Difference between pages "Old Holotopia" and "Holotopia"

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<div class="col-md-3"><h2>Imagine...</h2></div>
 
<div class="col-md-3"><h2>Imagine...</h2></div>
 
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<p>You are about to board a bus for a long night ride, when you notice two flickering streaks of light emanating from two wax candles, placed in the circular holes where the headlights of the bus are expected to be. Candles? <em>As headlights</em>? </p>  
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<p>You are about to board a bus for a long night ride, when you notice the flickering streaks of light emanating from two wax candles, placed where the headlights of the bus are expected to be. Candles? <em>As headlights</em>? </p>  
 
<p>Of course, the idea of candles as headlights is absurd. So why propose it? Because <em>on a much larger scale</em> this absurdity has become reality.</p>  
 
<p>Of course, the idea of candles as headlights is absurd. So why propose it? Because <em>on a much larger scale</em> this absurdity has become reality.</p>  
<p>By depicting our society as a bus without a steering wheel, and the way we look at the world and try to comprehend it and handle it as a pair of candle headlights, the Modernity <em>ideogram</em> renders the essence of our contemporary situation.</p>
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<p>The Modernity <em>ideogram</em> renders the essence of our contemporary situation by depicting our society as an accelerating bus without a steering wheel, and the way we look at the world, try to comprehend and handle it as guided by a pair of candle headlights.</p>
 
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<div class="col-md-3"><h2>We need new 'headlights'</h2></div>
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<div class="col-md-3"><h2>Our proposal</h2></div>
<div class="col-md-7"><h3>The way we see the world</h3>
 
<p>The COVID-19 crisis and its fallout reminded us of the connectedness and the vulnerability of the human systems. And of the all-important role of the 'headlights'. Soon we'll be facing <em>irreversible</em> changes—which are expected to result from, for instance, the climate change. Shall we then blame "the lazy people on welfare"? Or the immigrant workers, the 1%, the whites or the blacks? Or shall we see our situation in a way that will empower us to comprehend it, and handle it?</p>  
 
  
<h3>We have 'candles' as 'headlights'</h3>  
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<div class="col-md-6"><h3>In a nutshell</h3>  
<p>How exactly we ended up with a dysfunctional and obsolete way of comprehending the world is illuminating, and we must return to it, however briefly.</p>  
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<p>Around the middle of the 19th century, our societies began to change by a landslide: Our countries became democracies, our worldviews became scientific and secular, and our lifestyles became mechanized and modern. The way we looked at the world also changed—and then for about a century remained frozen!</p>
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<blockquote>  
<p>During that century, our academic understanding of things of course continued to evolve. But it remained confined to traditional disciplines, which grew and divided themselves into subspecialties, which lost contact not only with the world at large, but also with one another. In the course of our presentation we will see examples of <em>entire academic fields</em> failing to communicate to the world <em>their most basic insights</em>.</p>
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The core of our [[Holotopia:Knowledge federation|<em>knowledge federation</em>]] proposal is to change the relationship we have with information.
<p>Massive academic publishing made things worse.</p>
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</blockquote>
<p>And so did the new media—which got appropriated by commercial and superficial actors; who used them to appropriate the public's attention.</p>
 
</div> </div>  
 
  
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<p>What is our relationship with information presently like?</p>  
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<p>Here is how [[Neil Postman]] described it:</p>  
<div class="col-md-6">
 
<p>[[Neil Postman]] described the situation that resulted as follows:</p>  
 
 
<blockquote>  
 
<blockquote>  
 
"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."
 
"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."
 
</blockquote>
 
</blockquote>
 +
<p>The objective of our proposal is to restore agency to information, and power to knowledge.</p>
 
</div>
 
</div>
 
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<div class="col-md-3">
 
[[File:Postman.jpg]]<br><small>Neil Postman</small>
 
[[File:Postman.jpg]]<br><small>Neil Postman</small>
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</div> </div>  
</div>  
 
  
 
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<div class="col-md-3"><h2>The KF proposal</h2></div>
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<div class="col-md-7">
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<div class="col-md-7"><h3>In detail</h3>  
<blockquote>
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<p>What would it take to <em>repair</em> the tie between information and action? </p>  
The goal of <em>knowledge federation</em> is to restore agency to information, and power to knowledge.
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<p>What would information and our handling of information be like, if we changed the relationship we have with information and treated it as we treat other human-made things—if we adapted it to the purposes that need to be served? </p>
</blockquote>  
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<p>What would our <em>world</em> be like, if academic researchers retracted the premise that when an idea is published in a book or an article it is already "known"? If the other half of this picture were treated with similar thoroughness as academic technical work? If the question "What do people actually <em>need</em> to know?" led to a "social life of information" that allows each of us to benefit from what the others have seen and understood; and our society to perceive the world correctly, and navigate it safely?</p>
<p>Imagine us as a collection of academic 'cells' who mutated in a new way. Having perceived our society as a bus with candle headlights, we perceived ourselves as (part of) those headlights. Naturally, we began to self-organize differently—to become 'lightbulbs', not 'candles'!</p>  
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<p>What would the academic field that develops this approach to information be like? How would information be different? How would it be used? By what methods, what social processes, and by whom would it be created? What new information formats would emerge, and supplement or replace the traditional books and articles? How would information technology be adapted and applied? What would public informing be like? And <em>academic communication, and education</em>? </p>
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<blockquote>The substance of our proposal is a <em>complete</em> [[Holotopia:Prototype|<em>prototype</em>]] of [[Holotopia:Knowledge federation|<em>knowledge federation</em>]], by which those and other related questions are answered. </blockquote>  
 +
<p>The Knowledge Federation <em>prototype</em> is conceived as a portfolio of about forty smaller <em>prototypes</em>, which cover the range of questions that define an academic field—from epistemology and methods, to social organization and applications.</p>
 +
 
 +
<p>We use our main keyword, <em>knowledge federation</em>, in a similar way as the words "design" and "architecture" are used—to signify both a <em>praxis</em> (informed practice), and an academic field that develops it and curates it.</p>
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<blockquote>Our call to action is to institutionalize and develop <em>knowledge federation</em> as an academic field, and as real-life <em>praxis</em>.</blockquote>  
  
<p>We understood, in other words, that we must use our creativity in a new way; not by merely observing and reporting—but by <em>acting</em> differently.</p>
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<p>Technically, we are proposing a [[Holotopia:Paradigm|<em>paradigm</em>]]. The proposed <em>paradigm</em> is not in a specific scientific field, where paradigm changes are relatively common, but in "creation, integration and application of knowledge" at large.</p>  
  
<h3><em>Knowledge federation</em> concretely</h3>
 
<blockquote>We are proposing to establish <em>knowledge federation</em> as a new academic field, and a real-life <em>praxis</em>.</blockquote>
 
<p>As  "applied research", <em>knowledge federation</em> is intended to <em>be</em> the 'headlights'—and turn academic and other relevant insights into shared vision.</p>
 
<p>As "basic research", its function is to <em>create</em> the 'headlights'—and continue to recreate them continuously, to keep them in sync with relevant knowledge, technology, and our society's needs.</p>
 
<p>As a way to operationalize this proposal, we offer to</p>
 
<ul>
 
<li>establish <em>knowledge federation</em> as a <em>transdiscipline</em>—for which the <em>prototype</em> detailed on these pages is offered as a detailed explanation, and a template ready for implementation</li>
 
<li>develop the <em>holotopia</em> <em>prototype</em> as a real-life initiative to change the way we as society see and handle our larger situation at hand, and information and knowledge in particuar—as described here</li>
 
</ul>
 
 
</div> </div>  
 
</div> </div>  
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<div class="col-md-3"><h2>An application</h2></div>
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<div class="col-md-3"><h2>A challenge</h2></div>
<div class="col-md-6">
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<div class="col-md-6"><h3>A proof-of-concept application</h3>  
<p>The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for developing the Holotopia <em>prototype</em>. Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—[[Aurelio Peccei]] issued the following warning:  
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<p>The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for putting the proposed ideas to a test. Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—[[Aurelio Peccei]] issued the following call to action:  
 
<blockquote>
 
<blockquote>
 
"It is absolutely essential to find a way to change course."
 
"It is absolutely essential to find a way to change course."
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</div>  
 
</div>  
 
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[[File:Peccei.jpg]]
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[[File:Peccei.jpg]]<br><small>Aurelio Peccei</small>  
<small>Aurelio Peccei</small>  
 
 
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<p>This conclusion, that our present crisis has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century's thinkers. Arne Næss for instance, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology". </p>  
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<p>This conclusion, that we are in a state of crisis that has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century's thinkers. Arne Næss, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology". </p>  
<p>In "Human Quality", Peccei assessed our contemporary situation as follows:</p>
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<p>In "Human Quality", Peccei explained his call to action:</p>
 
<blockquote>  
 
<blockquote>  
 
"Let me recapitulate what seems to me the crucial question at this point of the human venture. Man has acquired such decisive power that his future depends essentially on how he will use it. However, the business of human life has become so complicated that he is culturally unprepared even to understand his new position clearly. As a consequence, his current predicament is not only worsening but, with the accelerated tempo of events, may become decidedly catastrophic in a not too distant future. The downward trend of human fortunes can be countered and reversed only by the advent of a new humanism essentially based on and aiming at man’s cultural development, that is, a substantial improvement in human quality throughout the world."
 
"Let me recapitulate what seems to me the crucial question at this point of the human venture. Man has acquired such decisive power that his future depends essentially on how he will use it. However, the business of human life has become so complicated that he is culturally unprepared even to understand his new position clearly. As a consequence, his current predicament is not only worsening but, with the accelerated tempo of events, may become decidedly catastrophic in a not too distant future. The downward trend of human fortunes can be countered and reversed only by the advent of a new humanism essentially based on and aiming at man’s cultural development, that is, a substantial improvement in human quality throughout the world."
 
</blockquote>  
 
</blockquote>  
 
 
<p>
 
<p>
 
The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".</p>  
 
The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".</p>  
<blockquote>We conceive the Holotopia <em>prototype</em> as a way to <em>federate</em> The Club of Rome's vision and mission.</blockquote>  
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<h3>Can the proposed 'headlights' help us "find a way to change course"?</h3>
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 +
<p>Why did Peccei's call to action remain unanswered? Why wasn't The Club of Rome's purpose—to illuminate the course our civilization has taken—served by our society's regular institutions, as part of their function? Isn't this already showing that we are 'driving with candle headlights'?</p>
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 +
<p>If we used <em>knowledge federation</em> to 'illuminate the way'—what difference would that make? </p>
 +
 
 +
<blockquote>The Holotopia project is conceived as a <em>knowledge federation</em>-based response to Aurelio Peccei's call to action.</blockquote>
 +
 
 +
<p>We coined the keyword [[Holotopia:Holotopia|<em>holotopia</em>]] to point to the cultural and social order of things that will result.</p>
 +
 
 +
<p>To begin the Holotopia project, we are developing an initial <em>prototype</em>, which includes both a vision and a project infrastructure. That <em>prototype</em> is described on these pages.</p>  
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</div> </div>  
 
</div> </div>  
  
 
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<div class="col-md-3"><h2>A vision</h2></div>
 
<div class="col-md-3"><h2>A vision</h2></div>
<div class="col-md-7">
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<div class="col-md-7"><h3>The <em>holotopia</em> is not a utopia</h3>  
<p>What new 'course' shall we see, when we use <em>knowledge federation</em> to 'illuminate the way'?</p>
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<p>Since Thomas More coined this term and described the first utopia, a number of visions of an ideal but non-existing social and cultural order of things have been proposed. But in view of adverse and contrasting realities, the word "utopia" acquired the negative meaning of an unrealizable fancy.</p>
<p>The <em>holotopia</em> is an astonishingly positive future scenario.</p>  
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<p>As the optimism regarding our future faded, apocalyptic or "dystopian" visions became common. The "protopias" emerged as a compromise, where the focus is on smaller but practically realizable improvements.</p>  
<p>This future vision is <em>more</em> positive than what the familiar utopias offered—whose authors lacked the information to see what was possible; or lived in the times when the resources we have did not yet exist.  </p>  
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<p>The <em>holotopia</em> is different in spirit from them all. It is a <em>more</em> attractive vision of the future than what the common utopias offered—whose authors either lacked the information to see what was possible, or lived in the times when the resources we have did not yet exist. And yet the <em>holotopia</em> is readily realizable—because we already have the information and other resources that are needed for its fulfillment.</p>
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<p>The <em>holotopia</em> vision is made concrete, and substantiated or <em>justified</em>, in terms of <em>five insights</em>, as explained below.</p>
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<h3>Making things  [[Wholeness|<em>whole</em>]]</h3>
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<p><em>What do we need to do</em> to change course toward the <em>holotopia</em>?</p>
 +
<blockquote> From a comprehensive volume of insights from which the <em>holotopia</em> emerges as a future realistically worth aiming for, we have distilled a simple principle or rule of thumb—making things  [[Wholeness|<em>whole</em>]].</blockquote>
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<p>This principle is suggested by the <em>holotopia</em>'s very name. And also by the Modernity <em>ideogram</em>: Instead of <em>reifying</em> our institutions and professions, and merely acting in them competitively to improve "our own" situation or condition, we consider ourselves and what we do as functional elements in a larger system of systems; and we self-organize, and act, as it may best suit the [[Wholeness|<em>wholeness</em>]] of it all—including, of course, our own <em>wholeness</em>. </p>
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<p>Imagine if academic and other knowledge-workers collaborated to serve and develop planetary wholeness – what magnitude of benefits would result!</p>
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</div> </div>
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<div class="col-md-3"><h2>A method</h2></div>
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<div class="col-md-7"><h3>Seeing things whole</h3>
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<p>"The arguments posed in the preceding pages", Peccei summarized in One Hundred Pages for the Future, "point out several things, of which one of the most important is that our generations seem to have lost <em>the sense of the whole</em>." </p>
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<p>But to make things whole—<em>we must be able to see them whole</em>! </p>
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<p>To highlight that the <em>knowledge federation</em> methodology described in the mentioned <em>prototype</em> affords that very capability, to <em>see things whole</em>, in the context of the <em>holotopia</em> we refer to it by the pseudonym <em>holoscope</em>.</p>
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<p>The characteristics of the <em>holoscope</em>—the design choices or <em>design patterns</em>, how they follow from published insights and why they are necessary for 'illuminating the way'—will become obvious in the course of this presentation. One characteristic, however, must be made clear from the start.</p>  
  
<p>Unlike the utopias, the <em>holotopia</em> is readily realizable; we already have all that is needed for its fulfillment. </p>
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<h3>Looking in new ways</h3>
<p>All we need to do to realize this vision, all that remains for us to do to "change course", is to follow a principle or a rule of thumb, which is suggested by the <em>holotopia</em>'s very name.</p>
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<p>
<blockquote>  
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[[File:Holoscope.jpeg]]<br>
We must  <em>see ourselves as parts in a larger whole</em>; and act in ways that make this larger whole more [[Wholeness|<em>whole</em>]].
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<small>Holoscope <em>ideogram</em></small>
 +
</p>
 +
<p>The key novelty in the <em>holoscope</em> is the capability it affords to deliberately choose the way in which we look at an issue or situation, which we call <em>scope</em>. Just as the case is when inspecting a hand-held cup to see if it is whole or cracked, and in projective geometry, the art of using the <em>holoscope</em> will to a large degree consist in finding a suitable way of looking. This is, of course, also suggested with the bus with candle headlights metaphor.</p>
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<p>Especially valuable will turn out to be the <em>scopes</em>, and the corresponding <em>views</em>, which correct the way in which we see the whole thing, our "big picture"; they will be made accurate finding and using <em>scopes</em> (or <em>aspects</em> or 'projection planes') that reflect what our habitual way of looking made us ignore.</p>  
 +
<p>To liberate our thinking from the <em>narrow frame</em> of inherited concepts and methods, and allow for deliberate choice of <em>scopes</em>, we used "the scientific method" as venture point; and modified it by taking recourse to state of the art insights in science and philosophy. </p>
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<blockquote>
 +
Science gave us new ways to look at the world: The telescope and the microscope enabled us to see the things that are too distant or too small to be seen by the naked eye, and our vision expanded beyond bounds. But science had the <em>tendency to keep us focused on things that were either too distant or too small to be relevant—compared to all those large things or issues nearby, which now demand our attention</em>. The <em>holoscope</em> is conceived as a way to look at the world that helps us see <em>any</em> chosen thing or theme as a whole—from all sides; and in proportion.
 
