em>vignettes</em>]] can take any sort of form, on any sort of medium, or their combination. Hence our collection of stories are offered as a way to <em>federate</em> the core ideas and insights that together compose the <em>holotopia</em>—by making them available to creative media people. </p>
<h3>The <em>dialog</em> is an attitude</h3>  
+
<p>It may seem that story telling is an inefficient way to highlight a point, and hence also unacademic. But exactly the opposite is the case! The [[vignette|<em>vignettes</em>]] are beautifully efficient, because they point to numerous nuances at once, and the way in which they are connected. Hence they are invaluable for the cause of seeing things whole.</p>
<p>The <em>dialog</em> is an integral part of the <em>holoscope</em>. Its role will be understood if we consider the human inclination to hold onto a certain <em>way</em> of seeing things, and call it "reality". And how much this inclination has been misused by various social groups to bind us to themselves, and more recently by various modern <em>power structures</em>. (Think, for instance, about the animosity between Catholics and Protestants in Northern Ireland, or between Sunni and Shia Muslims in the Middle East.)</p>  
+
<p>We have seen a number of such stories already. Here, however, we illustrate the concept by focusing on a single one—which is <em>the</em> iconic story introducing the [[knowledge federation|<em>knowledge federation</em>]]. </p>
<p>The attitude of the <em>dialog</em> may be understood as an antidote.</p>
+
<p>The second book in the Holotopia series, tentatively titled "Systemic Innovation", and subtitled "Cybernetics of Democracy",  will  <em>federate</em> this story. </p>
  
<h3>The <em>dialog</em> is an age-old tradition</h3>
+
<h3>[[The incredible history of Doug Engelbart]]</h3>  
<p>The dialogues of Socrates marked the very inception of the academic tradition. More recently, David Bohm gave the evolution of the dialogue a new and transformative direction. Bohm's dialogues are a form of collective therapy. Instead of arguing their points, the participants practice "proprioception" (mindfully observe their reactions), so that they may ultimately listen without judging, and co-create a space where new and transformative ideas can emerge.</p>
 
<p>We built on this tradition and developed a collection of <em>prototypes</em>—which <em>holotopia</em> will use as construction material, and build further.</p>  
 
  
 +
<p>We've told this story many times, and will <em>federate</em> them properly in the file linked by the title. We here only share the beginning, and a punchline.</p>
 +
<p>It's 1950, and Christmas is drawing near. An idealistic young man, at the beginning of his career, is taking a critical look at what's ahead of him: He is twenty five, with excellent education, employed as an engineer by (what would became) NASA, engaged to be married... He sees his career as a straight path to retirement; and he doesn't like what he sees. A man's life should have a purpose! So right there and then Engelbart makes a decision: He will optimize his career so as to maximize the benefits it would have for the mankind. </p>
 +
<p>After that, just as every good engineer should do, he spent three month intensely pondering about what would be the best way to fulfill his intention. Then he had an epiphany.</p>
  
<h3>We employ contemporary media</h3>
+
<p>We could say "the rest is history"—but the nature of Engelbart's epiphany has not yet been understood. His gift to the world has not ye been received. In spite of being celebrated as the Silicon Valley's greatest inventor, or as we might phrase this, its '<em>giant</em> in residence'—Engelbart passed away in 2013 feeling he had failed.</p>  
<p>The use of contemporary media opens up a whole new chapter, or dimension, in the story of the <em>dialog</em>. </p>
 
<p>Through suitable use of the camera, the <em>dialog</em> can be turned into a mirror—mirroring our dysfunctional communication habits; our turf strifes.</p>
 
<p>By using Debategraph and other "dialog mapping" online tools, the <em>dialog</em> can be turned into a global process of co-creation of meaning.</p>  
 
  
<h3>The <em>dialog</em> as <em>spectacle</em></h3>
+
<p>When properly told, this story <em>is</em> incredible. What makes it so interesting for us is that in spite of that it <em>can</em> be understood—when we place it as a transformative <em>meme</em> into the context of the <em>five insights</em>. Then, however, the story illustrates a range of phenomena that are central to <em>holotopia</em>.</p>  
<p>The <em>holotopia</em> dialogs will have the nature of <em>spectacles</em>—not the kind of spectacles fabricated by the media, but <em>real</em> ones. To the media spectacles, they present a real and transformative alternative.</p>
 
<p>The <em>dialogs</em> we initiate are a re-creation of the conventional "reality shows"—which show the contemporary reality in ways that <em>need</em> to be shown. The relevance is on an entirely different scale. And the excitement and actuality are of course larger! We engage the "opinion leaders" to contribute their insights to the cause.</p>
 
<p>When successful, the result is most timely and informative: We are <em>witnessing</em> the changing of our understanding and handling of a core issue.</p>
 
<p>When unsuccessful, the result is most timely and informative in a <em>different</em> way: We are witnessing our resistances and our blind spots, our clinging to the obsolete forms of thought.</p>
 
<p>Occasionally we publish books about those themes, based on our <em>dialogs</em>, and to begin new ones.</p>  
 
  
<h3>The <em>dialog</em> is an instrument of change</h3>
+
</div> </div>  
<p>This point cannot be overemphasized: Our <em>primary</em> goal is not to warn, inform, propose a new way to look at the world—but <em>to change our collective mind</em>. Physically. The <em>dialog</em> is the medium for that change. </p>
 
<blockquote>
 
We organize public dialogs about the <em>five insights</em>, and other themes related to change, in order to <em>make</em> change.</blockquote>  
 
  
<p>Here the medium in the truest sense is the message: By developing <em>dialogs</em>, we re-create our <em>collective mind</em>—from something that only receives, which is dazzled by the media... to something that is capable of weaving together academic and other insights, and by engaging the best of our "collective intelligence" in seeing what needs to be done. And in <em>inciting, planning and coordinating action</em>.</p>
 
<p>In the <em>holotopia</em> scheme of things everything is a <em>prototype</em>. The <em>prototypes</em> are not final results of our efforts, they are a means to an end—which is to <em>rebuild</em> the public sphere; to <em>reconfigure</em> our <em>collective mind</em>. The role of the <em>prototypes</em> is to prime this process.</p> 
 
</div> </div>
 
  
 
<div class="row">
 
<div class="row">
Line 1,016: Line 1,125:
 
<small>Elephant <em>ideogram</em></small>  
 
<small>Elephant <em>ideogram</em></small>  
 
</p>  
 
</p>  
 +
<p>Each of the stories alone is, of course, relevant and interesting. They, however, become dramatically more relevant and interesting when seen <em>in the context of</em> the mega-event we that is taking place in our time.</p>
 +
 +
<blockquote>The role of this metaphorical image, the [[invisible elephant|<em>elephant</em>]], is to point to a "quantum leap" in relevance and interest, which specific insights and actions can achieve when presented as essential elements of a spectacularly large event—"a great cultural revival".</blockquote>
  
 
<h3>The <em>elephant</em></h3>  
 
<h3>The <em>elephant</em></h3>  
Line 1,024: Line 1,136:
 
<p>The effect of the <em>five insights</em> is to <em>orchestrate</em> this act of 'connecting the dots'—so that the spectacular event we are part of, this exotic 'animal', the new 'destination' toward which we will now "change course" becomes clearly visible.</p>  
 
<p>The effect of the <em>five insights</em> is to <em>orchestrate</em> this act of 'connecting the dots'—so that the spectacular event we are part of, this exotic 'animal', the new 'destination' toward which we will now "change course" becomes clearly visible.</p>  
 
<p>A side effect is that the academic results once again become interesting and relevant. In this newly created context, they acquire a whole new meaning; and <em>agency</em>!</p>  
 
<p>A side effect is that the academic results once again become interesting and relevant. In this newly created context, they acquire a whole new meaning; and <em>agency</em>!</p>  
 +
 +
<h3>Reinstitution of the myth and the parable</h3>
 +
 +
<p>Both had a core function in the traditional culture. We reinstate this function.</p>
 +
 +
<p>We also revitalize traditional myths and parables, from religious traditions and beyond. The key is to <em>not</em> see them as literally true (in the <em>holotopia</em> scheme of things nothing is), but as artifacts communicating culturally significant messages.</p>
  
 
<h3>Post-post-structuralism</h3>  
 
<h3>Post-post-structuralism</h3>  
Line 1,030: Line 1,148:
 
<p>This evolution may be taken a step further. What interests us is not what, for instance, Bourdieu "really saw" and wanted to communicate. We acknowledge (with the post-structuralists), that even Bourdieu would not be able to tell us that, if he were still around. We  acknowledge, however, that Bourdieu <em>saw something</em> that invited a different interpretation and way of thinking than what was common; and did what he could to explain it within the <em>old</em> paradigm. Hence we give the study of cultural artifacts not only a sense of rigor, but also a new degree of relevance—by considering them as signs on the road, pointing to an emerging <em>paradigm</em></p>  
 
<p>This evolution may be taken a step further. What interests us is not what, for instance, Bourdieu "really saw" and wanted to communicate. We acknowledge (with the post-structuralists), that even Bourdieu would not be able to tell us that, if he were still around. We  acknowledge, however, that Bourdieu <em>saw something</em> that invited a different interpretation and way of thinking than what was common; and did what he could to explain it within the <em>old</em> paradigm. Hence we give the study of cultural artifacts not only a sense of rigor, but also a new degree of relevance—by considering them as signs on the road, pointing to an emerging <em>paradigm</em></p>  
  
<h3>A parable</h3>  
+
<h3>Engelbart saw the elephant</h3>  
<p>While the view of the <em>elephant</em> is composed of a large number of stories, one of them—the story of Doug Engelbart—is epigrammatic. It is not only a spectacular story—how the Silicon Valley failed to understand or even hear its "giant in residence", even after having recognized him as that; it is also a parable pointing to many of the elements we want to highlight by telling these stories—not least the social psychology and dynamics that 'hold Galilei in house arrest'.</p>  
+
<p>While the view of the <em>elephant</em> is composed of a large number of stories, one of them—[[Douglas Engelbart|the incredible history of Doug]] (Engelbart)—is epigrammatic. It is not only a spectacular story—how the Silicon Valley failed to understand or even hear its "giant in residence", even after having recognized him as that; it is also a parable pointing to many of the elements we want to highlight by telling these stories—not least the social psychology and dynamics that 'hold Galilei in house arrest'.</p>  
<p>This story also inspired us to use this metaphor: Engelbart saw 'the elephant' <em>already in 1951</em>—and spent a six decades-long career to show him to us. And yet he passed away with only a meager (computer) mouse in his hand (to his credit)!</p>   
+
<p>This story also inspired us to use this metaphor: Engelbart saw 'the elephant' <em>already in 1951</em>—and spent a six decades-long career painstakingly trying to show him to us.</p>
 +
 
 +
<blockquote>He did not succeed!</blockquote>
 +
 
 +
<p>Engelbart passed away with only a meager (computer) mouse in his hand (to his credit)!</p>   
 
</div> </div>  
 
</div> </div>  
  
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>The <em>holoscope</em></h2></div>
+
<div class="col-md-3"><h2><em>Mirror</em></h2></div>
<div class="col-md-7"><h3>Seeing things whole</h3>
+
<div class="col-md-7">
<p>Peccei concluded his analysis in "One Hundred  Pages for the Future":
+
<p>
<blockquote>
+
[[File:Mirror-Lab.jpeg]]<br>
The arguments posed in the preceding pages [...] point out several things, of which one of the most important is that our generations seem to have lost <em>the sense of the whole</em>.
+
<small>Details from Vibeke Jensen's Berlin studio.</small>  
</blockquote>  
+
</p>  
</p>
+
<p>As a society, and as the academic tradition in particular—which has been guiding our society along the <em>homo sapiens</em> evolutionary path—we are now standing in front of the <em>mirror</em>. We are invited to self-reflect. And to find a way <em>through</em>.</p>
<p>In the context of Holotopia, we refer to <em>knowledge federation</em> by its pseudonym [[Holotopia: Holoscope|<em>holoscope</em>]], to highlight one of its distinguishing characteristics—it helps us see things whole. </p>
+
 
 +
<p>In <em>holotopia</em> the mirror is a symbolic object with a variety of connotations. As an art object, is carries a spectrum of possibilities. And as a tactical object—the <em>mirror</em> lets us employ the symbolic language of the arts, to code culturally transformative messages.</p>
 +
 
 +
<h3>Abolition of <em>reification</em></h3>
 +
 
 +
<p>The <em>mirror</em> brings an end to <em>reifications</em> of all kinds—of the power-laden way in which we see the world (or <em>socialized reality</em> created by <em>power structure</em>), our "scientific worldview" (or <em>narrow frame</em>), our ways of handling knowledge (our functionally impaired <em>collective mind</em> ), our likes and dislikes (<em>convenience paradox</em>). </p>  
 +
 
 +
<h3>Reinstitution of curiosity and accountability</h3>  
 +
 
 +
<p>When <em>reification</em> is removed, we are left with the question: "What do we <em>really</em> know, about the questions that matter?" The answer we'll reach may now seem preposterous, or shocking. So instead of jumping to a conclusion, we share a story. It is intended to serve as a parable for the inception of the Academia—and hence of the academic tradition.</p>
 +
 
 +
<h3>The trial of [[Socrates]] as told in Plato's Apology</h3>
 +
 
 +
<p>Someone went to Delphi and asked the Oracle about the wisest man in Athens; came back with the answer that it was Socrates. When the news reached him, Socrates was perplexed, because he did not consider himself knowledgeable or wise. And yet God does not lie! So he endeavored to find a solution to this puzzle, by seeking out and examining his contemporaries who were reputed as knowledgeable and wise. Surely he would find them superior! But the result was that he didn't. They knew just as little as Socrates did. The difference was, however, that they <em>believed</em> they knew a lot more. In this way Socrates resolved the puzzle of the Oracle: A wiser man is not the one who knows more than others—but the one who knows the limits of his knowledge.</p>  
  
<p>Different from the sciences that have been "zooming in" (toward finer technical details); and promoting a <em>fixed</em> way of looking at the world (a domain of interest, a terminology and a set of methods being what <em>defines</em> a scientific discipline); and the informing media's focus on specific spectacular events,  the <em>holoscope</em> allows us to <em>chose</em> our <em>scope</em> –"what is being looked at and how".</p>  
+
<p>Our situation now demands that we revive this <em>original</em> academic spirit. A cultural revival will once again follow.</p>  
  
  
 
</div> </div>  
 
</div> </div>  
 +
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>Stories</h2></div>
+
<div class="col-md-3"><h2><em>Dialogs</em></h2></div>
<div class="col-md-7">
+
<div class="col-md-7"><h3>The <em>dialog</em> is a <em>different</em> way to communicate</h3>
 +
<p>We must emphasize this at once:</p>
 +
 +
<blockquote>While the word "dialog" is common, the <em>dialog</em> is an <em>entirely</em> uncommon way of communicating.</blockquote>
 +
 
 +
<p>What we are calling the <em>dialog</em> is as different from the conventional academic and political debating, as the <em>holotopia</em> is different from our contemporary social and cultural <em>order of things</em>. Indeed, the <em>dialog</em> is the manner of communicating that <em>characterizes</em> the <em>holotopia</em>.</p>
 +
 
 +
<p>While through Socrates and Plato the dialog has been a foundation stone of the academic tradition, David Bohm gave this word a completely new meaning—which we have undertaken to adopt and to develop further. The [https://www.bohmdialogue.org Bohm Dialogue website] provides an excellent introduction, so it will suffice to point to it by echoing a couple of quotations. The first one is by Bohm himself.</p>
 +
 
 +
<blockquote>There is a possibility of creativity in the socio-cultural domain which has not been explored by any known society adequately.</blockquote>
 +
 
 +
<p>We let it point to the fact that to Bohm the "dialogue" was an instrument of socio-cultural therapy, leading to a whole new <em>co-creative</em> way of being together. Bohm considered the dialogue to be a necessary step toward unraveling our contemporary situation.</p>
 +
 
 +
<p>The second quotation is a concise explanation of Bohm's idea by the creators of the website.</p>
 +
 
 +
<blockquote> Dialogue, as David Bohm envisioned it, is a radically new approach to group interaction, with an emphasis on listening and observation, while suspending the culturally conditioned judgments and impulses that we all have. This unique and creative form of dialogue is necessary and urgent if humanity is to generate a coherent culture that will allow for its continued survival.</blockquote>
 +
 
 +
<p>As this may suggest, the [[dialog|<em>dialog</em>]] is conceived as a direct antidote to [[power structures|<em>power structure</em>]]-induced [[socialized reality|<em>socialized reality</em>]].</p>
 +
 
 +
<h3>The <em>dialog</em> is the message</h3>
 +
 
 +
<blockquote>By creating the <em>dialogs</em> and engaging in them, we transform both our <em>collective mind</em>, and the way in which we are together. </blockquote>
 +
 
 +
<p>Here the medium truly is the message. When we are engaged in a genuine <em>dialog</em> about a core contemporary issue—<em>in the context of</em> the relevant academic and other insights (represented in our current <em>holotopia</em> prototype by the <em>five insights</em>)—we are <em>already</em> part of a functioning <em>collective mind</em>. We are <em>already</em> applying our <em>collective creativity</em> toward evolving or <em>federating</em> our collective knowledge further.</p>
 +
 
 +
<h3>The <em>dialog</em> is a tradition</h3> 
 +
 
 +
<p>Although the <em>dialog</em>, as Bohm envisioned it, is a relatively recent development, it is already a deep and profound tradition—and we here illustrate that by mentioning some references and stories.</p>
 +
 