</blockquote>  
 
</blockquote>  
<p>This is exactly the direction the Modernity <em>ideogram</em> is pointing to.</p>
 
<p>It is also a radical departure from our current course—which <em>emerges</em> as a result of everyone pursuing "his our own interests"; and trusting that "the invisible hand" of "free competition" will turn our self-serving acts into the greatest common good.</p>
 
  
</div> </div>
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<p>This capability to create <em>views</em> by choosing <em>scopes</em>, on any desired level of detail, adds to our work with contemporary issues a whole new 'dimension' or "degree of freedom"—where we <em>choose</em> what we perceive as issues, so that the issues <em>can</em> be resolved, and <em>wholeness</em> can be restored. </p>  
  
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<div class="col-md-3"><h2>A strategy</h2></div>
 
<div class="col-md-7"><h3>We focus on "changing course"</h3>
 
<p>How can we, <em>realistically</em>, "change course"? What can make a <em>large enough</em> difference to <em>really</em> make a difference?</p>
 
<p>The <em>holotopia</em> strategy is suggested by its name—it is to focus on changing the entire <em>order of things</em> from which our problems emanate. Exactly as The Club of Rome recommended.</p>
 
<p>Of course, such a strategy can only be pursued through a radically changed awareness and values. And through collaboration, not conflict. But how can our values, our very way of being in the world, <em>realistically</em> be transformed? </p>
 
<p>We answer this question thoroughly under "Tactical assets" below.</p> 
 
  
<h3>We foster new thinking to <em>enable</em> solutions</h3>
+
<h3>Thinking outside the box</h3>
<p>Our value proposition is not to replace the most worthwhile initiatives that are focused on specific problems, but to complement them. And by doing that—to vastly augment their chances of success.</p>
+
<p>That we cannot solve our problems by thinking as we did when we created them is a commonplace. But this presents a challenge when academic rigor needs to be respected.</p>  
<p>When the evidence offered on these pages has been considered, it will be clear why <em>holotopia</em> is not only "the new black"—but also <em>the new red</em>; and <em>the new green</em>!</p>  
+
<p>When our goal is to put a new piece into an existing "reality picture", then whatever challenges the reality of that picture will be considered "controversial".</p>  
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<p>When, however, our goal is to "find a way to change course"—then challenging the "conventional wisdom" is our very job.</p>
<h3>We begin with information</h3>  
+
<p>The views we are about to share may make you leap from your chair. You will, however, be able to relax and enjoy our presentation if you bear in mind its meaning and purpose.</p>  
<p>Just as building a house must begin with the foundations, changing the whole <em>order of things</em> too has a natural order in which it needs to proceed. As the Modernity <em>ideogram</em> suggested, to change course, we must begin by changing the illumination source—so that the new course can be seen; and pursued. Now that the "Age of Information" is turning into "Anthropocene", we need <em>new</em> information, which can help us navigate through our new challenges, and opportunities. </p>  
+
<p>While we did our best to ensure that the presented views accurately represent what might result when we 'connect the dots' or <em>federate</em> published insights and other relevant cultural artifacts, <em>we do not need to make such claims</em>; and we are not making them. It is a <em>paradigm</em> we are proposing; it is the <em>methodology</em> by which our views are created that gives them rigor—as "rigor" is understood in the <em>paradigm</em>.</p>  
</div> </div>  
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<p>The <em>methodology</em> itself is, to the best of our knowledge, flawlessly rigorous and coherent. But we don't need to make that claim either.</p>  
 +
<p><em>Everything</em> here is offered as a collection of [[Holotopia:Prototype|<em>prototypes</em>]]. The point is to show <em>what might result</em> if we changed the relationship we have with information, and developed, both academically and on a society-wide scale, the approach to information and knowledge we are proposing.</p>
 +
<p>Our goal when presenting them is to initiate the <em>dialogs</em> and other social processes that constitute that development.</p>  
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</div> </div>
  
<div class="page-header" ><h2>Tactical assets</h2></div>
 
  
 
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<small>Five Insights <em>ideogram</em></small>  
 
<small>Five Insights <em>ideogram</em></small>  
 
</p>  
 
</p>  
<p>The <em>holotopia</em> vision is made concrete in terms of  [[Holotopia:Five insights|<em>five insights</em>]].</p>
 
  
 +
<h3>Before we begin</h3>
 +
<p>What themes, what evidence and conclusions, what "new discovery" might have the force commensurate with the momentum with which our civilization is rushing onward, and have a chance to make it "change course"?</p>
 +
<p>We offer these [[Holotopia:Five insights|<em>five insights</em>]] as a <em>prototype</em> answer. </p>
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<p>We could have called them "five issues"—because each of them discloses a large <em>systemic</em> issue, which underlies the observed problems or conventional issues, and requires to be <em>recognized</em> as an issue. We chose to call them <em>insights</em> (in the general spirit of <em>holotopia</em>), because each of these issues <em>can</em> be resolved; and because their resolutions lead to benefit that vastly surpass the solution to problems.</p>
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<p>The <em>five insights</em> result when we use the <em>holoscope</em> to illuminate five pivotal themes:
 +
<ul>
 +
<li>Innovation (the way in which we use our rapidly growing ability to create, and induce change); and its relationship with justice and power; or to use our metaphor, we look at the <em>way</em> our 'bus' is following, and how the way is being chosen</li>
 +
<li>Communication, and the way the information technology is applied, and its relationship with governance or democracy; or in other words, we look at the <em>construction</em> of our 'headlights'</li>
 +
<li>Foundations for creating truth and meaning (the fundamental premises that govern our work with information); here the focus is on the relationship we have with information, and he assumptions that determine it, or metaphorically on the question whether we <em>should</em> indeed consider those 'candles' are 'headlights', and adapt them to their purpose</li>
 +
<li>Method for creating truth and meaning; or metaphorically at the principle of operation of the 'headlights', whether 'electricity' or 'fire' is more appropriate</li>
 +
<li>Values, and more specifically the way in which we "pursue happiness"; or metaphorically whether 'driving with candle headlights' is at all taking us where we want to be going; or whether a whole <em>new</em> direction emerges when proper light is used</li>
 +
</ul> </p>
 +
<p>For each of those five themes we shall see that our conventional way of looking made us ignore a principle or a rule of thumb, which readily emerges when we 'connect the dots', i.e. when we combine the published insights and "see things whole". And that by ignoring and violating those principles, we have created deep structural problems ('crack in the cup'), which are causing what we perceive as "problems" or specifically as "global issues".</p>
 +
 +
<p>We shall then be able to perceive our problems as consequences or mere <em>symptoms</em> of deeper structural issues. And we shall see, a bit later, that those structural issues <em>can</em>  resolved. And that by resolving them, much larger benefits will result than mere "solutions to problems" or freedom of symptoms.</p>
 +
<p>In that way the <em>holotopia</em> vision will be made concrete and actionable.</p>
 +
 +
<p>We shall see, by connecting the <em>five insights</em> as dots, that the "new discovery" we need to make to radically change our situation is stupefyingly simple—it's <em>the discovery of ourselves</em>!</p>
 +
<p>Since the key to it all will turn out to be to change the relationship we have with information, and be able to "see things whole", a case for our proposal will also be made.</p>
 +
 +
<p>In the spirit of the <em>holoscope</em>, we here only summarize each of the <em>five insights</em> as a big picture—and provide the supporting evidence and details separately.</p>
 +
 +
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<h3>[[Holotopia:Power structure|<em>Power structure</em>]]</h3>
 +
 +
<p>"Man has acquired such decisive power that his future depends essentially on how he will use it", observed Peccei. We look at the <em>way</em> in which man uses his newly acquired and rapidly growing power—to <em>innovate</em> (to create, and induce change). We apply the <em>holoscope</em> to illuminate the <em>way</em> our civilization or 'bus' has been following in its evolution.</p>
 +
 +
<p>An easy observation will give us a head start: We use competition or "survival of the fittest" to orient innovation, not systemic thinking and information. The popular belief that "the free competition" or "the free market" is our best guide makes our "democracies" elect the "leaders" who represent it. But is that belief warranted? Or is it just a popular myth, which won in competition?</p>
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 +
<p>Genuine revolutions tend to include a new way in which the perennial issues of power and freedom are perceived. We offer this [[Holotopia:Keyword|<em>keyword</em>]], <em>power structure</em> as a means to that end. Think of the <em>power structure</em>  as a new way to conceive of the intuitive notion "power holder", which, we suspect, might in some way obstruct our freedom, or cause us harm and be our "enemy". </p>
 +
<p>While the exact meaning and character of the <em>power structure</em> will become clear as we go along, imagine, to begin with, that <em>power structures</em> are institutions; or a bit more accurately, that they are <em>the systems in which we live and work</em>, which we'll here simply call <em>systems</em>. Notice that the <em>systems</em> have an <em>immense</em> power—first of all the power <em>over us</em>, because we have to adopt them and adapt to them <em>to be able</em> to live and work; and then also the power <em>over our environment</em>, because by organizing us and using us in certain specific ways, <em>they determine what the effects of our work will be</em>. Whether the effects will be problems, or solutions. </p>
 +
 +
<p>How suitable are our contemporary <em>systems</em> for this all-important role?</p>
 +
 +
<p>Evidence, circumstantial <em>and</em> theoretical, shows that our <em>systems</em> waste a lion's share of our resources; that they <em>cause</em> the perceived problems, and make us incapable of solving them.</p>
 +
 +
<p>The reason is that the evolution by "the survival of the fittest" tends to favor the <em>systems</em> that are by nature predatory, not those that are the most useful. [https://youtu.be/zpQYsk-8dWg?t=920 This excerpt from Joel Bakan's documentary "The Corporation"] (which Bakan as a law professor created to <em>federate</em> an insight he considered essential) explains how the corporation, the most powerful institution, evolved to be a perfect "externalizing machine",  just as the shark evolved as a perfect "killing machine". ("Externalizing", as explained in more detail in the excerpt, means maximizing profits by letting someone else, notably the people and the environment, bear the costs.) [https://youtu.be/qsKQiVJkEvI?t=2780 This excerpt from Sidney Pollack's 1969 film "They Shoot Horses, Don't They?"] illustrates how this impacted <em>our own</em> condition.</p>
 +
 +
<p>So why do we put up with such <em>systems</em>? Why don't we treat them as we treat other human-made things—by adapting them to the purposes that need to be served?</p>
 +
 +
<p>The reasons are most interesting, and they'll be a recurring theme in <em>holotopia</em>. </p>
 +
<p>One of them we have already seen: We don't have the habit or the means <em>to see things whole</em>. When we look in our conventional ways, we don't see the structure of our <em>systems</em>, because they are too large to be visible; just like the mountain on which we might be walking is too large to be seen. Because of this natural limitation of our perception, even such uncanny errors as 'using candles as headlights' may  develop without us noticing.</p>
 +
 +
<p>A subtler reason why we tend to ignore the possibility of adapting <em>the systems in which we live and work</em> to their roles in larger systems, is that they perform for us a completely <em>different</em> role—of providing structure to our various turf strifes and power battles. Within our <em>system</em>, they provide us "objective" and "fair" criteria to compete for positions; and to all of us that compose the <em>system</em>, they give a "competitive edge" in strife with other <em>systems</em> .</p>
 +
 +
<p>Our media agencies, to illustrate this by an example, cannot combine their resources and give us the awareness we need, because they must <em>compete</em> with one another for our attention—and use whatever means that are sufficiently "cost-effective". But needless to say, in the situation we are in, our attention and awareness are no less important as resources than clean air and energy.</p> 
 +
 +
<p>The deepest and most interesting reason, however, is that our <em>systems</em> or <em>power structures</em> have the capacity to <em>socialize</em> us in ways that suit <em>their</em> interests, through means that will be discussed with the <em>socialized reality</em> insight. Through <em>socialization</em>, they can adapt to their interests both our culture <em>and</em> our "human quality".</p>
 +
<p>
 +
[[File:Bauman-PS.jpeg]]
 +
</p>
 +
<p>A result is that bad intentions are no longer needed for cruelty and evil to result. The <em>power structures</em> can co-opt our sense of duty and commitment, and even our heroism and honor.</p>
 +
<p>Zygmunt Bauman's key insight, that the concentration camp was only a special case, however extreme, of (what we are calling) the <em>power structure</em>, needs to be carefully digested and internalized: While our ethical sensibilities are focused on the <em>power structures</em> of the past, we (in all innocence, by acting through the <em>power structures</em> we belong to) are about to commit [https://youtu.be/d1x7lDxHd-o the greatest massive crime in human history].</p>
 +
 +
<p>Our civilization is "on the collision course with nature" not because someone violated the rules—but <em>because we follow them</em>.</p>
 +
 +
<p>The fact that we will not "solve our problems" unless we learned to collaborate and adapt our <em>systems</em> to their contemporary roles and our contemporary challenges  has not remained unnoticed. Alredy in 1948, in his seminal Cybernetics, Norbert Wiener explained why "free competition" cannot be trusted in the role of 'headlights and steering'. Cybernetics was envisioned as a <em>transdisciplinary</em> academic effort to help us understand <em>systems</em>, and give them a structure that suits their function. </p>
 +
 +
<p>
 +
[[File:Jantsch-vision.jpeg]]
 +
</p>
 +
 +
<p>The very first step the founders of The Club of Rome's did after its inception in 1968 was to gather a team of experts (in Bellagio, Italy), and develop a suitable methodology. They gave "making things whole" on the scale of socio-technical systems the name "systemic innovation"—and we adopted that as one of our <em>keywords</em>. </p>
 +
 +
 +
<h3>[[Holotopia:Collective mind|<em>Collective mind</em>]]</h3>
 +
 +
<p>If our key evolutionary task is to (develop the ability to) make things whole at the level of <em>systems</em>—<em>where</em> i.e. with what <em>system</em> should we begin?</p>
 +
<p>Handling of information, or metaphorically our society's 'headlights', suggests itself as the answer for several reasons. One of them is that if we'll use information and not competition to guide our society's evolution, our information will have to be different. Another reason is that when the system at hand is a system of individuals, then communication is what brings the individuals together and in effect <em>creates</em> the system. So the nature of communication largely <em>determines</em> what a system will be like. In Cybernetics, Wiener makes that point by talking about ants, bees and other animals.</p>
 +
 +
<p>The complete title of Wiener's book was "Cybernetics or Control and Communication in the Animal and the Machine". To have control over its impact on its environment and vice versa (Wiener preferred the technical keyword "homeostasis", which we may interpret as "sustainability"), a system must have suitable communication. But the tie between information and action has been severed, Wiener too noted, and it needs to be restored. </p>
 +
<p>
 +
[[File:Bush-Vision.jpg]]
 +
</p>
 +
<p>To make that point, Wiener cited an earlier work, Vannevar Bush's 1945 article "As We May Think", where Bush issued the call to action to the scientists to make the task of revising their system their <em>next</em> highest priority (the World War Two having just been won).</p>
 +
 +
<p>So why haven't we done that yet?</p>
  