  
<p>We bring together stories (elsewhere called <em>vignettes</em>)—which share the core insights of leading contemporary thinkers. We tell their stories.</p>
+
<ul>
<p>They become 'dots' to connect in our <em>dialogs</em>.</p>
+
<li>Bohm's own inspiration (story has it) is significant. Allegedly, Bohm was moved to create the "dialogue" when he saw how Einstein and Bohr, who were once good friends, <em>and</em> their entourages, were unable to communicate at Princeton. (The roots of this disagreement are interesting for <em>holotopia</em> although perhaps less for the <em>dialog</em>: Einstein's "God does not play Dice" criticism of the Copenhagen interpretation of quantum theory; and Bohr's reply "Einstein, stop telling god what to do!" While in our <em>prototype</em> Einstein has the role of the <em>icon</em> of "modern science", in this instance it was clearly Bohr and not Einstein who represented the <em>epistemological</em> position we are supporting. But Einstein later reversed his position— in "Autobiographical Notes", where Einstein made his epistemological testimony, on a similar note as Heisenberg did in Physics and Philosophy. While the foundations of the <em>holoscope</em> have been carefully <em>federated</em>, it has turned out that <em>federating</em> "Autobiographical Notes" is sufficient, see [[IMAGES|Federation through Images]]).</li>  
<p>They also show what obstructed our evolution (the emergence of <em>holotopia</em>). </p>  
 
</div> </div>  
 
  
<div class="row">
+
<li>There is a little known red thread in the history of The Club of Rome; the story could have been entirely different: Özbekhan, Jantsch and Christakis, who co-founded The Club with Peccei and King, and wrote its statement of purpose, were in disagreement with the course it took in 1970  (with The Limits to Growth study) and left. Alexander Christakis, the only surviving member of this trio, is now continuing their line of work as the President of the Institute for 21st Century Agoras.  "The Institute for 21st Century Agoras is credited for the formalization of the science of Structured dialogic design." (Wikipedia).</li>  
<div class="col-md-3"><h2>Ideograms</h2></div>
 
<div class="col-md-7"><h3>Art meets science</h3>  
 
  
<p>Placeholder. The point is enormous—<em>federation</em> of insights, connecting the dots, not only or even primarily results in rational insights. It results in <em>implicit information</em>; we are undoing our <em>socialization</em>! </p>
+
<li>Bela H. Banathy, whom we've mentioned as the champion of "Guided Evolution of Society" among the systems scientists, extensively experimented with the <em>dialog</em>. With Jenlink he co-edited two large and most valuable volumes about the dialogue.</li>  
<p>
 
[[File:H side.png]]<br>
 
<small>A paper model of a sculpture, re-imaging the <em>five insights</em> and their relationships.</small>
 
</p>
 
<p>The <em>ideograms</em> condense lots of insights into a simple image, ready to be grasped. </p>  
 
  
 +
<li>In 1983 Michel Foucault gave a seminar at the UC Berkeley. What will this European historian of ideas par excellence choose to tell the young Americans? Foucault spent six lectures talking about an obscure Greek word, <em>parrhesia</em>. The key point here is that the <em>dialog</em> (as relationship with the people, the world and the truth) is a radical alternative to the "adiaphorized" or "instrumental" thinking, which has become common. An interesting point is that the Greeks considered <em>parrhesia</em> to be an essential element of democracy—which our <em>contemporary</em> democracies have increasingly failed to adopt and emulate. Both Socrates and Galilei were exemplars of "parrhesiastes" (a person who lives and uses <em>parrhesia</em>; the latter chose to retreat on this position a bit, and save his life).
 +
<blockquote>[P]arrhesiastes is someone who takes a risk. Of course, this risk is not always a risk of life. When, for example, you see a friend doing something wrong and you risk incurring his anger by telling him he is wrong, you are acting as a parrhesiastes. In such a case, you do not risk your life, but you may hurt him by your remarks, and your friendship may consequently suffer for it. If, in a political debate, an orator risks losing his popularity because his opinions are contrary to the majority's opinion, or his opinions may usher in a political scandal, he uses parrhesia. Parrhesia, then, is linked to courage in the face of danger: it demands the courage to speak the truth in spite of some danger. And in its extreme form, telling the truth takes place in the "game" of life or death.</blockquote></li>
  
<p>As the above image may suggest, the pentagram—as the basic icon or 'logo' of <em>holotopia</em>—lends itself to a myriad re-creations. We let the above image suggest that a multiplicity of ideas can be condensed to a simple image (the pentagram); and how this image can be  expanded into a multiplicity of artistic creations.</p>
+
<li>A whole new chapter in the evolution of the dialogue was made possible by the new information technology. We illustrate an already developed research frontier by pointing to [https://www.cognexus.org/id17.htm Jeff Conklin's] book "Dialogue Mapping: Creating Shared Understanding of Wicked Problems", where Bohm dialogue tradition is combined with Issue Based Information Systems, which Kunz and Rittel developed at UC Berkeley in the 1960s. The [http://Debategraph.org Debategraph], also developed by combining those two traditions, is actively transforming our <em>collective minds</em>.</li>  
</div> </div>
 
  
<div class="row">
+
<li>We experimented extensively with turning Bohm's dialog into a 'high-energy cyclotron'; and into a medium through which a community can find "a way to change course". The result was a series of so-called Key Point Dialogs. An example is the Cultural Revival Dialog Zagreb 2008. (We are working on bringing its website back online.) </li>  
<div class="col-md-3"><h2>Keywords</h2></div>
+
</ul>  
<div class="col-md-7">
 
<p>The Renaissance, and also science, brought along a whole new way of speaking—and hence a new way to look at the world. With each of the <em>five insights</em> we introduce a collection of <em>keywords</em>, in terms of which we come to understand the core issues in new ways.</p>
 
<p>The <em>keywords</em> will also allow us to propose solutions to the anomalies that the <em>five insights</em> bring forth.</p>
 
  
</div> </div>
 
  
<div class="row">
+
<h3>The <em>dialog</em> is a powerful instrument of change</h3>  
<div class="col-md-3"><h2>Prototypes</h2></div>
 
<div class="col-md-7">
 
<p>Information has agency only when it has a way to impact our actual physical reality. A goal of the Holotopia project is to co-create <em>prototypes</em>—new elements of our new reality. We share the <em>prototypes</em> we've already developed, to put the ball in play.</p>
 
</div> </div>  
 
  
 +
<p>The <em>methodological</em> approach makes the <em>dialog</em> an especially powerful instrument of change: In the <em>holotopia</em> scheme of things the <em>dialog</em> as an attitude is axiomatic (it both follows from the fundamental insights <em>and</em> it is a convention within the definition of the <em>methodology</em>). Hence coming to the dialog 'wearing boxing gloves' (manifesting the now so common verbal turf strife behavior) is as ill-advised as making a case for an academic result by arguing that it was revealed to the author in a vision.</p>
  
<div class="page-header" ><h2>Earth Sharing <em>prototype</em></h2></div>
+
<p>When a <em>dialog</em> is recorded, and placed into the <em>holotopia</em> framework, violation becomes obvious—because the <em>attitude</em> of the [[dialog|<em>dialog</em>]] is so completely different! </p>  
  
 +
<p>We may see how this can make a difference by looking at the Club of Rome's history: The debate gives unjust advantage to the <em>homo ludens</em> turf players, who will say whatever to gain points in a debate, knowing that the truth doesn't really matter, when the speaker is supporting the <em>power structure</em>'s view and interests—which will <em>surely</em> prevail! But the body language makes this game transparent. In [[https://www.youtube.com/watch?v=0141gupAryM&feature=youtu.be&t=135 this example] Dennis Meadows is put off-balance by a self-assured opponent.</p>
  
<div class="row">
+
<p>The <em>holotopia</em> dialogs will have the nature of <em>spectacles</em>—not the kind of spectacles fabricated by the media, but <em>real</em> ones. To the media spectacles, they present a real and transformative alternative.</p>
<div class="col-md-3"><h2>These titles will change</h2></div>
+
<p>The <em>dialogs</em> we initiate are a re-creation of the conventional "reality shows"—which show the contemporary reality in ways that <em>need</em> to be shown. The relevance is on an entirely different scale. And the excitement and actuality are of course larger! We engage the "opinion leaders" to contribute their insights to the cause.</p>
 +
<p>When successful, the result is most timely and informative: We are <em>witnessing</em> the changing of our understanding and handling of a core issue.</p>  
 +
<p>When unsuccessful, the result is most timely and informative in a <em>different</em> way: We are witnessing our resistances and our blind spots, our clinging to the obsolete forms of thought.</p>
 +
<p>Occasionally we publish books about those themes, based on our <em>dialogs</em>, and to begin new ones.</p>  
  
<div class="col-md-7">
+
<h3>The <em>dialog</em> as an instrument of change</h3>  
<h3>Art leads science</h3>
+
<p>This point cannot be overemphasized: Our <em>primary</em> goal is not to warn, inform, propose a new way to look at the world—but <em>to change our collective mind</em>. Physically. The <em>dialog</em> is the medium for that change. </p>
 +
<blockquote>We organize public dialogs about the <em>five insights</em>, and other themes related to change, in order to <em>make</em> change.</blockquote>  
  
<p>How the action began... </p>  
+
<p>Here the medium in the truest sense is the message: By developing <em>dialogs</em>, we re-create our <em>collective mind</em>—from something that only receives, which is dazzled by the media... to something that is capable of weaving together academic and other insights, and by engaging the best of our "collective intelligence" in seeing what needs to be done. And in <em>inciting, planning and coordinating action</em>.</p>
 +
<p>In the <em>holotopia</em> scheme of things everything is a <em>prototype</em>. The <em>prototypes</em> are not final results of our efforts, they are a means to an end—which is to <em>rebuild</em> the public sphere; to <em>reconfigure</em> our <em>collective mind</em>. The role of the <em>prototypes</em> is to prime this process.</p>
  
<h3>Seeing differently</h3>
 
  
<p>Up and down</p>  
+
</div> </div>  
  
<h3>The vault</h3>
 
  
<p>Precious space for reflection—where the stories are told, and insights begin to take shape.</p>  
+
<div class="row">
 +
<div class="col-md-3"><h2><em>Keywords</em></h2></div>
 +
<div class="col-md-7">
  
<h3>Holotopia is an art project</h3>  
+
<p>What makes the Holotopia <em>dialogs</em> especially interesting is that they are no longer limited by conventional concepts and themes. Science and the Enlightenment introduced completely new ways of speaking; the <em>holotopia</em> does that through introduction of <em>keywords</em>. </p>  
<p>The Holotopia is an art project. We are reminded of Michelangelo painting the ceiling of the Sistine Chapel, and in the heart of the old world order planting the seeds of the new one.</p>
 
<p>Duchamp's (attempted) exhibition of a urinal challenged what art may be, and contributed to the legacy that the modern art was built on. Now our conditions demand that we deconstruct the deconstruction—and begin to <em>construct</em> anew. </p>
 
<p>What will the art associated with the <em>next</em> Renaissance be like? We offer <em>holotopia</em> as a creative space where the new art can emerge.</p>
 
  
<p>
 
[[File:KunsthallDialog01.jpg]]
 
<br>
 
<small>A snapshot of Holotopia's pilot project in Kunsthall 3.14, Bergen.</small>
 
</p>
 
<p>Henri Lefebvre summarized the most vital of Karl Marx's objections to capitalism, by observing that capital (machines, tools, materials...) or "investments" are products of past work, and hence represent "dead labour". That in this way past activity "crystalyzes, as it were, and becomes a precondition for new activity." And that under capitalism, "what is dead takes hold of what is alive"</p>
 
<p>Lefebvre proposes to turn this relationship upon its head. "But how could what is alive lay hold of what is dead? The answer is: through the production of space, whereby living labour can produce something that is no longer a thing, nor simply a set of tools, nor simply a commodity.</p>
 
<p>As the above image may suggest, the <em>holotopia</em> artists still produce art objects; but they are used as pieces in a larger whole— which is a <em>space</em> where transformation happens. A space where the creativity of the artist can cross-fertilize with the insights of the scientist, to co-create a new reality that none of them can create on her own.  Imagine it as a space, akin to a new continent or a "new world" that's just been discovered—which combines physical and virtual spaces, suitably interconnected. </p>
 
  
<h3>Going online</h3>  
+
<p>A motivating challenge is reaching us from sociology.</p>
 +
<p>
 +
[[File:Beck-frame.jpeg]]
 +
</p>
 +
<p>Beck continued the above observation:</p>
 +
<blockquote>
 +
"Max Weber's 'iron cage' – in which he thought humanity was condemned to live for the foreseeable future – is for me the prison of <em>categories and basic assumptions</em> of classical social, cultural and political sciences."
 +
</blockquote>
  
<p>Debategraph was not yet implemented. But David was there!</p>  
+
<p>The 'candle headlights' (the practice of <em>inheriting</em> the way we look at the world, try to comprehend it and handle it) are keeping us in 'iron cage'!</p>  
  
</div> </div>
+
<p>The creation of [[keyword|<em>keywords</em>]], by resorting to [[truth by convention|<em>Truth by convention</em>]], is offered as the way out.</p>
  
<!-- CUTS
+
<h3><em>Wholeness</em></h3>
  
 +
<p>Simple goal, to direct our efforts ('destination to bus').</p>
  
 +
<h3><em>Culture</em></h3>
  
-------
+
<p>In a fractal-like manner, our definition of <em>culture</em> reflects the entire situation around <em>holoscope</em> and <em>holotopia</em>. So let us summarize it here in that way, however briefly. We motivated this definition by discussing Zygmunt Bauman's book "Culture as Praxis"—where Bauman surveyed a large number of historical definitions of culture, and reached the conclusion that they are so diverse that they cannot be reconciled with one another. How can we develop culture as <em>praxis</em>—if we don't even know what "culture" means? We defined  <em>culture</em> as "<em>cultivation</em> of <em>wholeness</em>", where the keyword <em>cultivation</em> is defined by analogy with planting and watering a seed (which suits also the etymology of "culture") . Thereby (and in accordance with the general <em>holotopia</em> approach we discussed above), we pointed to a specific <em>aspect</em> of culture. No amount of dissecting and studying a seed would suggest that it needs to be planted and watered. Hence when we reduced "reality" to what we can explain in that way, the <em>culture</em> as <em>cultivation</em> is all gone! When, however, we consider and treat <em>information</em> as human experience, and look for what may help us redeem and further develop <em>culture</em>—then a remedial trend, modeled by <em>holotopia</em>, is already under way. </p>
  
  
<!--
+
<h3><em>Religion</em></h3>
  
 +
<p>In traditional cultures, religion was widely regarded as an integral part of our [[wholeness|<em>wholeness</em>]]. Can this concept, and the heritage of the traditions it is pointing to, still have a function and a value in our own era? </p>
 +
<p>We adapted the definition that Martin Lings contributed, and defined <em>religion</em> as "reconnection with the <em>archetype</em>" (which harmonizes with the etymological meaning of this word). The <em>archetypes</em> include "justice", "motherhood", "freedom", "beauty", "truth", "love" and anything else that may inspire a person to overcome <em>egotism</em> and <em>convenience</em>, and serve a "higher" end.</p>
 +
 +
<h3><em>Addiction</em></h3>
  
 +
<p>The evolution gave us senses and emotions to guide us to [[wholeness|<em>wholeness</em>]]—in the <em>natural</em> condition. Civilization made it amply possible to deceive our senses—by creating pleasurable things that do <em>not</em> further <em>wholeness</em>. We point to them by the keyword <em>addiction</em>. </p>
  
 +
<p>We defined <em>addiction</em> as a <em>pattern</em>; and motivated this definition by observing that evolution equipped us, humans with emotions of comfort and discomfort to guide our choices toward <em>wholeness</em>. The civilized humans, however, found ways to deceive nature—by creating pleasurable things called "addictions", which lead us <em>away</em> from <em>wholeness</em>. Since selling addictions is lucrative business, the <em>traditions</em> identified certain activities and things as addictions—such as the opiates and the gambling; and they developed suitable legislation and ethical norms. In modernity, however, with the help of new technology, businesses can develop hundreds of <em>new</em> addictions—without us having a way to even recognize them as that. By defining <em>addiction</em> as a <em>pattern</em>, we can perceive addiction as an <em>aspect</em> of otherwise good and useful things. From a large number of obvious or subtle <em>addictions</em>, we here mention only <em>pseudoconsciousness</em> defined as "<em>addiction</em> to information". Consciousness of one's situation and surroundings is, of course, a necessary condition for <em>wholeness</em>. In civilization we can, however, drown this need in facts and data, which give us the <em>sensation</em> of knowing—without telling us what we <em>need to</em> know in order to be or become <em>whole</em>.</p>
  