<h3>We look at five pivotal themes</h3>  
+
<p>"As long as a paradox is treated as a problem, it can never be dissolved," observed David Bohm. The reason for our inaction is, of course, that the tie between information and action has been severed...</p>  
  
<p>When Peccei talked about "a great cultural revival", he was obviously referring to the the Renaissance—as the historical moment when the last comprehensive change of the human systems began. We refer to it by using the symbolic image of Galilei in house arrest—and carefully develop an analogy between that pregnant historical moment and our present times and conditions. The <em>five insights</em> explain why a similar change is ready to take place once again in our own time, by elaborating on the analogy between our times and conditions with each of the five specific changes of which the historical comprehensive change was composed:
+
<p>It may feel disheartening, especially to an academic researcher, to see the best ideas of our best minds unable to benefit our society; to see again and again (our portfolio has a wealth of examples) that when a researcher's insight challenges the "course"—it will as a rule be ignored.</p>
<ul>
+
<p>But the pessimism readily changes to <em>holotopia</em>–style optimism when we look at the other side of this coin—the vast creative frontier that this insight is pointing to (for which our <em>prototype</em> portfolio may serve as an initial map). </p>
<li>the Industrial Revolution, made possible by a revolution in science and innovation</li>  
+
 
<li>the revolution in communication, made possible by the printing press</li>
+
<p>This optimism turns into enthusiasm when we realize that characteristic parts of contemporary information technology have been <em>created</em> to enable a breakthrough on this frontier—by Doug Engelbart and his SRI team; and demonstrated in their famous 1968 demo!</p>  
<li>the revolution in <em>epistemology</em>, the empowerment of human reason to explore and comprehend the world</li>  
+
<p>By connecting each of us to a digital device through an interactive interface, and connecting those devices into a network, this technology in effect connects us together in a similar ways as cells in a higher-level organism are connected together by a nervous system—<em>for the first time in history</em>. The printing press too enabled a breakthrough in communication—but the <em>process</em> it enabled was entirely different.  We can now "create, integrate and apply knowledge" <em>concurrently</em> (to use Engelbart's keywords), as cells in a human organism do; we can think, and create, <em>together</em>, as cells in a well-functioning mind do.</p>  
<li>the revolution in our ability to explore and comprehend the world, made possible by the emergence of science</li>  
+
<p>When, however, this 'nervous system' is used to implement the processes and the systems that have evolved through the centuries of use of the printing press, and only <em>broadcast</em> data—the consequences to our <em>collective mind</em> are disastrous.</p>  
<li>the revolution in lifestyle and in arts, as the preoccupation with the afterlife lost its hold</li>  
+
<p>  
</ul>  
+
[[File:Giddens-OS.jpeg]]
 
</p>  
 
</p>  
 +
<p>The above observation by Anthony Giddens points to an impact this has had on our culture, and "human quality". Dazzled by an overflow of data, in a reality whose complexity is well beyond our comprehsnsion, we have no other recourse but  "ontological security"—we find meaning in learning a profession, and performing in it a competitively.</p>
 +
<p>But this is, as we have seen, what binds us to <em>power structure</em>. </p>
  
<p>By radically improving the efficiency and the effectiveness of human work, the Industrial Revolution liberated our ancestors from toil, and enabled them to engage in a <em>cultural revival</em>. The <em>power structure</em> insight shows that in this process a peculiar oversight was made; and that a new wave of change is ready to take place, with similar consequences.</p>
+
<!-- XXX
  
<p>By radically improving communication, the printing press enabled a rapid dissemination of information, and growth in knowledge. The <em>collective mind</em> insight shows that the new media enable a similar revolution—where the improvement will not be only in the production of the volume of data, but also and most importantly in the <em>organization</em> of information; and in the nature and the <em>quality</em> of knowledge. </p>
 
  
<p>What Galilei before all stands for is a change of the <em>foundations</em> on which information and knowledge are created and handled—from an unreserved faith in the Scriptures, to an empowerment of reason to explore and understand the world. The <em>socialized reality</em> insight shows that an error has been made here as well, and later academically uncovered. The situation that resulted <em>obliges</em> us to once again liberate and empower the human reason—and make the kind of difference that <em>now</em> needs to be made.</p>
 
  
<p>Galilei also symbolizes the onset of science—the <em>method</em> by which human reason was empowered. The <em>narrow frame</em> insight shows that the scientific revolution remained confined to the ways to understand the <em>natural</em> world; and how this revolution can continue in a new way, and enable a revolution in the <em>human</em> world as well.  </p>  
+
<h3>[[Holotopia:Socialized reality|<em>Socialized reality</em>]]</h3>  
  
<p>The Renaissance is, of course, most vividly remembered as an emancipation of the arts, and of the joy of living. But as the <em>convenience paradox</em> insight shows, our "pursuit of happiness" once again got stalled by a <em>myth</em>. Once this is understood, and the consequences we've suffered are seen, a <em>new</em> Renaissance will be ready to begin.</p>  
+
<p>Our next question is <b>who</b>, that is <em>what institution</em>, will guide us through the next urgent task on our evolutionary agenda—developing <em>systemic innovation</em> in knowledge work?</p>
 +
<p>Both Erich Jantsch and Doug Engelbart believed that the answer would have to be "the university"; and they made their appeals accordingly. But they were ignored—and so were Vannevar Bush and Norbert Wiener before them, and Neil Postman and numerous others later on. </p>
 +
<p>Why? Isn't restoring agency to information and power to knowledge a task worthy enough of academic attention?</p>
 +
<p>It is tempting to conclude, simply, that the <em>academia</em>'s evolution followed the general trend; that the academic disciplines evolved as <em>power structures</em>; that their real function is to provide the insiders clear, rational rules for competing for promotions, and to keep the outsiders outside. But to be able to see solutions, one would need to look at deeper causes.</p>
 +
<p>As we pointed out in the opening paragraphs of knowledgefederation.org, the academic tradition did not evolve as a way to pursue practical knowledge, but (let's call it that) "right" knowledge. When Socrates engaged people in dialogs, his goal was not to correct their handling of practical matters, but to question their very <em>way</em> of "knowing". And that was, of course, also what Galilei was doing to <em>his</em> contemporaries, and the reason why he was in house arrest. And yet the house arrest was unable to prevent this new way of knowing, whose time had come, to spread from astrophysics where it originated, and ignite a <em>comprehensive</em> change. </p>
 +
<p>We asked: "Could a similar advent be in store for us today?" </p>
 +
<p>The <em>socialized reality</em> insight is fundamental; it shows why the answer to this question is affirmative.</p>
 +
<p>We show that a <em>fundamental</em> error was made during our modernization—whose consequences cannot be overrated. This error was subsequently detected and reported, but it has not been corrected yet.</p>
 +
<p>During the Enlightenment, when Adam and Moses as cultural heroes and forefathers were gradually replaced by Darwin and Newton, an "official narrative" emerged that the prupose of information, and hence of our pursuit of knowledge, is to give us an "objectively true representation of reality". The traditions and the Bible got it all wrong; but science corrected their errors.</p>
 +
<p>A self-image for us as the "homo sapiens" developed as part of this narrative, according to which we, humans are rational decision makers, whom nature has endowed with the capability to know "the reality" correctly. Given correct data, the "objective facts" about the world, our rational faculties will suffice to guide us to rational choices, and subdue the natural forces to our own interests.</p>
 +
<p>The twentieth century's science and philosophy completely reversed this naive picture. It turned out that <em>we</em> got it wrong.</p>
 +
<p>
 +
[[File:Einstein-Watch.jpeg]]
 +
</p>
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<p>It turned out that <em>it is beyond our power</em> to assert that our ideas and models <em>correspond</em> to reality. That <em>there is simply no way</em> to look <em>into</em> the supposed "mechanism of nature", and verify that our models <em>correspond</em> to the real thing.</p>  
  
<h3>The sixth insight</h3>  
+
<p>Information is (or more to the point <em>it needs to be perceived as</em>)  the central element in another 'mechanism', of our society. It is what organizes the society together; what enables it to function.</p>
<p>The anomalies the <em>five insights</em> point to, and the corresponding solutions, are so closely inter-related that taking care of one necessitates resolving the others. In this way the sixth insight is reached:
+
<p>"Reality" turned out to be (came to be perceived as, in the light of 20th century science and philosophy) a contrivance of the traditional culture, or of <em>power structure</em>, invented to <em>socialize</em> us in a certain way. As Berger and Luckmann observed in Social Construction of Reality, our "reality pictures" serve as "universal theories", to <em>legitimize</em> a given social order.</p>
<blockquote> Comprehensive change can be easy—even when smaller and obviously necessary changes may have proven impossible.</blockquote>  
+
<p>
 +
[[File:Bourdieu-insight.jpeg]]
 +
</p>  
 +
<p>By ignoring the subtler, non-factual or <em>implicit information</em>, and the "symbolic power" it bears, we have on the one hand ignored and abandoned core parts of our cultural heritage; and on the other hand, we've ignored the need to secure the evolution of core parts of culture.</p>
 +
<p>Academically ignored, <em>implicit information</em>, "symbolic power", "reality construction" and our <em>socialization</em> only changed hands—from one <em>power structure</em> (the kings and the clergy) to the next (the corporations and the media). </p>
 +
 
 +
 
 +
<h3>[[Holotopia:Narrow frame|<em>Narrow frame</em>]]</h3>
 +
 
 +
<p>The <em>narrow frame</em> insight is what the Modernity <em>ideogram</em> is pointing at: The way we look at the world, which we've largely inherited from a completely different society where it may have served us well, has become too narrow to provide us the vision we now <em>must</em> have.</p> 
 +
<p>We reach the <em>narrow frame</em> insight when we look at the way in which the <em>homo sapiens</em> goes about exploring "the reality" in order to comprehend it and handle it. We again see that a patchwork of popular habits and myths emerged when our 19th century ancestors attempted to adapt the "scientific worldview", as it was then, to the all-important task of creating <em>basic information</em>—which we need in order to understand and handle the practical world, and make basic lifestyle and other choices. Simple causality, which in science and technology led to astounding successes (but had to be disown and transcend, for science to evolve further)—caused disasters when it was applied to culture. It made our ancestors abandon whatever support for ethics and "human development" they had, notably the traditional mores and the religion; and develoop "instrumental" or (as Bauman called it) "adiaphorized" thinking—which binds them to <em>power structure</em>.</p>  
 +
<p>
 +
[[File:Heisenberg–frame.jpeg]]
 
</p>
 
</p>
 +
<p>We adopted and adapted this <em>keyword</em> from Werner Heisenberg, who observed that the "narrow and rigid frame" of concepts and ideas that the general culture adopted from the 19th century science was damaging to culture; and that the experience of 20th century's physics constituted a scientific <em>disproof</em> of the <em>narrow frame</em>. </p>
 +
<p>
 +
[[File:Beck-frame.jpeg]]
 +
</p>
 +
<p>In the social sciences, similarly, it was understood that our inherited ways of looking prevent us from comprehending our new realities. "Max Weber’s ‘iron cage’ – in which he thought humanity was condemned to live for the foreseeable future," Ulrich Beck continued the above observation, "is to me a prison of categories and basic assumptions of classical social, cultural and political sciences.” </p>
 +
<p>But "the tie between information and action" having been severed—none of this has as yet led to <em>practical</em> change.</p>
 +
 +
 +
<h3>[[Holotopia:Convenience paradox|<em>Convenience paradox</em>]]</h3>
 +
 +
<p>Another way to look at the 'movement' of our metaphorical 'bus' is to perceive it as a result of our consumer and lifestyle choices. And on a deeper level—of our values or the "human quality".</p>
  
<h3>A fresh look at culture</h3>  
+
<p>Already a superficial glance will allow us to see that the <em>narrow frame</em> (the way of looking at the world that our general culture adopted willy-nilly from the 19th century science) put <em>convenience</em> as value into 'the driver's seat'. This way of making choices approximates both Newtonian causality (we look for "instant reward") and Darwin's theory of evolution (we serve "our own interests").</p>
<p>By weaving together specific stories, distributed under the headings of all <em>five insights</em>, we begin to see clearly what happened with our culture; and why claiming it back, or "a great cultural revival", is overdue.</p>  
+
<p>
<p>Science came into the role of "Grand Revelator of Modern Western Culture", as Benjamin Lee Whorf phrased it, "without intending to". That was a side effect of its successes in the task for which it was created—providing causal explanations of natural phenomena. Culture, founded on mythical explanations of natural phenomena and the shaky ground of the respect for tradition, lost bearings and began to erode. While we were busy developing science and technology, the abandoned and ignored reproduction of culture was co-opted by commercial actors, who are now molding it, and us through it, as it suits their interests—without us even suspecting that something in this arrangement might be eery.</p>  
+
[[File:LaoTzu-vision.jpeg]]
 +
</p>  
 +
<p>The <em>convenience paradox</em> insight is that <em>convenience</em> is a paradoxical and deceptive value, whose pursuit leaves as a rule <em>less</em> whole. And that  important, however is that in its shadow, <em>immense</em> opportunities for improving our condition remained ignored. The point here is to show that there is a <em>radically</em> better human experience, than what our culture has allowed us to experience. <em>Wholeness</em> does exist; and it does feel incomparably better than what the deception of <em>convenience</em>, amplified by advertising, might allow us to believe. But the way to it is paradoxical, and needs to be illuminated by suitable information.</p>  
 +
<p>The <em>way</em> to happiness, or <em>wholeness</em> or whatever may reasonably be the final destination of our life's pursuits—<em>must</em> be illuminated by suitable information.</p>
 +
<p>this insight, of course, restores  knowledge, including "the wisdom of the traditions", to their proper role.</p>
 +
<p>
 +
[[File:Huxley-vision.jpeg]]
 +
</p>
 +
<p>In the light of that knowledge, a most interesting consequence of the <em>convenience paradox</em> emerges in the light of day—that <em>overcoming</em> egocentricity (the value that binds us to <em>power structure</em>) also <em>directly</em> obstructs our pursuit of <em>wholeness</em>. And hence that in an informed society, our <em>inner</em> quest for personal wholeness, is perfectly confluent with our <em>outer</em> quest for systemic wholeness.</p>
 +
<p>Lao Tzu (often considered as the progenitor of Taoism) appears in <em>holotopia</em> as an icon for using knowledge to understand "the way" to <em>wholeness</em> ("tao" literally means "way"). He is often pictured as riding a bull, which signifies his tamed ego.</p>
  