<p>
 
  
 +
</div> </div>
  
The key novelty in the <em>holoscope</em> is the capability it affords to deliberately choose the way in which we look at an issue or situation, which we call <em>scope</em>. Just as the case is when inspecting a hand-held cup to see if it is whole or cracked, and in projective geometry, the art of using the <em>holoscope</em> will to a large degree consist in finding suitable ways of looking—which show the <em>whole</em> from all sides, and afford a correct "big picture"</em>  
+
<div class="row">
 +
<div class="col-md-3"><h2>[[Holotopia:Ten themes|Ten themes]]</h2></div>
 +
<div class="col-md-7"><p><em>Everything</em> in <em>holotopia</em> is a potential theme for a <em>dialog</em>. Indeed, everything in our <em>holotopia</em> <em>prototype</em> is a <em>prototype</em>; and a <em>prototype</em> is not complete unless there is a <em>dialog</em> around it, to to keep it evolving and alive. </p>
 +
<p>In particular each of the <em>five insights</em> will, we anticipate, ignite a lively conversation.</p>
 +
<p>We are, however, especially interested in using the <em>five insights</em> as a <em>framework</em> for creating other themes and dialogs. The point here is to have <em>informed</em> conversations; and to show that their quality of being informed is what makes all the difference. And in our present <em>prototype</em>, the <em>five insights</em> symbolically represent that what needs to be known, in order to give any age-old or contemporary theme a completely new course of development.</p>
 +
<blockquote>The <em>five insights</em>, and the ten direct relationships between them, provide us a frame of reference—in the context of which both age-old and contemporary challenges can be understood and handled in entirely new ways.</blockquote>  
  
<p>Especially valuable will be those <em>scopes</em> that illuminate what our habitual ways of looking left in the dark.</p>  
+
<p>Here are some examples.</p>  
  
 +
<h3>How to put an end to war?</h3>
  
 +
<p>So far our progress on this age-old frontier has largely been confined to palliative and not curative results. What would it take to <em>really</em> put an end to war, once and for all?</p>
 +
<p>When this question is considered in the context of the <em>power structure</em> and <em>socialized reality</em> insights, we become ready to see the whole compendium of questions related to justice, power and freedom in a <em>completely</em> new way. We then realize in what way exactly, throughout history, we have been coerced, largely through cultural means, to serve renegade power, in the truest sense our enemy, by engaging our sense of duty, heroism, honor and other values and traits that constitute "human quality". </p>
 +
<p>When those two <em>insights</em> are fully understood—could the war become as unthinkable as the witch trials are today?</p> 
  
<p>This capability, to create <em>views</em> by choosing <em>scopes</em> on any desired level of detail, adds to our work with contemporary issues a whole new 'dimension' or "degree of freedom"—where we <em>choose</em> what we perceive as issues; so that the issues <em>can</em> be resolved, and <em>wholeness</em> can be restored. </p>  
+
<h3>Alienation</h3>  
  
 +
<p>This theme takes some of the most interesting moments in the development of Western philosophy—and combines them with some of the most interesting tenets of the Eastern philosophy or the spiritual traditions. By placing alienation in the context of the <em>convenience paradox</em> on the one side, and the <em>collective mind</em>on the other, the possibilities open up for illuminating this uniquely relevant theme by <em>federating</em> both the cultural artifacts representing "ancient wisdom", with the influence the new media have had on our awareness and our culture, which have not yet even remotely been understood. </p>
  
<h3>Thinking outside the box</h3>
+
<p>We point to some of the sides of this theme by telling a story.</p>  
<p>That we cannot solve our problems by thinking as we did when we created them is a commonplace. But this presents a challenge when academic rigor needs to be respected.</p>
 
<
 
<p>While we did our best to ensure that the presented views accurately represent what might result when we 'connect the dots' or <em>federate</em> published insights and other relevant cultural artifacts, <em>we do not need to make such claims</em>; and we are not making them. It is a <em>paradigm</em> we are proposing; it is the <em>methodology</em> by which our views are created that gives them rigor—as "rigor" is understood in the <em>paradigm</em>.</p>
 
<p>The <em>methodology</em> itself is, to the best of our knowledge, flawlessly rigorous and coherent. But we don't need to make that claim either.</p>
 
<p><em>Everything</em> here is offered as a collection of [[Holotopia:Prototype|<em>prototypes</em>]]. The point is to show <em>what might result</em> if we changed the relationship we have with information, and developed, both academically and on a society-wide scale, the approach to information and knowledge we are proposing.</p>
 
<p>Our goal when presenting them is to initiate the <em>dialogs</em> and other social processes that constitute that development.</p>  
 
  
-------
+
<p>This story will be another symbolic gesture, where Marxism is (in the context of <em>holotopia</em>) <em>federated</em> and thereby reconciled with both religion <em>and</em> business.</p>
  
<p>The Knowledge Federation <em>prototype</em> is conceived as a portfolio of about forty smaller <em>prototypes</em>, which cover the range of questions that define an academic field—from epistemology and methods, to social organization and applications.</p>  
+
<p>The story elaborates on the "young Marx" notion in the humanities ([https://youtu.be/kIlEkbU4rx0?t=2681 see it explained]), which is "controversial" among the "neo-Marxists". We here offer it as a <em>prototype</em> of <em>federating</em> Marx...—with the goal of revising and reviving what's been called "left" or socially progressive.</p>  
  
<p>We use our main keyword, <em>knowledge federation</em>, in a similar way as the words "design" and "architecture" are used—to signify both a <em>praxis</em> (informed practice), and an academic field that develops it and curates it.</p>  
+
<p>The starting point is to imagine young Marx come to roughly the same conclusion as young Gandhi: we humans aspire to self-realization (which is in <em>holotopia</em> subsumed by <em>wholeness</em>). Whatever obstructs it needs to be removed—and what we'll have is <em>real</em> "progress".</p>  
  
-------
+
<p>"Young Marx" (in 1844 in Paris) saw the "alienation" as <em>the</em> capital obstacle (pun intended). He later saw the private ownership of the means of production as the capital cause of alienation (instead of fulfilling their potential and pursuing their real interests, the workers must submit themselves to a meaningless routine to be able to survive). And being a child of his time—Marx embraced "science" and "materialism" as a way to make progress on also <em>this</em> most vital of frontiers.</p>
  
 +
<p>But having seen the miserable conditions of the 1940s working class, young Marx became rather ashamed of his so bourgeois ideals—having realized that those people lacked the most basic means. A <em>revolution</em> is a way to end alienation. The religion, which keeps people ethically bound to the status quo, must be considered "the opiate of the masses". </p>
  
 +
<p>The consequences were a fascinating collection of ironies.</p>
  
 +
<p>One of them is that the left became anti-religious, and abandoned Christ to the right. Christ, however, has only one violent act on his record—when he order the "money changes" out of the house of God. His point was obvious—religion is inherently progressive, and should <em>not</em> be co-opted by the <em>power structure</em>. Well, it <em>was</em> co-opted...</p>
  
<p>To see what all this practically means, in the context of our theme (we are <em>federating</em> Peccei), we invite you to follow us in a brief thought experiment. We'll pay a short visit to a cathedral. No, this is not about religion; we are using the image of a cathedral as an <em>ideogram</em>—to correct the proportions, and  "see things whole".</p>
+
<p>Another irony is that—having (with mature Marx) embraced the "adiaphorized" or "instrumental" values, the left never really <em>became</em> progressive. In the countries where it apparently succeeded to become reality, "the dictatorship of the proletariat" became no more than—a dictatorship! And in the countries where it didn't, or didn't even try—the politicians representing the left readily learned that to be successful in their work, they have to adapt to the existing <em>power structure</em>; and hence "the left" turned right. </p>  
<p>So there is architecture, which inspires awe. We hear music play: Is it Bach's cantatas? Or Allegri's Miserere? There are sculptures, and frescos by masters of old on the walls. And there is the ritual...</p>
 
<p>But there is also a little book on each bench. Its first few paragraphs explain how the world was created.</p>
 
<p>Let this difference in size, between the beginning of Genesis and all the rest—the cathedral as a whole, with its physical objects and the activities it provides a space for—point to the difference in <em>importance</em> between the factual explanations of the mechanisms of nature and <em>our culture as a whole</em>, relative to our theme, the "human quality". For <em>there can be no doubt</em> that a function of the cathedral—<em>and</em> of culture—is to nourish the "human quality" in a certain specific ways.  By providing a certain <em>symbolic environment</em>, in which certain ethical and emotional dispositions can grow. Notice that we are only pointing to a <em>function</em>, without making any value judgement of its results. </p>
 
<p>The question is—How, and by whom, is the evolution of culture secured today? <em>Who</em> has the prerogative of <em>socializing</em> people in our own time?</p>
 
<p>The answer is obvious; it suffices to look around. All the advertising, however, is only a tip of an iceberg—comprised by various instruments of <em>symbolic power</em>, by which our choices are directed and our values modified—to give us the "human quality" that will make us consume more, so the economy may grow.</p>
 
<p>The ethical and legal norms we have do not protect us from this dependence. </p>
 
<p>The humanities researchers are, of course, well aware of this. But the "objective observer" role to which the academic researchers are confined, and the fact that "the tie between information and action is broken",  makes this all but irrelevant.</p>
 
<p>While most of us still consider ourselves as "rational decision makers", who can simply "feel" their "real interests" or "needs" and bring them to the market of goods, or as voters to the market of political agendas (which will like a perfect scale secure justice by letting the largest ones prevail), the businesses and the politicians know better. <em>Scientific</em> means are routinely used by their advisers, to manipulate our choices.</p>  
 