<h3>A fresh look at justice</h3>
+
</div> </div>  
<p>Every genuine revolution is also a revolution in justice; not only in the way in which justice is handled, but also in the way in which it is conceived of. Galilei was in house arrest not only because his ideas were "heretical", but also and perhaps primarily because he was questioning the <em>foundations</em> on which the existing power relations depended. </p>
 
<p>Each of the <em>five insights</em> contributes a new piece also to <em>that</em> puzzle. When those pieces are put together, <em>a completely new idea</em> of justice and freedom, and what tends to obstruct them, results. We see who, or what, 'holds Galilei in house arrest' once again in our own time—even though the form and the <em>means</em> of oppression are entirely different than they were then. </p>  
 
  
<h3>A fresh look at our proposal</h3>
+
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<p>The <em>five insights</em> allow us to see  and understand our <em>knowledge federation</em> proposal in a context.</p>
 
<p>The insights, and especially the points of evidence we bring up to make them clear and convincing, serve as "anomalies" (in Thomas Kuhn's usage of this word), which call for a "new paradigm" in knowledge work at large. In this context we present the main design decisions that led to <em>knowledge federation</em>, as well as some of the implementation details, as solutions, or as steps necessary for resolving the paradigm.</p>
 
<p>In this way, a case for <em>academic</em> revival is made—by showing that the new <em>paradigm</em> we are proposing has become necessary for both fundamental and pragmatic reasons.</p>
 
<p>At the same time, we provide sufficiently many technical details of our solution, to make the Holotopia <em>prototype</em> self-contained.</p>
 
  
 +
 +
<div class="row">
 +
<div class="col-md-3"><h2>A solution</h2></div>
 +
<div class="col-md-7"><h3>What is "the solution"?</h3>
 +
<p>As mentioned, at the point of The Club of Rome's inception, its founding members made a strategic decision—that they would <em>not</em> focus on any of the specific problems, but on the condition that underlies them, which they called "problematique". In the circle of researchers who continued this line of work, the keyword "solutionatique" emerged as a place holder (with a touch of humor) to the obvious most serious question (which we've taken as the test question for <em>knowledge federation</em>): <em>What form</em> will the 'solutionatique' have? What will it consist of?</p>
 +
<p>Our <em>prototype</em> answer is in two parts: (1) a collection of insights (which we have just seen) with a clear strategy (which we'll see next), and (2) an action field, which is under development. As all our <em>prototypes</em>, this one too contains a "feedback loop" which allows it to update itself, as new insights and experiences emerge.</p>
 +
 +
YYY -->
 +
 +
 +
 +
<h3>The <em>power structure</em> issue <em>can</em> be resolved</h3>j
 +
 +
<p>The [[Holotopia:Power structure|<em>power structure</em> issue]] is resolved through [[systemic innovation|<em>systemic innovation</em>]]—by which [[system|<em>systems</em>]], and hence also [[power structures|<em>power structures</em>]], evolve in ways that make them <em>whole</em>; with recourse to information that allows us to "see things whole", or in other words the <em>holoscope</em>. </p>
 +
<p>We give structure to <em>systemic innovation</em> by conceiving our [[prototype|<em>prototypes</em>]] by weaving together suitable [[design pattern|<em>design patterns</em>]]—which are design challenge–design solution pairs, rendered so that they can be exported and adapted not only across <em>prototypes</em>, but also across application domains.</p>
 +
<p>All our <em>prototypes</em> are examples of <em>systemic innovation</em>; any of them could be used to illustrate the techniques used, and the advantages gained. Of about a dozen <em>design patterns</em> of the Collaborology educational <em>prototype</em>, we here mention only a couple, to illustrate these abstract ideas,</p> 
 +
<p>(A challenge)The traditional education, conceived as a once-in-a-lifetime information package, presents an obstacle to systemic change or <em>systemic innovation</em>, because  when a profession becomes obsolete, so do the professionals—and they will naturally resist change. (A solution) The Collaborology engenders a flexible education model, where the students learn what they need and at the time they need it. Furthermore, the <em>theme</em> of Collaborology is (online) collaboration; which is really <em>knowledge federation</em> and <em>systemic innovation</em>, organized under a name that the students can understand.</p>
 +
<p>By having everyone (worldwide) create the learning resources for a single course, the Collaborology <em>prototype</em> illustrates the "economies of scale" that can result from online collaboration, when practiced as <em>systemic innovation</em>/<em>knowledge federation</em>. In Collaborology, a contributing author or instructor is required to contribute only a <em>single</em> lecture. By, furthermore, including creative media designers, the economies of scale allow the new media techniques (now largely confined to computer games) to revolutionize education.</p>
 +
<p>A class is conceived as a design lab—where the students, self-organized in small teams, co-create learning resources. In this way the values that <em>systemic innovation</em> depends on are practiced and supported. The students contribute to the resulting innovation ecosystem, by acting as 'bacteria' (extracting 'nutrients' from the 'dead material' of published articles, and by combining them together give them a new life). </p>
 +
<p>The Collaborology course model as a whole presents a solution to yet another design challenge—how to put together, organize and disseminate a <em>new</em> and <em>transdisciplinary</em> body of knowledge, about a theme of contemporary interest.</p>
 +
<p>Our other <em>prototypes</em> show how similar benefits can be achieved in other core areas, such as health, tourism, and of course public informing and scientific communication. One of our Authentic Travel <em>prototypes</em> shows how to reconfigure the international corporation, concretely the franchise, and make it <em>serve</em> cultural revival.</p>
 +
<p>Such <em>prototypes</em>, and the <em>design patterns</em> they embody, are new <em>kinds of</em> results, which in the <em>paradigm</em> we are proposing roughly correspond to today's scientific discoveries and technological inventions.</p>
 +
<p>A different collection of design challenges and solution are related to the methodology for <em>systemic innovation</em>. Here the simple solution we developed is to organize a transdisciplinary team or <em>transdiscipline</em> around a <em>prototype</em>, with the mandate to update it continuously. This secures that the insights and innovations from the participating creative domains (represented by the members of the <em>transdiscipline</em>) have <em>direct</em> impact on <em>systems</em>. </p>
 +
<p>Our experience with the very first application <em>prototype</em>, in public informing, revealed a new and general methodological and design challenge: The leading experts we brought together to form the <em>transdiscipline</em> (to represent in it the state of the art in their fields) are as a rule unable to change <em>the systems in which they live and work</em> themselves—because they are too busy and too much in demand; and because the power they have is invested in them by those <em>system</em>. But what they can and need to do is—empower the "young people" ("young" by the life phase they are in, as students or as entrepreneurs) to <em>change</em> systems ("change the world"), instead of having to conform to them. The result was The Game-Changing Game <em>prototype</em>, as a generic way to change real-life systems. We also produced a <em>prototype</em> which was an update of The Club of Rome, based on this insight and solution, called The Club of Zagreb.</p>
 +
 +
<p>Finally, and perhaps <em>most</em> importantly, the <em>power structure</em> issue can be resolved <em>by simply identifying the issue</em>; by making it understood, and widely known—because it motivates a <em>radical</em> change of values, and of "human quality".</p>
 +
<p>Notice that the <em>power structure</em> insight radically changes "the name of the game" in politics—from "us against them", to "all of us against the <em>power structure</em>.</p>
 +
<p>This potential of the <em>power structure</em> insight gains power when combined with the <em>convenience paradox</em> insight and the <em>socialized reality</em> insight. It then becomes obvious that those among us whom we perceive as winners in the economic or political power struggle are really "winners" only because the <em>power structure</em> defined "the game". The losses we are all suffering in the <em>real</em> "reality game" are indeed enormous.</p>
 +
<p>The Adbusters gave us a potentially useful keyword: <em>decooling</em>. Fifty years ago, puffing on a large cigar in an elevator or an airplane might have seemed just "cool"; today it's unthinkable. Let's see if today's notions of "success" might be transformed by similar <em>decolling</em>.</p>
 +
 +
 +
<!-- XXX2
 +
 +
<h3>The <em>collective mind</em> issue has a solution</h3>
 +
 +
<p>The theme here is communication, as <em>the</em> central element of <em>systems</em>. The bug (wrong principle) is broadcasting. In a 'collective nervous system' it leads to 'collective madness'... </p>
 +
<p>The solution is <em>knowledge federation</em>—as a completely different way to collaborate in work with information, analogous to what cells in a well-functioning mind do. An entirely different principle of organization, division of labor...</p>
 +
<p>The detailed <em>prototypes</em> are here in public informing and science, and in the ways in which they interoperate. <em>Knowledge federation</em> is also a technology laboratory—where social processes (or generally "human systems" as Engelbart called them) and technical devices ("tool systems") co-evolve together (one of Engelbart's core principles). </p>
 +
<p>Of course the totality of our <em>knowledge federation transdiscipline</em> <em>prototype</em> belongs here as well—as an answer to the key question of an institution that is suitable of developing and spearheading the <em>knowledge federation</em> <em>praxis</em>. </p>
 +
 +
<h3>The <em>socialized reality</em> issue can be resolved</h3>
 +
 +
<p>The theme is the foundation for creating truth and meaning <em>and</em> <em>socialization</em>. The error or problem is <em>reification</em>—which is unsuitable to serve as foundation for truth and meaning; that it is <em>really</em> an instrument of <em>socialization</em>. </p>
 +
<p>The solution (new "Archimedean point" for "moving the world")—is found in <em>truth by convention</em>, which is a conception of "truth" entirely independent from "reality" or <em>reification</em>. The <em>prototype</em> 'fulcrum' is them <em>design epistemology</em>—where the <em>epistemological</em> position that liberates us from <em>reification</em> and <em>power structure</em> is stated as a convention.</p>
 +
<p>The key point here is to consider information <em>not</em> as pieces in a "reality puzzle", but in an entirely different 'puzzle'—of a <em>whole</em> society or culture. </p>
 +
<p>The effect is to liberate us from the "objective observer" role—and empower us to <em>be</em> the change; to use our creativity to 'steer' the bus by <em>acting</em> in creative ways. And—to make a difference.</p>
 +
<p>A <em>prototype</em> here is Polyscopic Modeling <em>methodology</em> definition. Spells out the rules. </p>
 +
 +
 +
 +
<h3>The <em>narrow frame</em> issue can be resolved</h3>
 +
 +
<p>The issue here is the way or the method by which truth and meaning are created. And specifically that the way that emerged based on 19th century science constitutes a <em>narrow frame</em>—i.e. that it is far too narrow to hold a functioning culture. That it was <em>destructive</em> of culture.</p>
 +
<p>The solution found is to define a <em>general purpose methodology</em>.
 +
<p>Suitable metaphors here are 'constitutional democracy', and 'trial by jury'. We both spell out the rules—<em>and</em> give provisions for updating them.</p>
 +
<p>Information is no longer a 'birth right' (of science or whatever...). </p>
 +
<p>The 'trial by jury' metaphor concerns the <em>knowledge federation</em> as process: Every piece of information or insight has the right of a 'fair trial'; nobody is denied 'citizenship rights' because he was 'born' in a wrong place...</p>
 +
<p>Further <em>prototypes</em> include the <em>polyscopy</em> or  Polyscopic Modeling <em>methodology</em>—whereby information can be created on <em>any</em> chosen theme, and on any level of generality.</p>
 +
 +
<h3>The <em>convenience paradox</em> issue has a solution</h3>
 +
 +
<p>The issue here is values. The problem with values—they are mechanistic, short-term, directly experiential... </p>
 +
<p>The resolution is —<em>cultivation</em> of <em>wholeness</em>—which means to develop support for long-term work on <em>wholeness</em>; watering 'the seeds' of <em>wholeness</em>. And to <em>federate</em> information from a variety of cultural traditions, therapeutic methods, scientific fields... to illuminate the <em>way</em> to <em>wholeness</em>. </p>
 +
<p>Concrete <em>prototypes</em> include educational ones, the Movement and Qi course shows how to embed the work with "human quality" in academic scheme of things—by <em>federating</em> the therapy traditions and employing the body (not only books) as the medium.</p>
 +
<p>The big news is that <em>wholeness exists</em>; and that it involves the value of serving <em>wholeness</em> (and foregoing egocentricity)—which closes the cycles to <em>power structure</em>.
 +
 +
 +
 +
<h3>The solutions compose a <em>paradigm</em></h3>
 +
 +
<p>The five issues, and their solutions, are closely co-dependent; the key to resolving them is the relationship we have with information (the <em>epistemology</em> by which the proposed <em>paradigm</em> is defined).  </p>
 +
 +
<ul>
 +
<li>The <em>power structure</em> issue cannot be resolved (we cannot begin "guided evolution of society", as Bela H. Banathy called the new evolutionary course that is emerging) without resolving the <em>collective mind</em> issue (by creating a knowledge-work infrastructure that provides "evolutionary guidance")</li>
 +
<li>The resolution of the <em>collective mind</em> issue requires that we resolve the <em>socialized reality</em> issue (that instead of <em>reifying</em> our present institutions or systems, and the way in which we look at the world, we consider them as functional elements in a larger whole)</li>
 +
<li>The resolution of the <em>socialized reality</em> issue follows from <em>intrinsic</em> considerations—from the reported anomalies, and published epistemological insights (Willard Van Orman Quine identified the transition to truth by convention as a sign of maturing that has manifested itself in the evolution of every science)</li>
 +
<li>The resolution of the <em>narrow frame</em> issue, by developing a general-purpose <em>methodology</em>, is made possible by just mentioned <em>epistemological</em> innovation</li>
 +
<li>The resolution of the <em>convenience paradox</em> issue is made possible by <em>federating</em> knowledge from the world traditions, by using the mentioned methodology</li>
 +
<li>The <em>power structure</em> issue can only be resolved when we the people find strength to overcome self-serving, narrowly conceived values, and collaborate and self-organize to create radically better <em>systems in which we live and work</em></li>
 +
</ul>
 +
 +
 +
<p>We adapted the keyword <em>paradigm</em> from Thomas Kuhn, and define it as
 +
<ul><li>a new way of conceiving a domain of interest</li>
 +
<li>which resolves the reported anomalies</li>
 +
<li>and opens up a new frontier to research</li> </ul>
 +
The <em>five insights</em> complete our proposal as a <em>paradigm</em> proposal. Not in any traditional domain of science, where paradigm proposals are relatively common, but in our handling of information or <em>knowledge work</em> at large.</p>
 +
 +
<h3>The new <em>paradigm</em> enables a cultural revival</h3>
 +
<p>The <em>five insights</em> were deliberately chosen to represent the main five <em>aspects</em> of the cultural and social change that marked the Renaissance and the Enlightenment. They show how similar improvements in our condition can once again be achieved, by resolving the large anomalies they are pointing to.</p>
 +
 +
<ul>
 +
<li>The <em>power structure</em> insight shows how dramatic improvements in efficiency and effectiveness of human work can be made, similar to the ones that resulted from the Industrial Revolution</li>
 +
<li>The <em>collective mind</em> insights points to a revolution in communication, similar to the one that the invention of the printing press made possible</li>
 +
<li>The <em>socialized reality</em> insight points to a revolution in our very relationship with information and knowledge, similar to the one that marked the Enlightenment</li>
 +
<li>The <em>narrow frame</em> insight points to a revolution in our understanding of our everyday realities, similar to the revolution that science made possible in our understanding of natural phenomena</li>
 +
<li>The <em>convenience paradox</em> insight points to a general "cultural revival", analogous to the Renaissance</li>
 +
</ul>
 +
 +
<p>Together, the <em>five insights</em> complete the first half of our response to Aurelio Peccei's call to action—where we showed that the <em>holoscope</em> can illuminate the way in the way in which he deemed necessary.</p>
 +
<p>The second half will consist in implementing the "change of course" in reality.</p>
 +
</div> </div>
 +
 +
<div class="row">
 +
<div class="col-md-3"><h2>A strategy</h2></div>
 +
<div class="col-md-6">
 +
<h3>We will not "solve our problems"</h3>
 +
<p>Already in 1964, four years before The Club of Rome was established, Margaret Mead wrote:
 +
<blockquote>
 +
"(W)e are living in a period of extraordinary danger, as we are faced with the possibility that our whole species will be eliminated from the evolutionary scene. One necessary condition of successfully continuing our existence is the creation of an atmosphere of hope that the huge problems now confronting us can, in fact, be solved—and can be solved in time."
 +
</blockquote> </p>
 +
<p>Despite the <em>holotopia</em>'s optimistic tone, we <em>do not</em> assume that the problems we are facing can be solved.</p>
 +
</div>
 +
 +
<div class="col-md-3">
 +
[[File:Mead.jpg]]<br>
 +
<small>Margaret Mead</small>
 
</div> </div>   
 
</div> </div>   
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>Ten themes</h2></div>
+
<div class="col-md-3"></div>
 
<div class="col-md-7">
 
<div class="col-md-7">
<p>The <em>five insights</em>, and the ten direct relationships between them, provide us reference—in the context of which some of the age-old challenges are understood and handled in entirely new ways (for a complete list, which will be renamed and thoroughly re-edited see  [[Holotopia:Ten conversations|Ten conversations]]).</p>  
+
<p>[https://youtu.be/U7Z6h-U4CmI?t=223 Hear Dennis Meadows] (the leader of the team that produced The Club of Rome's seminal 1972 report Limits to Growth) diagnose, based on 44 years of experience on this frontier, that our pursuit of "sustainability" falls short of avoiding the "predicament" they were warning us about back then:</p>
 +
<blockquote>
 +
"Will the current ideas about "green industry", and "qualitative growth", avoid collapse? No possibility. Absolutely no possibility of that. (...) Globally, we are something like sixty or seventy percent <em>above</em> sustainable levels."
 +
</blockquote> 
 +
 
 +
<p>Yes, we've wasted a precious half-century pursuing the neoliberal dream ([https://youtu.be/0141gupAryM?t=95 hear Ronald Reagan] set the tone for it, in a most charming tone, in the role of "the leader of the free world"). But we must forgive our political leaders for leading us into an abyss; they didn't <em>know</em> what they were doing. To be successful in politics, they had to genuinely believe what the <em>power structure</em> made them believe.</p>
 +
 
 +
<p>Just as we must forgive our <em>academic</em> leaders for <em>not</em> leading us to a transformation of our knowledge work. To be successful in <em>academia</em>, they had to either "publish, or perish". </p>
 +
 
 +
<p>We do not claim our problems can be solved. But neither do we deny them.</p>
 +
 
 +
<p>There is a sense of sobering up, of a <em>catharsis</em>, that needs to reach us from the depth of our problems. <em>That</em> must be our very first step.</p>
 +
<p>We take a deep dive into the depth of our problems. But we do not <em>dwell</em> there.</p>
 +
 
 +
<h3>We will begin "a great cultural revival"</h3>
 +
 
 +
<p>Ironically, our problems can only be solved when we no longer see them as problems—but as <em>symptoms</em> of much deeper, structural or systemic defects, which <em>can</em> and must be corrected to continue our evolution, or "progress", irrespective of problems.</p>
 +
<p>And most interestingly, our evolution, or "progress", can and <em>must</em> take a completely new—cultural—direction and focus.
 +
<p>[https://youtu.be/U7Z6h-U4CmI?t=291 Hear Meadows say], in the same interview:</p>
 +
<blockquote>
 +
"Will it be possible, here in Germany, to continue this level of energy consumption, and this degree of material welfare? Absolutely not. Not in the United States, not in other countries either. Could you <em>change</em> your cultural and your social norms, in a way that gave attractive future? Yes, you could."
 +
</blockquote>
 +
 
 +
<p>Margaret Mead encouraged us, with her best known motto:
 +
<blockquote>
 +
"Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has."
 +
</blockquote> </p>
 +
<p>And she also pointed to the critical task at hand: "Although tremendous advances in the human sciences have been made in the last hundred years, almost no advance has been made in their use, especially in ways of creating reliable new forms in which cultural evolution can be directed to desired goals."</p>
 +
 
 +
<p>It is that "creating" that the Holotopia project is about. We set it up as a research lab, for resolutely working on that goal. We create a transformative 'snowball', with the material of our own bodies, and we let it roll. </p>
 +
 
 +
 
 +
<p>"(W)e take the position that the unit of cultural evolution is neither the single gifted individual nor the society as a whole", Mead wrote, "but <em>the small group of interacting individuals</em> who, together with the most gifted among them, can take the next step; then we can set about the task of creating the conditions in which the appropriately gifted can actually make a contribution. That is, rather than isolating potential "leaders," we can purposefully produce the conditions we find in history, in which clusters are formed of a small number of extraordinary and ordinary men and women, so related to their period and to one another that they can consciously set about solving the problems they propose for themselves."</p>
 +
 
 +
<p>As we have seen, and will see, the "single gifted individuals" have already offered us their gifts, already a half-century ago. But their insights failed to incite the kind of self-organization and action that would enable them to make a difference.</p>
 +
 
 +
<p>Here the <em>holotopia</em>'s "rule of thumb", to "make things <em>whole</em>", which is really an ethical stance, plays a central role. While we are creating a small 'snowball' and letting it roll, the cohesive force that holds it together is of a paramount importance. We are not developing this project to further our careers; nor to earn some money, or get a grant. We are doing that because it's beautiful. And because it's what we need to give to our next generation.</p>
 +
<p>We are developing the <em>holotopia</em> as (what Gandhi would have called) our "experiments with truth".</p>
 +
 
 +
 
 +
<h3>Our <em>mission</em></h3>
 +
 
 +
<p>By <em>mission</em> we mean the practical changes we undertake to achieve, to implement our strategy and pursue our vision. </p>
 +
<blockquote>Our <em>mission</em> is to change the relationship we have with information.</blockquote>
 +
 
 +
<p>So that information will no longer be controlled by <em>power structure</em>, but be an instrument of our liberation; and our <em>cultural</em> re-evolution.</p>
 +
 
 +
<p>Don't be deceived by the apparent modesty of this mission, compared to the size of our vision. "In all humility", </p>
 +
<blockquote>the creative space this mission opens up to is unique is human history.</blockquote>
 +
 
 +
</div> </div>
 +
 
 +
 
 +
<div class="page-header" ><h2>Tactical assets</h2></div>
 +
 
 +
 
 +
<div class="row">
 +
<div class="col-md-3"><h2>Before we begin</h2></div>
 +
<div class="col-md-7"><p>Before we share the "tactical assets" we've put together to prime the Holotopia project, a couple of notes are in order to explain how exactly we want them to be understood and received.</p>
 +
 
 +
<h3>A 'cardboard city'</h3>
 +
 
 +
<p>While each of these "assets" is created, to the best of our ability, to serve as a true solution, <em>we do not need to make that claim</em>, and we are not making it. Everything here is just <em>prototypes</em>. Which means models, each made to serve as a "proof of concept", to be experimented with and indefinitely improved.</p>
 +
<p>Think of what's presented here as a cardboard model of a city. </p>
 +
<p>It includes a 'school', and a 'hospital', a 'main square' and 'residential areas'. The model is complete enough for us to see that this 'city' will be a wonderful place to be in; and to begin building. But as we build—<em>everything</em> can change!</p>
 +
<p>One of the points of using this keyword, <em>prototype</em>, is to consider them as placeholders. A city needs a school, and a hospital, and... The whole thing models a 'modern city' (an up-to-date approach to knowledge).</p>
 +
<p>Another important point: <em>design patterns</em>. The <em>prototypes</em> * model * a multiplicity of challenge–solution pairs. <em>With</em> provisions for updating the solutions continuously. The point here is that while solutions can and need to evolve, the <em>design patterns</em> (as 'research questions') can remain relatively stable.</p>
 +
<p>This will all make even more sense when one takes into consideration that the core of our proposal is not to build a city; it is <em>to develop 'architecture'</em>!</p>
 +
 
 +
<h3>A 'business plan'</h3>
 +
 
 +
<p>No, we are not doing this to start a business, or to make money. But a 'business plan' is still a useful metaphor, because we <em>do</em> "mean business". The purpose of the Holotopia project is <em>to make a difference</em>. In the social and economic reality we are living in.</p>
 +
<p>These "tactical assets" can then also be read as points in a business plan—which point to the realistic <em>likelihood</em> of it all to achieve its goals.</p>
 +
<p>The point here is not money, but impact. Making a <em>real</em> difference. From the business point of view, perhaps a suitable metaphor could be 'branding'. And 'strategy'. There are numerous movements, dedicated to a variety of causes. Can we unite under a single flag and mission, not as a monolithic thing but a 'federation', or a 'franchise' of sorts, so that the <em>holotopia</em> offers <em>these</em> resources.</p>
 +
<p>Peccei wrote in One Hundred Pages for the Future (the boldface emphasis is ours):</p>
 +
<blockquote><p>For some time now, the perception of (our responsibilities relative to "problematique") has motivated a number of organizations and small voluntary groups of concerned citizens which have mushroomed all over to respond to the demands of new situations or to change whatever is not going right in society. These groups are now legion. They arose sporadically on the most variend fronts and with different aims. They comprise peace movements, supporters of national liberation, and advocates of women's rights and population control; defenders of minorities, human rights and civil liberties; apostles of "technology with a human face" and the humanization of work; social workers and activists for social change; ecologists, friends of the Earth or of animals; defenders of consumer rights; non-violent protesters; conscientious objectors, and many others. These groups are usually small but, should the occasion arise, they can mobilize a host of men and women, young and old, inspired by a profound sense of te common good and by moral obligations which, in their eyes, are more important than all others.</p>
 +
<p>They form a kind of popular army, actual or potential, with a function comparable to that of the antibodies generated to restore normal conditions in a biological organism that is diseased or attacked by pathogenic agents. The existence of so many spontaneous organizations and groups testifies to the vitality of our societies, even in the midst of the crisis they are undergoing. <b>Means will have to be found one day to consolidate their scattered efforts in order to direct them towards strategic objectives.</b></p> </blockquote>
 +
<p>An obvious problem is the lack of a shared and effective strategy that would allow the movements to <em>really</em> make a difference. As it is, they are largely reactive and not <em>pro</em>-active. But as we have seen, the problems can only be solved when their <em>systemic</em> roots are understood and taken care of.</p>
 +
<p>But there is a subtle and perhaps even more important difficulty—that our efforts at making a difference tend to be <em>symbolic</em>. We adapted this <em>keyword</em> from political scientist Murray Edelman, and attribute to it the following meaning.</p>
 +
<p><em>Real</em> impact, we might now agree, is impact on <em>systems</em>. They are the 'riverbed' that directs the 'current' in which we are all swimming. We may 'swim against the current' for awhile, with the help of all our courage and faith and togetherness—but ultimately we get exhausted and give up.</p>
 +
<p>The difficulty, however, is our <em>socialization</em>—owing to which we tend to take <em>systems</em> for granted; they <em>are</em> the "reality" within which we seek solutions. And so our attempts at solution end up being akin to social rituals, where we <em>symbolically</em> act out our "responsibilities" and concerns (by writing an article, organizing a conference, or a demonstration) and put them to rest.</p>
 +
<p>The alternative is, of course, <em>to restore agency to information, and  power to knowledge</em>—i.e. to create a clear guiding light under which efforts can be <em>effectively</em> focused.</p>
 +
<p>The <em>five insights</em>, which we'll list as our first "tactical asset", are our <em>prototype</em> placeholder in that role.</p>
 +
<p>So here we have a <em>design pattern</em>: The challenge is How to create a shared strategy, so that efforts can be coordinated and meaningfully directed? The <em>holotopia</em> is offered as a <em>prototype</em>. As all <em>prototypes</em> do, here too the solution part has provisions for updating itself continuously—with everyone's participation</p> 
 +
 
 +
</div> </div> 
 +
 
 +
 
 +
 
 +
<div class="row">
 +
<div class="col-md-3"><h2>[[Holotopia:Five insights|Five insights]]</h2></div>
 +
<div class="col-md-7"><p>They provide us a frame of reference, around which the <em>city</em> is built.  They serve as foundation stones, or as 'five pillars' lifting the emerging construction up from the mundane reality, and making it stand out.</p>
 +
 