  
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+
<p>The point of reconciliation is to see that while today the conditions of the working class are completely different—the issue of <em>alienation</em> is not only as present as ever, but <em>it includes the owners of the capital</em> as well (whether they are aware of that or not). But that is the <em>power structure</em> theory in a nutshell.</p>
  
  however, will require an unprecedented level of international collaboration, and restructuring of the global economy, the widely read [https://www.rollingstone.com/politics/politics-news/global-warmings-terrifying-new-math-188550/ Rolling Stone article] reeports. The COVID-19 exacerbates those demands and makes them even more immediate. Considering the way in which things are related, restructuring of the world economy will not be possible without restructuring other systems as well.
+
<p>Guy Debord added to this picture a profound study of the role of the new media in this landslide toward alienation. </p> 
  
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+
<h3>The largest contribution to knowledge</h3>
 +
<p>This theme is for the <em>dialog</em> about our <em>knowledge federation</em> proposal. We gave it this name to energize the conversation.</p>
 +
<p>The theme focuses on the question "What might the largest contribution to knowledge be like?" A view is offered, to prime the convnersation, that it will be a contribution to the <em>system</em> by which information is turned into knowledge.</p>
 +
<p>This theme continues [[The Incredible History of Doug Engelbart]], by proposing that this largest contribution was his true gift to the mankind. And that, for interesting reasons which we will return to in a moment, his contribution has not yet been acknowledged and received. The essential point of his vision—that by creating a radically better technology-enabled process that turns information into knowledge practically <em>all</em> our core systems can be radically improved—will give us an instance of such a contribution, to make our conversation not hypothetical but concrete.</p>
  
 +
<p>By placing this theme in the context of the <em>collective mind</em> and the <em>narrow frame</em> insight, a whole new <em>dimension</em> is added—where the technology-and-process approach is complemented by developing a suitable epistemology and a method. It is by removing the <em>narrow frame</em> limitations—by developing a <em>general-purpose methodology</em>—that we arrive at a creative frontier where improvements of our handling of knowledge can continue beyond bounds.</p>
  
<div class="row">
+
<h3>Academia quo vadis?</h3>  
<div class="col-md-3"><h2>Five solutions</h2></div>
 
<div class="col-md-7">
 
<h3>The <em>power structure</em> issue <em>can</em> be resolved</h3>j
 
  
<p>The [[Holotopia:Power structure|<em>power structure</em> issue]] is resolved through [[systemic innovation|<em>systemic innovation</em>]]—by which [[system|<em>systems</em>]], and hence also [[power structures|<em>power structures</em>]], evolve in ways that make them <em>whole</em>; with recourse to information that allows us to "see things whole", or in other words the <em>holoscope</em>. </p>  
+
<p>This title is reserved for the <em>academic</em> <em>dialog</em> in front of the <em>mirror</em>.</p>
<p>We give structure to <em>systemic innovation</em> by conceiving our [[prototype|<em>prototypes</em>]] by weaving together suitable [[design pattern|<em>design patterns</em>]]—which are design challenge–design solution pairs, rendered so that they can be exported and adapted not only across <em>prototypes</em>, but also across application domains.</p>
+
<p>Its venture point are the good tidings brought to us by the <em>socialized reality</em> insight—that the key to our situation is in not in the hands of the Church and the Inquisition as it was in Galilei's time, or with the Wall Street bankers as it might appear, but in the <em>academia</em>'s hands!</p>  
<p>All our <em>prototypes</em> are examples of <em>systemic innovation</em>; any of them could be used to illustrate the techniques used, and the advantages gained. Of about a dozen <em>design patterns</em> of the Collaborology educational <em>prototype</em>, we here mention only a couple, to illustrate these abstract ideas,</p> 
 
<p>(A challenge)The traditional education, conceived as a once-in-a-lifetime information package, presents an obstacle to systemic change or <em>systemic innovation</em>, because  when a profession becomes obsolete, so do the professionals—and they will naturally resist change. (A solution) The Collaborology engenders a flexible education model, where the students learn what they need and at the time they need it. Furthermore, the <em>theme</em> of Collaborology is (online) collaboration; which is really <em>knowledge federation</em> and <em>systemic innovation</em>, organized under a name that the students can understand.</p>
 
<p>By having everyone (worldwide) create the learning resources for a single course, the Collaborology <em>prototype</em> illustrates the "economies of scale" that can result from online collaboration, when practiced as <em>systemic innovation</em>/<em>knowledge federation</em>. In Collaborology, a contributing author or instructor is required to contribute only a <em>single</em> lecture. By, furthermore, including creative media designers, the economies of scale allow the new media techniques (now largely confined to computer games) to revolutionize education.</p>
 
<p>A class is conceived as a design lab—where the students, self-organized in small teams, co-create learning resources. In this way the values that <em>systemic innovation</em> depends on are practiced and supported. The students contribute to the resulting innovation ecosystem, by acting as 'bacteria' (extracting 'nutrients' from the 'dead material' of published articles, and by combining them together give them a new life). </p>
 
<p>The Collaborology course model as a whole presents a solution to yet another design challenge—how to put together, organize and disseminate a <em>new</em> and <em>transdisciplinary</em> body of knowledge, about a theme of contemporary interest.</p>
 
<p>Our other <em>prototypes</em> show how similar benefits can be achieved in other core areas, such as health, tourism, and of course public informing and scientific communication. One of our Authentic Travel <em>prototypes</em> shows how to reconfigure the international corporation, concretely the franchise, and make it <em>serve</em> cultural revival.</p>
 
<p>Such <em>prototypes</em>, and the <em>design patterns</em> they embody, are new <em>kinds of</em> results, which in the <em>paradigm</em> we are proposing roughly correspond to today's scientific discoveries and technological inventions.</p>
 
<p>A different collection of design challenges and solution are related to the methodology for <em>systemic innovation</em>. Here the simple solution we developed is to organize a transdisciplinary team or <em>transdiscipline</em> around a <em>prototype</em>, with the mandate to update it continuously. This secures that the insights and innovations from the participating creative domains (represented by the members of the <em>transdiscipline</em>) have <em>direct</em> impact on <em>systems</em>. </p>
 
<p>Our experience with the very first application <em>prototype</em>, in public informing, revealed a new and general methodological and design challenge: The leading experts we brought together to form the <em>transdiscipline</em> (to represent in it the state of the art in their fields) are as a rule unable to change <em>the systems in which they live and work</em> themselves—because they are too busy and too much in demand; and because the power they have is invested in them by those <em>system</em>. But what they can and need to do is—empower the "young people" ("young" by the life phase they are in, as students or as entrepreneurs) to <em>change</em> systems ("change the world"), instead of having to conform to them. The result was The Game-Changing Game <em>prototype</em>, as a generic way to change real-life systems. We also produced a <em>prototype</em> which was an update of The Club of Rome, based on this insight and solution, called The Club of Zagreb.</p>  
 
  
<p>Finally, and perhaps <em>most</em> importantly, progress toward resolving the <em>power structure</em> issue can be made <em>by simply identifying the issue</em>; by making it understood, and widely known—because it motivates a <em>radical</em> change of values, and of "human quality".</p>
+
<p>We highlighted the favorable side of this turn of events by defining <em>academia</em> as "institutionalized academic tradition". And by introducing this tradition by the histories of Socrates and Galilei. Both of them needed to risk their lives, to help our evolution move ahead. Without doubt, it was the pure love of truth, and <em>knowledge of knowledge</em>, that the academic tradition added to our evolutionary scene at opportune moments, to help us overcome the false realities that the <em>power structure</em> held us in, and evolve further. But now the <em>academic tradition</em> has been institutionalized; it is <em>already</em> in power! So all we need to do to "change course" toward <em>holotopia</em> is to just <em>let</em> the <em>academia</em> guide us along the evolutionary course one more time.</p>  
<p>Notice that the <em>power structure</em> insight radically changes "the name of the game" in politics—from "us against them", to "all of us against the <em>power structure</em>.</p>
 
<p>This potential of the <em>power structure</em> insight gains power when combined with the <em>convenience paradox</em> insight and the <em>socialized reality</em> insight. It then becomes obvious that those among us whom we perceive as winners in the economic or political power struggle are really "winners" only because the <em>power structure</em> defined "the game". The losses we are all suffering in the <em>real</em> "reality game" are indeed enormous.</p>
 
<p>The Adbusters gave us a potentially useful keyword: <em>decooling</em>. Fifty years ago, puffing on a large cigar in an elevator or an airplane might have seemed just "cool"; today it's unthinkable. Let's see if today's notions of "success" might be transformed by similar <em>decolling</em>.</p>  
 