 +
<p>In our challenge to come through the sensationalist press and reach out to people, each of them is a sensation in its own right; but a <em>real</em> sensation, which merits our attention.</p>
 +
 
 +
<p>In our various artistic, research, media... projects—they provide us building material.</p>
 +
 
 +
 
 +
</div> </div>
 +
 
 +
 
 +
<div class="row">
 +
<div class="col-md-3"><h2>The <em>mirror</em></h2></div>
 +
 
 +
<div class="col-md-7">
 +
<p>POINT: Bring in the fundamental element. CHANGE of WORLDVIEW begins with FOUNDATIONS—and here we orchestrate it carefully. BRING ACADEMIA ALONG! LIBERATE the enormous creative potential it contains. WE DO NOT NEED TO "PUBLISH OR PERISH".</p>
 +
 
 +
<p>The appeal here is to institutionalize a FREE academic space, where this line of work can be developed with suitable support.</p>
 +
 
 +
<h3>A 'magical' way out</h3>
 +
 
 +
<p>That there is an unexpected, seemingly magical way into a new cultural and social reality is really good news. But is it realistic?</p>
 +
<p>We here carefully develop the analogy with Galilei's time, when a new <em>epistemology</em> was ready to change the world, but still kept in house arrest. All we need to do is to set it free.</p>
 +
 
 +
<h3>The discovery of ourselves</h3>
 +
 
 +
<p>The <em>mirror</em> symbolizes the ending of <em>reification</em> (when we see ourselves <em>in the world</em>, we realize that we are not above it and observing it "objectively"); and the beginning of accountability (we see the world in dire need for creative action; and we see our own role in it).</p>
 +
 
 +
<p>This insight extends into ending of the <em>reification</em> of our personal preferences, feelings, tastes... <em>What we are able to</em> feel, think, create... is determined, to an astounding degree, by the degree in which our "human quality" has been developed. And our ability to develop it depends in an overwhelming degree on the way in which our culture has been developed.</p>
 +
 
 +
<h3>The <em>academia</em>'s situation</h3>
 +
 
 +
<p>The <em>mirror</em> symbolizes also the <em>academia</em>'s situation, just as the bus with candle headlights symbolizes our civilization's situation. The point is that the hitherto development of the academic tradition brought us there, in front of the <em>mirror</em>. </p>
 +
 
 +
<p>An enormous liberation of our creative abilities results when we realize they must not be confined to traditional disciplinary pursuits and routines. </p>
 +
 
 +
<p>Especially important is the larger understanding of <em>information</em> that the self-reflection in front of the <em>mirror</em> brings us to; <em>information</em> is no longer only printed text; it includes <em>any</em> artifacts that embody human experience, refined by human ingenuity. </p>
 +
 
 +
 
 +
<h3> Occupy the university</h3>
 +
 
 +
<p>Who holds 'Galilei in house arrest'</p>
 +
 
 +
<p>We don't need to occupy Wall Street. The key is in another place.</p>
 +
 
 +
<p>We really just need to occupy our own profession—by continuing the tradition that our great predecessors have created.</p>
 +
 
 +
<h3>A sand box</h3>
 +
 
 +
<p>On the other side of the <em>mirror</em> we create a 'sandbox'; that's really the <em>holotopia</em> project. </p>
 +
 
 +
 
 +
<p>Note: on the other side of the <em>mirror</em> the contributions of Jantsch and Engelbart are seen as <em>fundamental</em> (they were drafting, and <em>creating</em> strategically, a new 'collective mind'). </p>
 +
 
 +
<p>See the description of 'sandbox' in our contribution [https://holoscope.info/2013/06/22/enabling-social-systemic-transformations-2/ Enabling Social-Systemic Transformations] to the 2013 conference "Transformations in a Changing Climate"</p>
 +
 
 +
</div> </div>
 +
 
 +
 
 +
 
 +
 
 +
<div class="row">
 +
<div class="col-md-3"><h2>[[Holotopia:Ten themes|Ten themes]]</h2></div>
 +
<div class="col-md-7">
 +
<p>The <em>five insights</em>, and the ten direct relationships between them, provide us reference—in the context of which some of the age-old challenges are understood and handled in entirely new ways.</p>  
  
 
<h3>How to put an end to war</h3>  
 
<h3>How to put an end to war</h3>  
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<h3>Religion beyond belief</h3>  
 
<h3>Religion beyond belief</h3>  
 
<p>Or think about religion—which has in traditional societies served to bind each person with "human quality", and the people together into a culture or a society. But which is in modern times all too often associated with dogmatic beliefs, and inter-cultural conflicts.</p>  
 
<p>Or think about religion—which has in traditional societies served to bind each person with "human quality", and the people together into a culture or a society. But which is in modern times all too often associated with dogmatic beliefs, and inter-cultural conflicts.</p>  
<p>When religion is, however, considered in the context provided by <em>socialized reality</em> and <em>convenience paradox</em>, a whole <em>new</em> possibility emerges—where <em>religion</em> is no longer an instrument of <em>socialization</em>—but of <em>liberation</em>; and as an essential way to cultivate our personal and communal <em>wholeness</em>.</p>  
+
<p>When religion is, however, considered in the context provided by <em>socialized reality</em> and <em>convenience paradox</em>, a whole <em>new</em> possibility emerges—where <em>religion</em> no longer is an instrument of <em>socialization</em>—but of <em>liberation</em>; and as an essential way to cultivate our personal and communal <em>wholeness</em>.</p>  
 
<p>A <em>natural</em> strategy for remedying religion-related dogmatic beliefs and inter-cultural conflicts emerges—to <em>evolve</em> religion further!</p>  
 
<p>A <em>natural</em> strategy for remedying religion-related dogmatic beliefs and inter-cultural conflicts emerges—to <em>evolve</em> religion further!</p>  
  
 
<h3>The ten themes cover the <em>holotopia</em></h3>  
 
<h3>The ten themes cover the <em>holotopia</em></h3>  
 
<p>Of course <em>any</em> theme can be placed into the context of the <em>five insights</em>, and end up being seen and handled radically differently. To prime these eagerly sought-for conversations, we provided a selection of ten themes (related to the future of education, business, science, democracy, art, happiness...)  that—together with the <em>five insights</em>—cover the space of <em>holotopia</em> in sufficient detail to make it transparent and tangible.</p>  
 
<p>Of course <em>any</em> theme can be placed into the context of the <em>five insights</em>, and end up being seen and handled radically differently. To prime these eagerly sought-for conversations, we provided a selection of ten themes (related to the future of education, business, science, democracy, art, happiness...)  that—together with the <em>five insights</em>—cover the space of <em>holotopia</em> in sufficient detail to make it transparent and tangible.</p>  
 +
</div> </div>
  
</div> </div>
 
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>The <em>dialog</em></h2></div>
+
<div class="col-md-3"><h2>The <em>dialogs</em></h2></div>
<div class="col-md-7"><h3>An instrument of change</h3>  
+
<div class="col-md-7"><h3>The <em>dialog</em> is an art form</h3>
<p>This point cannot be overemphasized: Our goal is not to warn, inform, propose a new way to look at the world—but <em>to change our collective mind</em>. Physically. The <em>dialog</em> is the medium for that change. </p>  
+
<p>We make conversation themes alive through dialogs.</p> 
<p>But here the medium in the truest sense is the message: By developing those <em>dialogs</em>, we re-create our <em>collective mind</em>—from something that only receives, which is dazzled by the media... to something that is capable of weaving together academic and other insights, and by engaging the best of our "collective intelligence" seeing what needs to be done, and directing and coordinating action.</p>
+
<p>We turn conversations into artistic and media-enabled events (see the Earth Sharing <em>prototype</em> below).</p>
<p>This is why in the <em>holotopia</em> scheme of things everything is just <em>prototypes</em>. The are not an end, but means to an end—which is to bring together our "collective intelligence" to bear upon the themes that truly matter. To rebuild the public sphere. To recreate our <em>collective mind</em></p>
+
<h3>The <em>dialog</em> is an attitude</h3>  
 +
<p>The <em>dialog</em> is an integral part of the <em>holoscope</em>. Its role will be understood if we consider the human inclination to hold onto a certain <em>way</em> of seeing things, and call it "reality". And how much this inclination has been misused by various social groups to bind us to themselves, and more recently by various modern <em>power structures</em>. (Think, for instance, about the animosity between Catholics and Protestants in Northern Ireland, or between Sunni and Shia Muslims in the Middle East.)</p>  
 +
<p>The attitude of the <em>dialog</em> may be understood as an antidote.</p>
  
<h3>We build upon a rich tradition</h3>  
+
<h3>The <em>dialog</em> is an age-old tradition</h3>  
 
<p>The dialogues of Socrates marked the very inception of the academic tradition. More recently, David Bohm gave the evolution of the dialogue a new and transformative direction. Bohm's dialogues are a form of collective therapy. Instead of arguing their points, the participants practice "proprioception" (mindfully observe their reactions), so that they may ultimately listen without judging, and co-create a space where new and transformative ideas can emerge.</p>  
 
<p>The dialogues of Socrates marked the very inception of the academic tradition. More recently, David Bohm gave the evolution of the dialogue a new and transformative direction. Bohm's dialogues are a form of collective therapy. Instead of arguing their points, the participants practice "proprioception" (mindfully observe their reactions), so that they may ultimately listen without judging, and co-create a space where new and transformative ideas can emerge.</p>  
 
<p>We built on this tradition and developed a collection of <em>prototypes</em>—which <em>holotopia</em> will use as construction material, and build further.</p>  
 
<p>We built on this tradition and developed a collection of <em>prototypes</em>—which <em>holotopia</em> will use as construction material, and build further.</p>  
  
<h3>Reality shows</h3>
 
<p>The dialogs have the nature of spectacles—not the kind of spectacles fabricated by the media, but <em>real</em> ones. Hence they present to them a real, transformative alternative.</p>
 
<p>The <em>dialogs</em> we expect to have will be a re-creation of the conventional "reality shows"—which show the contemporary reality in ways that <em>need</em> to be shown. The relevance is on an entirely different scale. And the excitement and actuality are of course larger! We engage the "opinion leaders" to contribute their insights to the cause. When successful, the result is most timely and informative. When these conversations fail—they reveal to us, in a spotlight, our resistances and our blind spots, our clinging to the obsolete forms of thought. Which is, of course, not any less exciting and relevant.</p>
 
<p>Occasionally we publish books about those themes, based on our <em>dialogs</em>, and to begin new ones.</p>
 
</div> </div>
 
  
<div class="row">
+
<h3>We employ contemporary media</h3>
<div class="col-md-3"><h2>Art  and new media</h2></div>
+
<p>The use of contemporary media opens up a whole new chapter, or dimension, in the story of the <em>dialog</em>. </p>  
<div class="col-md-7"><h3>Holotopia is an art project</h3>  
+
<p>Through suitable use of the camera, the <em>dialog</em> can be turned into a mirror—mirroring our dysfunctional communication habits; our turf strifes.</p>  
<p>The Holotopia is an art project. We are reminded of Michelangelo painting the ceiling of the Sistine Chapel, and in the heart of the old world order planting the seeds of the new one.</p>  
+
<p>By using Debategraph and other "dialog mapping" online tools, the <em>dialog</em> can be turned into a global process of co-creation of meaning.</p>  
<p>Duchamp's (attempted) exhibition of a urinal challenged what art may be, and contributed to the legacy that the modern art was built on. Now our conditions demand that we deconstruct the deconstruction—and begin to <em>construct</em> anew. </p>  
 
<p>What will the art associated with the <em>next</em> Renaissance be like? We offer <em>holotopia</em> as a creative space where the new art can emerge.</p>
 
  
 +
<h3>The <em>dialog</em> as <em>spectacle</em></h3>
 +
<p>The <em>holotopia</em> dialogs will have the nature of <em>spectacles</em>—not the kind of spectacles fabricated by the media, but <em>real</em> ones. To the media spectacles, they present a real and transformative alternative.</p>
 +
<p>The <em>dialogs</em> we initiate are a re-creation of the conventional "reality shows"—which show the contemporary reality in ways that <em>need</em> to be shown. The relevance is on an entirely different scale. And the excitement and actuality are of course larger! We engage the "opinion leaders" to contribute their insights to the cause.</p>
 +
<p>When successful, the result is most timely and informative: We are <em>witnessing</em> the changing of our understanding and handling of a core issue.</p>
 +
<p>When unsuccessful, the result is most timely and informative in a <em>different</em> way: We are witnessing our resistances and our blind spots, our clinging to the obsolete forms of thought.</p>
 +
<p>Occasionally we publish books about those themes, based on our <em>dialogs</em>, and to begin new ones.</p>
  
<h3>Art as production of space</h3>  
+
<h3>The <em>dialog</em> is an instrument of change</h3>  
<p>
+
<p>This point cannot be overemphasized: Our <em>primary</em> goal is not to warn, inform, propose a new way to look at the world—but <em>to change our collective mind</em>. Physically. The <em>dialog</em> is the medium for that change. </p>  
[[File:KunsthallDialog01.jpg]]
+
<blockquote>
<br>
+
We organize public dialogs about the <em>five insights</em>, and other themes related to change, in order to <em>make</em> change.</blockquote>  
<small>A snapshot of Holotopia's pilot project in Kunsthall 3.14, Bergen.</small>
 
</p>
 
<p>Henri Lefebvre summarized the most vital of Karl Marx's objections to capitalism, by observing that capital (machines, tools, materials...) or "investments" are products of past work, and hence represent "dead labour". That in this way past activity "crystalyzes, as it were, and becomes a precondition for new activity." And that under capitalism, "what is dead thakes hold of what is alive"</p>  
 
<p>Lefebvre proposes to turn this relationship upon its head. "But how could what is alive lay hold of what is dead? The answer is: through the producion of space, whereby living labour can produce something that is no longer a thing, nor simply a set of tools, nor simply a commodity.</p>  
 
<p>As the above image may suggest, the <em>holotopia</em> artists still produce art objects; but they are used as pieces in a larger whole— which is a <em>space</em> where transformation happens. A space where the creativity of the artist can cross-fertilize with the insights of the scientist, to co-create a new reality that none of them can create on her own.  Imagine it as a space, akin to a new continent or a "new world" that's just been discovered—which combines physical and virtual spaces, suitably interconnected. </p>  
 
  
<h3>The Holotopia project gives new life to new media technology</h3>  
+
<p>Here the medium in the truest sense is the message: By developing <em>dialogs</em>, we re-create our <em>collective mind</em>—from something that only receives, which is dazzled by the media... to something that is capable of weaving together academic and other insights, and by engaging the best of our "collective intelligence" in seeing what needs to be done. And in <em>inciting, planning and coordinating action</em>.</p>
<p>The Holotopia project combines contemporary art with contemporary media (tools for "augmenting our collective intellect", creative video recording and editing etc.), to change our <em>collective mind</em>.</p>
+
<p>In the <em>holotopia</em> scheme of things everything is a <em>prototype</em>. The <em>prototypes</em> are not final results of our efforts, they are a means to an end—which is to <em>rebuild</em> the public sphere; to <em>reconfigure</em> our <em>collective mind</em>. The role of the <em>prototypes</em> is to prime this process.</p>
<p>We use those tools to <em>create</em> a new <em>collective mind</em></p>
 