  
<h3>The <em>collective mind</em> issue <em>can</em> be resolved</h3>  
+
<p>But there's a rub: Being now in charge of the relationship we have with knowledge, the <em>academia</em> has become part of the <em>power structure</em>. Which means that the way in which the academic tradition has been institutionalized may have followed our other <em>systems</em>. It is this <em>way</em> in which the academic tradition has been institutionalized that this conversation is about.</p>  
  
<p>Here it may be recognized that <em>knowledge federation</em> is really just a name, a <em>placeholder</em> name, for the kind of "collective thinking" that a 'collective mind' needs to develop to function correctly. The mission of the present Knowledge Federation <em>transdiscipline</em> is to <em>bootstrap</em> the development of <em>knowledge federation</em> both in specific instances (by creating real-life embedded <em>prototypes</em>), and in general (by developing <em>knowledge federation</em> as an academic field, and as a real-life <em>praxis</em>). </p>  
+
<p>How might the academic tradition be corrupted by the <em>power structure</em>? </p>  
  
<h3>The <em>socialized reality</em> issue <em>can</em> be resolved</h3>  
+
<p>The theory says that the pursuit of knowledge for its own sake would gradually be replaced by Bourdieu-style turf strife—with adjustments to the power "field" both within and without the institutions. </p>  
  
<p>This is <em>extremely</em> good news: To <em>begin</em> the transformation to <em>holotopia</em>, we do not need to convince the politicians to impose on the industries a strict respect for the CO2 quotas; or the Wall Street bankers to change <em>their</em> rules. The first step is entirely in the hands of  publicly supported intellectuals. </p>  
+
<p>Education the <em>academia</em> would provide would no longer be in the name of the pursuit of "human quality" or human <em>wholeness</em>, as the case may have been in the original Academia, but on the contrary a socialization for taking place in the <em>power structure</em>, driven by competition. Those young people who are efficient learners and test takers, who allocate their time and attention so as to get the best grades in all subjects, would have advantage over those who would give themselves to an interest, and pursue it wherever it takes them.</p>  
  
<p>The key is "to change the relationship we have with information"—from considering it "an objective picture of reality", to considering it as <em>the</em> key element in our various systems.</p>  
+
<p>The most successful among them would become academic researchers. And naturally, they would adjust the academic ecology to their own interests and standards. The academic researchers would not attend conferences to serve the knowledge and the humanity, but to further their own position in the "field" by presenting <em>their own</em> results, and making contacts. The academic 'turf' would be divided into small tracts so that everyone gets his share. Those small and private areas would be organized together into larger disciplinary units, to secure the privileges to their members, and keep the outliers outside.</p>  
  
<p>Notice that if we can do this change successfully (by following the time-honored values of the academic tradition) then the academic researchers—that vast army of selected, specially trained and sponsored free thinkers—can be liberated from their confinement to traditional disciplines, and mobilized and given a chance to give their due contribution to urgent <em>contemporary</em> issues.</p>  
+
<p>This is, of course, only theory. This self-reflective <em>dialog</em> would see to what degree this theory may be reflected by practice. And how successfully the values and the spirit of the academic tradition are preserved and supported by the <em>academia</em> as modern institution.</p>  
  
<p>Notice that the creative challenge that Vannevar Bush and others pointed to as <em>the</em> urgent one, and which Douglas Engelbart and others pursued successfully but <em>without</em> academic support (to recreate the very system by which do our work)—can in this new <em>paradigm</em> be rightly considered as "basic research".</p>  
+
<p>A way to do that would be to look at the [[giant|<em>giants</em>]] and their most daring ideas. We adopted this <em>keyword</em> from Newton, to point to visionary thinkers "on whose shoulders we now need to stand, to see further". Is the <em>academia</em> ready to adopt their ideas? The Incredible History of Doug Engelbart and his "largest contribution to knowledge" suggests that it is not. Our <em>keyword</em> may suggest the reason—the <em>giants</em> would take too much space on the academic 'turf'...</p>  
  
<p>The key to all these changes is <em>epistemology</em>—just as it was in Galilei's time!</p>  
+
</div> </div>  
  
<p>The <em>reification</em> as the foundation for creating truth and meaning means also <em>reification</em> of our institutions (democracy <em>is</em> the mechanism of the "free elections", the representatives etc.; science <em>is</em> what the scientists are doing). That it is also <em>directly</em> preventing us from even imagining a different world.</p>  
+
<div class="row">
 +
<div class="col-md-3"><h2>Books</h2></div>
 +
<div class="col-md-7"><p>Occasionally we publish books about of the above themes—to punctuate the laminar flow of events, draw attention to a theme and begin a <em>dialog</em>. </p>  
 +
<p>Shall we not recreate the book as well—along with all the rest? Yes and no. In "Amuzing Ourselves to Death", Neil Postman—who founded "media ecology" as the research field— left us a convincing argument why the book is here to stay. His point was that the book creates a different "ecology of the mind" (to mention also Gregory Bateson's fertile metaphor) than the contemporary "immersive" audio-visual media do: The book invites us to <em>reflect</em>. </p>  
  
<p>Observe the depth of our challenge: When I write "worldviews", my word processor underlines the word in red. <em>Even grammatically</em>, there can be only one worldview—the one that <em>corresponds</em> with reality!  Even when we say "we are constructing reality" (as so many scientists and philosophers did in so many ways during the past century)—this is still interpreted as a statement <em>about</em> reality. By the same token, if we would say that "information is" anything <em>but</em> what the journalists and scientists are giving us today, someone would surely object. How can we <em>ever</em> come out of this entrapment?</p>  
+
<p>We, however, let the book exist in an 'ecosystem' with other media. Notably with the <em>dialog</em>. In that way, a reflection that an author passes onto the readers continues as community action—engages our <em>collective creativity</em> and comes back to the author, polinated with new ideas.</p>  
  
<p>  
+
<h3>Liberation</h3>  
[[File:Quine–TbC.jpeg]]
 
</p>
 
  
<p>A solution is found by resorting consistently to what Villard Van Orman Quine called "truth by convention". It is a conception of "truth" entirely independent of "reality" or <em>reification</em>. Or metaphorically, it is the 'Archimedean point' needed to empower information to once again "move the world". </p>  
+
<p>The book titled "Liberation", with subtitle "Religion beyond Belief", is scheduled to be completed during the first half of 2021, and serve as an ice breaker.</p>
 +
<p>"Religion beyond Belief" is one of the <em>ten themes</em>. Positioned in the context of <em>socialized reality</em> and <em>convenience paradox</em>, this book elaborates on the kind of change that is the hallmark of <em>holotopia</em>—where something we take for granted is turned upside down, and shown to stand a lot better in that way. It is now common to associate the word "religion" with rigidly held beliefs, which resist argumentation and evidence. The view offered in the book is of a <em>religion</em> that liberates us not only from rigidly held "religious" views—but from rigidly held beliefs and identities of any kind, including rigidly held <em>self</em>-interests.</p>  
  
<p>Based on it, we can say simply, as a convention, that the purpose of <em>information</em> is not <em>reification</em>, but to serve as 'headlights' in a 'bus'. Notice that no consensus is needed, and that there is no imposing on others: The convention is valid only <em>in context at hand</em>—which may be an article, a methodology, or the Holotopia <em>prototype</em>. To define "X as Y" by convention does not mean the claim that X "really is" Y—but only to consider X <em>as</em> Y, to see it in that specific way, from that specific 'angle', and see what results.</p>  
+
</div> </div>  
  
<p>By using <em>truth by convention</em>, we can attribute new and agile meaning to concepts; and <em>purposes</em> to academic fields! </p>
+
<div class="row">
 +
<div class="col-md-3"><h2>Prototypes</h2></div>
 +
<div class="col-md-7"><p>
 +
[[prototype|<em>Prototypes</em>]], as we have seen, are a way to <em>federate</em> information by weaving it directly into the fabric of everyday reality. They can be literally anything—including book manuscripts.</p>
  
<p>The concrete <em>prototypes</em</em> are the <em>design epistemology</em>—where the new "relationship we have with information", and the new meaning of <em>information</em>, is proposed as a convention. Here of course, the proposed meaning is as the bus with candle headlight suggests—to consider information as a function in the organism of our culture; and to create it and use it as it may best suit its various roles.</p>  
+
<p>In the <em>holotopia</em> scheme of things, pretty much <em>everything</em> is a <em>prototype</em>. In this way we subject <em>everything</em> to knowledge-based evolution.</p>  
  
 +
<p>The Holotopia project proceeds largely by evolving <em>prototypes</em>. What is described here is, of course, an initial <em>prototype</em> of the <em>holotopia</em>. The project is meant to develop by evolving this <em>prototype</em> further.  </p>
  
  
 +
</div> </div>
  
<h3>The <em>narrow frame</em> issue <em>can</em> be resolved</h3>
 
  
<p>The issue here is the way or the method by which truth and meaning are created. And specifically that the way that emerged based on 19th century science constitutes a <em>narrow frame</em>—i.e. that it is far too narrow to hold a functioning culture. That it was <em>destructive</em> of culture.</p>
 
<p>The solution found is to define a <em>general purpose methodology</em>.
 