 
</div> </div>  
 
</div> </div>  
 +
 
<div class="row">
 
<div class="row">
 
<div class="col-md-3"><h2>The <em>elephant</em></h2></div>
 
<div class="col-md-3"><h2>The <em>elephant</em></h2></div>
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<h3>A spectacle</h3>  
 
<h3>A spectacle</h3>  
 
<p>The effect of the <em>five insights</em> is to <em>orchestrate</em> this act of 'connecting the dots'—so that the spectacular event we are part of, this exotic 'animal', the new 'destination' toward which we will now "change course" becomes clearly visible.</p>  
 
<p>The effect of the <em>five insights</em> is to <em>orchestrate</em> this act of 'connecting the dots'—so that the spectacular event we are part of, this exotic 'animal', the new 'destination' toward which we will now "change course" becomes clearly visible.</p>  
<p>A side effect is that the academic results once again become interesting and relevant. In this context newly created, they acquire a whole new meaning; and <em>agency</em>!</p>  
+
<p>A side effect is that the academic results once again become interesting and relevant. In this newly created context, they acquire a whole new meaning; and <em>agency</em>!</p>  
  
 
<h3>Post-post-structuralism</h3>  
 
<h3>Post-post-structuralism</h3>  
  
 
<p>The structuralists undertook to bring rigor to the study of cultural artifacts. The post-structuralists "deconstructed" their efforts, by observing that <em>there is no</em> such thing as "real meaning"; and that the meaning of cultural artifacts is open to interpretation.</p>  
 
<p>The structuralists undertook to bring rigor to the study of cultural artifacts. The post-structuralists "deconstructed" their efforts, by observing that <em>there is no</em> such thing as "real meaning"; and that the meaning of cultural artifacts is open to interpretation.</p>  
<p>We can here see how this evolution may be taken a step further. What interests us is not what, for instance, Bourdieu "really saw" and wanted to communicate. We acknowledge (with the post-structuralists), that even Bourdieu would not be able to tell us that, if he were still around. We also acknowledge, however, that Bourdieu <em>saw something</em> that invited a different interpretation and way of thinking than what was common; and did what he could to explain it within the <em>old</em> paradigm. Hence we have a way to give the study of cultural artifacts not only a sense of rigor, but also a new degree of relevance—by considering them as signs on the road, pointing to an emerging <em>paradigm</em></p>  
+
<p>This evolution may be taken a step further. What interests us is not what, for instance, Bourdieu "really saw" and wanted to communicate. We acknowledge (with the post-structuralists), that even Bourdieu would not be able to tell us that, if he were still around. We acknowledge, however, that Bourdieu <em>saw something</em> that invited a different interpretation and way of thinking than what was common; and did what he could to explain it within the <em>old</em> paradigm. Hence we give the study of cultural artifacts not only a sense of rigor, but also a new degree of relevance—by considering them as signs on the road, pointing to an emerging <em>paradigm</em></p>  
  
 
<h3>A parable</h3>  
 
<h3>A parable</h3>  
 
<p>While the view of the <em>elephant</em> is composed of a large number of stories, one of them—the story of Doug Engelbart—is epigrammatic. It is not only a spectacular story—how the Silicon Valley failed to understand or even hear its "giant in residence", even after having recognized him as that; it is also a parable pointing to many of the elements we want to highlight by telling these stories—not least the social psychology and dynamics that 'hold Galilei in house arrest'.</p>  
 
<p>While the view of the <em>elephant</em> is composed of a large number of stories, one of them—the story of Doug Engelbart—is epigrammatic. It is not only a spectacular story—how the Silicon Valley failed to understand or even hear its "giant in residence", even after having recognized him as that; it is also a parable pointing to many of the elements we want to highlight by telling these stories—not least the social psychology and dynamics that 'hold Galilei in house arrest'.</p>  
<p>This story also inspired us to use this metaphor: Engelbart saw 'the elephant' <em>already in 1951</em>—and spent a six decades-long career to show him to us. And yet he passed away with only a meagre (computer) mouse in his hand (to his credit)!</p>   
+
<p>This story also inspired us to use this metaphor: Engelbart saw 'the elephant' <em>already in 1951</em>—and spent a six decades-long career to show him to us. And yet he passed away with only a meager (computer) mouse in his hand (to his credit)!</p>   
 
</div> </div>  
 
</div> </div>  
  
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>The <em>mirror</em></h2></div>
+
<div class="col-md-3"><h2>The <em>holoscope</em></h2></div>
<div class="col-md-7">
+
<div class="col-md-7"><h3>Seeing things whole</h3>
<p>  
+
<p>Peccei concluded his analysis in "One Hundred  Pages for the Future":
[[File:SafeSpace02.png]]<br>
+
<blockquote>
<small>A detail from Holotopia's pilot project in Kunsthall 3.14 Bergen, where the mirror was used as an entry point into a "safe space" for reflection; from which <em>holotopia</em> can be seen, and contributed to.</small>  
+
The arguments posed in the preceding pages [...] point out several things, of which one of the most important is that our generations seem to have lost <em>the sense of the whole</em>.
</p>
+
</blockquote>  
<p>The <em>mirror</em> is a complex symbol, in which a number of streams of thought and lines of development that constitute the <em>holotopia</em> are woven together.</p>  
+
</p>
 +
<p>In the context of Holotopia, we refer to <em>knowledge federation</em> by its pseudonym [[Holotopia: Holoscope|<em>holoscope</em>]], to highlight one of its distinguishing characteristics—it helps us see things whole. </p>
  
<h3>End of "objectivity"</h3>
+
<p>Different from the sciences that have been "zooming in" (toward finer technical details); and promoting a <em>fixed</em> way of looking at the world (a domain of interest, a terminology and a set of methods being what <em>defines</em> a scientific discipline); and the informing media's focus on specific spectacular events,  the <em>holoscope</em> allows us to <em>chose</em> our <em>scope</em> –"what is being looked at and how".</p>  
<p>Or the "discovery of ourselves"—will have a range of consequences.</p>
 
<p>One of them is to understand just how much our <em>perception</em> of things is subject to "human development"...</p>
 
<p>The end of "objectivity" is the beginning of <em>accountability</em>—where instead of seeing ourselves as "objective observers" of the world, we recognize that we are its responsible creators. "We have seen the enemy, and he is us." </p>  
 
<p>This is also an <em>epistemology</em> change—with profound consequences on how we valuate information, and what we do.</p>  
 
  
<h3>A theme for academic revival</h3>
 
<p>A key point here is that the evolution of <em>academia</em>—that is, of <em>knowledge of knowledge</em>—has brought us here, in front of this <em>mirror</em>. The next step in <em>academia</em>'s development is to (instead of being so busy with business as usual) <em>stop</em> and self-reflect. When we do that, a whole new <em>self-identity</em> will emerge—where we are no longer the "objective observers of reality", but its creators. But that is the <em>epistemology</em> that begets the <em>holotopia</em>.</p>
 
  
<h3>The <em>academia</em> must guide our society 'through the <em>mirror</em>'</h3>
 
<p>The <em>holotopia</em> and the <em>holoscope</em> (alias <em>knowledge federation</em>) are respectively the social and the academic reality on the other side. By presenting the suitable <em>prototypes</em>, we facilitate the all-important step, through the <em>mirror</em>. </p>
 
 
</div> </div>  
 
</div> </div>  
  
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<div class="col-md-7">
 
<div class="col-md-7">
  
<p>We bring together stories (elsewhere called <em>vignettes</em>)—which in attractive and accessible ways share the core insights of leading contemporary thinkers. We tell their stories.</p>
+
<p>We bring together stories (elsewhere called <em>vignettes</em>)—which share the core insights of leading contemporary thinkers. We tell their stories.</p>
<p>They become 'dots' to connect in our conversations.</p>
+
<p>They become 'dots' to connect in our <em>dialogs</em>.</p>
<p>They also show what obstructed our evolution (the emergence of <em>holotopia</em>). The point here is, of course, not to blame ourselves—but to understand our situation, and continue our evolution.</p>  
+
<p>They also show what obstructed our evolution (the emergence of <em>holotopia</em>). </p>  
 
</div> </div>  
 
</div> </div>  
  
 
<div class="row">
 
<div class="row">
 
<div class="col-md-3"><h2>Ideograms</h2></div>
 
<div class="col-md-3"><h2>Ideograms</h2></div>
<div class="col-md-7">  
+
<div class="col-md-7"><h3>Art meets science</h3>
 +
 
 +
<p>Placeholder. The point is enormous—<em>federation</em> of insights, connecting the dots, not only or even primarily results in rational insights. It results in <em>implicit information</em>; we are undoing our <em>socialization</em>! </p>  
 
<p>  
 
<p>  
 
[[File:H side.png]]<br>
 
[[File:H side.png]]<br>
<small>A paper model of a sculpture, re-imaging the <em>five insights</em> and their relatinships.</small>  
+
<small>A paper model of a sculpture, re-imaging the <em>five insights</em> and their relationships.</small>  
 
</p>
 
</p>
 
<p>The <em>ideograms</em> condense lots of insights into a simple image, ready to be grasped. </p>  
 
<p>The <em>ideograms</em> condense lots of insights into a simple image, ready to be grasped. </p>  
<p>The existing <em>ideograms</em> are only a place holder—for what may be developed through suitable combinations of art and new media.</p>
+
 
<p>The <em>ideograms</em> employ the vast arsenal of artistic and suggestive tools, to affect us <em>directly</em></p>
+
 
<p>As the above image may suggest, the pentagram—as the basic icon or 'logo' opf <em>holotopia</em>—lends itself to a myriad re-creations. We let the above image suggest that a multiplicity of ideas can be condensed to a simple image (the pentagram); and how this image can be  expanded into a multiplicity of artistic creations.</p>  
+
<p>As the above image may suggest, the pentagram—as the basic icon or 'logo' of <em>holotopia</em>—lends itself to a myriad re-creations. We let the above image suggest that a multiplicity of ideas can be condensed to a simple image (the pentagram); and how this image can be  expanded into a multiplicity of artistic creations.</p>  
 
</div> </div>
 
</div> </div>
  
Line 315: Line 719:
 
<div class="col-md-3"><h2>Keywords</h2></div>
 
<div class="col-md-3"><h2>Keywords</h2></div>
 
<div class="col-md-7">
 
<div class="col-md-7">
<p>The Renaissance too, and also science, brought along a whole new way of speaking—and hence a new way to look at the world. All along, and with the <em>five insights</em> in particular, we introduce the <em>keywords</em> which are newly defined. It is in terms of those <em>keywords</em> that we come to understand the core issues and our time in completely new ways.</p>  
+
<p>The Renaissance, and also science, brought along a whole new way of speaking—and hence a new way to look at the world. With each of the <em>five insights</em> we introduce a collection of <em>keywords</em>, in terms of which we come to understand the core issues in new ways.</p>
 +
<p>The <em>keywords</em> will also allow us to propose solutions to the anomalies that the <em>five insights</em> bring forth.</p>
  
 
</div> </div>  
 
</div> </div>  
Line 322: Line 727:
 
<div class="col-md-3"><h2>Prototypes</h2></div>
 
<div class="col-md-3"><h2>Prototypes</h2></div>
 
<div class="col-md-7">
 
<div class="col-md-7">
<p>Information has agency only when it has a way to impact our actual physical reality. A goal of the Holotopia project is to co-create <em>prototypes</em>—new elements of our new reality. All along we share the <em>prototypes</em> we've already developed, to put the ball in play.</p>  
+
<p>Information has agency only when it has a way to impact our actual physical reality. A goal of the Holotopia project is to co-create <em>prototypes</em>—new elements of our new reality. We share the <em>prototypes</em> we've already developed, to put the ball in play.</p>  
 
</div> </div>  
 
</div> </div>  
  
 +
 +
<div class="page-header" ><h2>Earth Sharing <em>prototype</em></h2></div>
  
  
 
<div class="row">
 
<div class="row">
<div class="col-md-3"><h2>Completing the KF <em>prototype</em></h2></div>
+
<div class="col-md-3"><h2>These titles will change</h2></div>
<div class="col-md-7"><p>  
+
 
The academic cause is presently obstructed ('Galilei is held in house arrest') by a most interesting challenge, which we have called the Wiener's paradox: Our <em>collective mind</em> is <em>structured</em> in a way that leaves the <em>academia</em> disconnected, from the public opinion and from the policy. As we have seen, the core mission of our <em>knowledge federation</em> initiative is to remedy that split.</p>  
+
<div class="col-md-7">
<p>This paradox, however, means that <em>whatever we may say</em> in an academic publication—<em>is likely to remain without effect</em>! But what else can we do? The Holotopia project is our <em>prototype</em> answer. Its purpose within the Knowledge Federation <em>prototype</em> is to complete the <em>prototype</em> by <em>federating</em> knowledge federation!</p>  
+
<h3>Art leads science</h3>
 +
 
 +
<p>How the action began... </p>  
 +
 
 +
<h3>Seeing differently</h3>  
  
<p>Imagine us as a collection of 'cells' in our 'collective mind', which mutated in a new way. Having perceived our society as a bus with candle headlights, we perceived ourselves as (part of) those headlights. And we began to self-organize differently. So that we may <em>become</em>  'lightbulbs', not 'candles'!</p>  
+
<p>Up and down</p>  
  
<p>We understood, in other words, that we must use our creativity in a new way; not by merely <em>observing</em> and reporting—but by <em>being</em> and <em>acting</em> differently.</p>  
+
<h3>The vault</h3>  
  
<p>And so we made a small snowball, and began to roll it downhill. Will it gather snow? Will it grow? Will it have the effect it needs to have?</p>
+
<p>Precious space for reflection—where the stories are told, and insights begin to take shape.</p>  
</div> </div>  
 
  
 +
<h3>Holotopia is an art project</h3>
 +
<p>The Holotopia is an art project. We are reminded of Michelangelo painting the ceiling of the Sistine Chapel, and in the heart of the old world order planting the seeds of the new one.</p>
 +
<p>Duchamp's (attempted) exhibition of a urinal challenged what art may be, and contributed to the legacy that the modern art was built on. Now our conditions demand that we deconstruct the deconstruction—and begin to <em>construct</em> anew. </p>
 +
<p>What will the art associated with the <em>next</em> Renaissance be like? We offer <em>holotopia</em> as a creative space where the new art can emerge.</p>
  
<div class="row">
+
<p>
<div class="col-md-3"><h2>A call to action</h2></div>
+
[[File:KunsthallDialog01.jpg]]
<div class="col-md-7"><h3>What exactly we must do to make a difference</h3>  
+
<br>
<p>Margaret Mead wrote in Continuities in Cultural Evolution, already in 1964:</p>
+
<small>A snapshot of Holotopia's pilot project in Kunsthall 3.14, Bergen.</small>
<blockquote>  
+
</p>
"(W)e are living in a period of extraordinary danger, as we are faced with the possibility that our shole species will be eliminated from the evolutionary scene."
+
<p>Henri Lefebvre summarized the most vital of Karl Marx's objections to capitalism, by observing that capital (machines, tools, materials...) or "investments" are products of past work, and hence represent "dead labour". That in this way past activity "crystalyzes, as it were, and becomes a precondition for new activity." And that under capitalism, "what is dead takes hold of what is alive"</p>  
</blockquote>  
+
<p>Lefebvre proposes to turn this relationship upon its head. "But how could what is alive lay hold of what is dead? The answer is: through the production of space, whereby living labour can produce something that is no longer a thing, nor simply a set of tools, nor simply a commodity.</p>  
<p>Well before The Club of Rome said their word, Mead pointed to the critical task at hand:</p>
+
<p>As the above image may suggest, the <em>holotopia</em> artists still produce art objects; but they are used as pieces in a larger whole— which is a <em>space</em> where transformation happens. A space where the creativity of the artist can cross-fertilize with the insights of the scientist, to co-create a new reality that none of them can create on her own.  Imagine it as a space, akin to a new continent or a "new world" that's just been discovered—which combines physical and virtual spaces, suitably interconnected. </p>  
<blockquote>
+
 
"Although tremendous advances in the human sciences have been made in the last hundred years, almost no advance has been made in their use, especially in ways of creating reliable new forms in which cultural evolution can be directed to desired goals."
+
<h3>Going online</h3>  
</blockquote>  
 
</div> </div>  
 
  
 +
<p>Debategraph was not yet implemented. But David was there!</p>
  
<div class="row">
+
</div> </div>
<div class="col-md-3"></div>
 
<div class="col-md-6">
 
  
<p>Mead's best known motto is encouraging:
+
<!-- CUTS
<blockquote>
 
"Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has."
 