<p>Suitable metaphors here are 'constitutional democracy', and 'trial by jury'. We both spell out the rules—<em>and</em> give provisions for updating them.</p>
 
<p>Information is no longer a 'birth right' (of science or whatever...). </p>
 
<p>The 'trial by jury' metaphor concerns the <em>knowledge federation</em> as process: Every piece of information or insight has the right of a 'fair trial'; nobody is denied 'citizenship rights' because he was 'born' in a wrong place...</p>
 
<p>Further <em>prototypes</em> include the <em>polyscopy</em> or  Polyscopic Modeling <em>methodology</em>—whereby information can be created on <em>any</em> chosen theme, and on any level of generality.</p>
 
  
  
 +
<div class="row">
 +
<div class="col-md-3"><h2>Events</h2></div>
 +
<div class="col-md-7">
  
<h3>The <em>convenience paradox</em> issue has a solution</h3>  
+
<p>The <em>holotopia</em> events punctuate the becoming of a new order of things.</p>  
  
<p>The issue here is values. The problem with values—they are mechanistic, short-term, directly experiential... </p>
+
<p>An illustration is [https://earthsharing.info/index.html our pilot project "Earth Sharing"] in art gallery Kunsthall 3.14 in Bergen. </p>
<p>The resolution is —<em>cultivation</em> of <em>wholeness</em>—which means to develop support for long-term work on <em>wholeness</em>; watering 'the seeds' of <em>wholeness</em>. And to <em>federate</em> information from a variety of cultural traditions, therapeutic methods, scientific fields... to illuminate the <em>way</em> to <em>wholeness</em>. </p>
 
<p>Concrete <em>prototypes</em> include educational ones, the Movement and Qi course shows how to embed the work with "human quality" in academic scheme of things—by <em>federating</em> the therapy traditions and employing the body (not only books) as the medium.</p>  
 
<p>The big news is that <em>wholeness exists</em>; and that it involves the value of serving <em>wholeness</em> (and foregoing egocentricity)—which closes the cycles to <em>power structure</em>.
 
  
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</div> </div>

Revision as of 06:30, 25 September 2020

Imagine...

You are about to board a bus for a long night ride, when you notice the flickering streaks of light emanating from two wax candles, placed where the headlights of the bus are expected to be. Candles? As headlights?

Of course, the idea of candles as headlights is absurd. So why propose it?

Because on a much larger scale this absurdity has become reality.

The Modernity ideogram renders the essence of our contemporary situation by depicting our society as an accelerating bus without a steering wheel, and the way we look at the world, try to comprehend and handle it as guided by a pair of candle headlights.

Modernity.jpg Modernity ideogram

Our proposal

The core of our knowledge federation proposal is to change the relationship we have with information.

What is our relationship with information presently like?

Here is how Neil Postman described it:

"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."

Postman.jpg
Neil Postman

What would information and our handling of information be like, if we treated them as we treat other human-made things—if we adapted them to the purposes that need to be served?

By what methods, what social processes, and by whom would information be created? What new information formats would emerge, and supplement or replace the traditional books and articles? How would information technology be adapted and applied? What would public informing be like? And academic communication, and education?

The substance of our proposal is a complete prototype of knowledge federation, where initial answers to relevant questions are proposed, and in part implemented in practice.
Our call to action is to institutionalize and develop knowledge federation as an academic field, and a real-life praxis (informed practice).
Our purpose is to restore agency to information, and power to knowledge.

All elements in our proposal are deliberately left unfinished, rendered as a collection of prototypes. Think of them as composing a 'cardboard model of a city', and a 'construction site'. By sharing them we are not making a case for a specific 'city'—but for 'architecture' as an academic field, and a real-life praxis.


A proof of concept application

The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for putting the proposed ideas to a test.

Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—Aurelio Peccei issued the following call to action:

"It is absolutely essential to find a way to change course."


Peccei also specified what needed to be done to "change course":

"The future will either be an inspired product of a great cultural revival, or there will be no future."

Peccei.jpg
Aurelio Peccei

This conclusion, that we are in a state of crisis that has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century thinkers. Arne Næss, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology". In what follows we shall assume that this conclusion has been federated—and focus on the more interesting questions, such as how to "change course"; and in what ways may the new course be different.

In "Human Quality", Peccei explained his call to action:

"Let me recapitulate what seems to me the crucial question at this point of the human venture. Man has acquired such decisive power that his future depends essentially on how he will use it. However, the business of human life has become so complicated that he is culturally unprepared even to understand his new position clearly. As a consequence, his current predicament is not only worsening but, with the accelerated tempo of events, may become decidedly catastrophic in a not too distant future. The downward trend of human fortunes can be countered and reversed only by the advent of a new humanism essentially based on and aiming at man’s cultural development, that is, a substantial improvement in human quality throughout the world."

The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".

Could the change of 'headlights' we are proposing be "a way to change course"?


A vision

Holotopia is a vision of a possible future that emerges when proper 'light' has been 'turned on'.

Since Thomas More coined this term and described the first utopia, a number of visions of an ideal but non-existing social and cultural order of things have been proposed. In view of adverse and contrasting realities, the word "utopia" acquired the negative meaning of an unrealizable fancy.

As the optimism regarding our future waned, apocalyptic or "dystopian" visions became common. The "protopias" emerged as a compromise, where the focus is on smaller but practically realizable improvements.

The holotopia is different in spirit from them all. It is a more attractive vision of the future than what the common utopias offered—whose authors either lacked the information to see what was possible, or lived in the times when the resources we have did not yet exist. And yet the holotopia is readily attainable—because we already have the information and other resources that are needed for its fulfillment.

The holotopia vision is made concrete in terms of five insights, as explained below.


A principle

What do we need to do to "change course" toward holotopia?

The five insights point to a simple principle or rule of thumb—making things whole.

This principle is suggested by the holotopia's very name. And also by the Modernity ideogram. Instead of reifying our institutions and professions, and merely acting in them competitively to improve "our own" situation or condition, we consider ourselves and what we do as functional elements in a larger system of systems; and we self-organize, and act, as it may best suit the wholeness of it all.

Imagine if academic and other knowledge-workers collaborated to serve and develop planetary wholeness – what magnitude of benefits would result!

A method

"The arguments posed in the preceding pages", Peccei summarized in One Hundred Pages for the Future, "point out several things, of which one of the most important is that our generations seem to have lost the sense of the whole."

To be able to make things wholewe must be able to see things whole!

To highlight that the knowledge federation methodology described and implemented in the proposed prototype affords that very capability, to see things whole, in the context of the holotopia we refer to it by the pseudonym holoscope.

While the characteristics of the holoscope—the design choices or design patterns, how they follow from published insights and why they are necessary for 'illuminating the way'—will become obvious in the course of this presentation, one of them must be made clear from the start.


Holoscope.jpeg
Holoscope ideogram

To see things whole, we must look at all sides.

The holoscope distinguishes itself by allowing for multiple ways of looking at a theme or issue, which are called scopes. The scopes and the resulting views have similar meaning and role as projections do in technical drawing. The views that show the entire whole from a certain angle are called aspects.

This modernization of our handling of information—distinguished by purposeful, free and informed creation of the ways in which we look at a theme or issue—has become necessary in our situation, suggests the bus with candle headlights. But it also presents a challenge to the reader—to bear in mind that the resulting views are not "reality pictures", contending for that status with one other and with our conventional ones.

In the holoscope, the legitimacy and the peaceful coexistence of multiple ways to look at a theme is axiomatic.

To liberate our worldview from the inherited concepts and methods and allow for deliberate choice of scopes, we used the scientific method as venture point—and modified it by taking recourse to insights reached in 20th century science and philosophy.

Science gave us new ways to look at the world: The telescope and the microscope enabled us to see the things that are too distant or too small to be seen by the naked eye, and our vision expanded beyond bounds. But science had the tendency to keep us focused on things that were either too distant or too small to be relevant—compared to all those large things or issues nearby, which now demand our attention. The holoscope is conceived as a way to look at the world that helps us see any chosen thing or theme as a whole—from all sides; and in proportion.

A discovery of a new way of looking—which reveals a structural problem, and helps us reach a correct general assessment of an object of study or a situation as a whole (see if 'the cup is broken or whole')—is a new kind of result that is made possible by (the general-purpose science that is modeled by) the holoscope.

We will continue to use the conventional way of speaking and say that something is as stated, that X is Y—although it would be more accurate to say that X can or needs to (also) be perceived as Y. The views we offer are accompanied by an invitation to genuinely try to look at the theme at hand in a certain specific way (to use the offered scopes); and to do that collaboratively, in a dialog.