</blockquote> </p>
 
  
<p>We leave her more sober words, regarding what constitutes "a small group of... citizens" that are capable of making such a large difference, as her challenge to the Holotopia initiative:</p>
+
ENGELBART:
</div>
 
<div class="col-md-3">
 
[[File:Mead.jpg]]<br>
 
<small>Margaret Mead</small>
 
</div> </div> 
 
  
<div class="row">
 
<div class="col-md-3"></div>
 
<div class="col-md-7">
 
  
<blockquote><p>"Although lengthy discussions about different kinds of leadership in different situations serve, indirectly, to explain why science has not solved the problem of identifying leaders, they serve no further constructive purpose.</p>
+
<p>
<p>Instead, we take the position that the unit of cultural evolution is neither the single gifted individual nor the society as a whole but <em>the small group of interacting individuals</em> who, together with the most gifted among them, can take the next step; then we can set about the task of creating the conditions in which the appropriately gifted can actually make a contribution. That is, rather than isolating potential "leaders," we can purposefully produce the conditions we find in history, in which clusters are formed of a small number of extraordinary and ordinary men, so related to their period and to one another that they can consciously set about solving the problems they propose for themselves."</p>
+
[[File:DE-one.jpeg]]<br>
 +
<small>Engelbart's own opening slide, pasted into our standard format. </small>
 +
</p>
 +
<p>We like to tell story of "Engelbart's unfinished revolution" (as Stanford University called it when it was first uncovered, in the 1990s), because it vividly, or strikingly, illustrates the kind of paradoxes and anomalies that we are now up against. Just imagine the Silicon Valley's premier innovator trying and trying—and failing—to explain to the Silicon Valley that if we should draw the kind of benefits from the information technology that can and need to be drawn, IT innovation will have to be <em>systemic</em>.</p>
 +
<p>Engelbart explained in his second slide:</p>
 +
<blockquote>
 +
<p>We ride a common economic-political vehicle traveling at an ever-accelerating pace through increasingly complex terrain.</p>
 +
<p>Our headlights are much too dim and blurry. We have totally inadequate steering and braking controls. </p>
 
</blockquote>  
 
</blockquote>  
  
<h3>A dugnad</h3>
+
-------
<p>Our call to action is an invitation to make an <em>inner</em> all-important step: To consider <em>holotopia</em> as <em>your</em> project, not ours. By seeing yourself as part of the larger whole—and contributing accordingly—you will <em>already</em> be in <em>holotopia</em></p>
 
<p>In Norwegian language there is a word, "dugnad" (pronounced as "dügnad"), for the kind of collective event that may be organized by the people in the neighborhood, to collect fallen branches and trash and do small repairs in the commons—and then share a meal and get to know each other.</p>
 
<p>It is the spirit of <em>dugnad</em> we are inviting you to emulate.</p>
 
 
 
</div></div>
 

Revision as of 09:32, 26 July 2020

Imagine...

You are about to board a bus for a long night ride, when you notice the flickering streaks of light emanating from two wax candles, placed where the headlights of the bus are expected to be. Candles? As headlights?

Of course, the idea of candles as headlights is absurd. So why propose it? Because on a much larger scale this absurdity has become reality.

The Modernity ideogram renders the essence of our contemporary situation by depicting our society as an accelerating bus without a steering wheel, and the way we look at the world, try to comprehend and handle it as guided by a pair of candle headlights.

Modernity.jpg Modernity ideogram


Our proposal

In a nutshell

The core of our knowledge federation proposal is to change the relationship we have with information.

What is our relationship with information presently like?

Here is how Neil Postman described it:

"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."

The objective of our proposal is to restore agency to information, and power to knowledge.

Postman.jpg
Neil Postman

In detail

What would it take to repair the tie between information and action?

What would information and our handling of information be like, if we changed the relationship we have with information and treated it as we treat other human-made things—if we adapted it to the purposes that need to be served?

What would our world be like, if academic researchers retracted the premise that when an idea is published in a book or an article it is already "known"? If the other half of this picture were treated with similar thoroughness as academic technical work? If the question "What do people actually need to know?" led to a "social life of information" that allows each of us to benefit from what the others have seen and understood; and our society to perceive the world correctly, and navigate it safely?

What would the academic field that develops this approach to information be like? How would information be different? How would it be used? By what methods, what social processes, and by whom would it be created? What new information formats would emerge, and supplement or replace the traditional books and articles? How would information technology be adapted and applied? What would public informing be like? And academic communication, and education?


The substance of our proposal is a complete prototype of knowledge federation, by which those and other related questions are answered.

The Knowledge Federation prototype is conceived as a portfolio of about forty smaller prototypes, which cover the range of questions that define an academic field—from epistemology and methods, to social organization and applications.

We use our main keyword, knowledge federation, in a similar way as the words "design" and "architecture" are used—to signify both a praxis (informed practice), and an academic field that develops it and curates it.

Our call to action is to institutionalize and develop knowledge federation as an academic field, and as real-life praxis.

Technically, we are proposing a paradigm. The proposed paradigm is not in a specific scientific field, where paradigm changes are relatively common, but in "creation, integration and application of knowledge" at large.


A challenge

A proof-of-concept application

The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for putting the proposed ideas to a test. Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—Aurelio Peccei issued the following call to action:

"It is absolutely essential to find a way to change course."

Peccei also specified what needed to be done to "change course":

"The future will either be an inspired product of a great cultural revival, or there will be no future."

Peccei.jpg
Aurelio Peccei

This conclusion, that we are in a state of crisis that has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century's thinkers. Arne Næss, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology".

In "Human Quality", Peccei explained his call to action:

"Let me recapitulate what seems to me the crucial question at this point of the human venture. Man has acquired such decisive power that his future depends essentially on how he will use it. However, the business of human life has become so complicated that he is culturally unprepared even to understand his new position clearly. As a consequence, his current predicament is not only worsening but, with the accelerated tempo of events, may become decidedly catastrophic in a not too distant future. The downward trend of human fortunes can be countered and reversed only by the advent of a new humanism essentially based on and aiming at man’s cultural development, that is, a substantial improvement in human quality throughout the world."

The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".

Can the proposed 'headlights' help us "find a way to change course"?

Why did Peccei's call to action remain unanswered? Why wasn't The Club of Rome's purpose—to illuminate the course our civilization has taken—served by our society's regular institutions, as part of their function? Isn't this already showing that we are 'driving with candle headlights'?

If we used knowledge federation to 'illuminate the way'—what difference would that make?

The Holotopia project is conceived as a knowledge federation-based response to Aurelio Peccei's call to action.

We coined the keyword holotopia to point to the cultural and social order of things that will result.

To begin the Holotopia project, we are developing an initial prototype, which includes both a vision and a project infrastructure. That prototype is described on these pages.

A vision

The holotopia is not a utopia

Since Thomas More coined this term and described the first utopia, a number of visions of an ideal but non-existing social and cultural order of things have been proposed. But in view of adverse and contrasting realities, the word "utopia" acquired the negative meaning of an unrealizable fancy.

As the optimism regarding our future faded, apocalyptic or "dystopian" visions became common. The "protopias" emerged as a compromise, where the focus is on smaller but practically realizable improvements.

The holotopia is different in spirit from them all. It is a more attractive vision of the future than what the common utopias offered—whose authors either lacked the information to see what was possible, or lived in the times when the resources we have did not yet exist. And yet the holotopia is readily realizable—because we already have the information and other resources that are needed for its fulfillment.

The holotopia vision is made concrete, and substantiated or justified, in terms of five insights, as explained below.

Making things whole

What do we need to do to change course toward the holotopia?

From a comprehensive volume of insights from which the holotopia emerges as a future realistically worth aiming for, we have distilled a simple principle or rule of thumb—making things whole.

This principle is suggested by the holotopia's very name. And also by the Modernity ideogram: Instead of reifying our institutions and professions, and merely acting in them competitively to improve "our own" situation or condition, we consider ourselves and what we do as functional elements in a larger system of systems; and we self-organize, and act, as it may best suit the wholeness of it all—including, of course, our own wholeness.

Imagine if academic and other knowledge-workers collaborated to serve and develop planetary wholeness – what magnitude of benefits would result!



A method

Seeing things whole

"The arguments posed in the preceding pages", Peccei summarized in One Hundred Pages for the Future, "point out several things, of which one of the most important is that our generations seem to have lost the sense of the whole."

But to make things whole—we must be able to see them whole!

To highlight that the knowledge federation methodology described in the mentioned prototype affords that very capability, to see things whole, in the context of the holotopia we refer to it by the pseudonym holoscope.

The characteristics of the holoscope—the design choices or design patterns, how they follow from published insights and why they are necessary for 'illuminating the way'—will become obvious in the course of this presentation. One characteristic, however, must be made clear from the start.

Looking in new ways

Holoscope.jpeg
Holoscope ideogram

The key novelty in the holoscope is the capability it affords to deliberately choose the way in which we look at an issue or situation, which we call scope. Just as the case is when inspecting a hand-held cup to see if it is whole or cracked, and in projective geometry, the art of using the holoscope will to a large degree consist in finding a suitable way of looking. This is, of course, also suggested with the bus with candle headlights metaphor.

Especially valuable will turn out to be the scopes, and the corresponding views, which correct the way in which we see the whole thing, our "big picture"; they will be made accurate finding and using scopes (or aspects or 'projection planes') that reflect what our habitual way of looking made us ignore.

To liberate our thinking from the narrow frame of inherited concepts and methods, and allow for deliberate choice of scopes, we used "the scientific method" as venture point; and modified it by taking recourse to state of the art insights in science and philosophy.

Science gave us new ways to look at the world: The telescope and the microscope enabled us to see the things that are too distant or too small to be seen by the naked eye, and our vision expanded beyond bounds. But science had the tendency to keep us focused on things that were either too distant or too small to be relevant—compared to all those large things or issues nearby, which now demand our attention. The holoscope is conceived as a way to look at the world that helps us see any chosen thing or theme as a whole—from all sides; and in proportion.

This capability to create views by choosing scopes, on any desired level of detail, adds to our work with contemporary issues a whole new 'dimension' or "degree of freedom"—where we choose what we perceive as issues, so that the issues can be resolved, and wholeness can be restored.


Thinking outside the box

That we cannot solve our problems by thinking as we did when we created them is a commonplace. But this presents a challenge when academic rigor needs to be respected.

When our goal is to put a new piece into an existing "reality picture", then whatever challenges the reality of that picture will be considered "controversial".

When, however, our goal is to "find a way to change course"—then challenging the "conventional wisdom" is our very job.

The views we are about to share may make you leap from your chair. You will, however, be able to relax and enjoy our presentation if you bear in mind its meaning and purpose.

While we did our best to ensure that the presented views accurately represent what might result when we 'connect the dots' or federate published insights and other relevant cultural artifacts, we do not need to make such claims; and we are not making them. It is a paradigm we are proposing; it is the methodology by which our views are created that gives them rigor—as "rigor" is understood in the paradigm.

The methodology itself is, to the best of our knowledge, flawlessly rigorous and coherent. But we don't need to make that claim either.

Everything here is offered as a collection of prototypes. The point is to show what might result if we changed the relationship we have with information, and developed, both academically and on a society-wide scale, the approach to information and knowledge we are proposing.

Our goal when presenting them is to initiate the dialogs and other social processes that constitute that development.


FiveInsights.JPG
Five Insights ideogram

Before we begin

What themes, what evidence and conclusions, what "new discovery" might have the force commensurate with the momentum with which our civilization is rushing onward, and have a chance to make it "change course"?

We offer these five insights as a prototype answer.

We could have called them "five issues"—because each of them discloses a large systemic issue, which underlies the observed problems or conventional issues, and requires to be recognized as an issue. We chose to call them insights (in the general spirit of holotopia), because each of these issues can be resolved; and because their resolutions lead to benefit that vastly surpass the solution to problems.

The five insights result when we use the holoscope to illuminate five pivotal themes:

  • Innovation (the way in which we use our rapidly growing ability to create, and induce change); and its relationship with justice and power; or to use our metaphor, we look at the way our 'bus' is following, and how the way is being chosen
  • Communication, and the way the information technology is applied, and its relationship with governance or democracy; or in other words, we look at the construction of our 'headlights'
  • Foundations for creating truth and meaning (the fundamental premises that govern our work with information); here the focus is on the relationship we have with information, and he assumptions that determine it, or metaphorically on the question whether we should indeed consider those 'candles' are 'headlights', and adapt them to their purpose
  • Method for creating truth and meaning; or metaphorically at the principle of operation of the 'headlights', whether 'electricity' or 'fire' is more appropriate
  • Values, and more specifically the way in which we "pursue happiness"; or metaphorically whether 'driving with candle headlights' is at all taking us where we want to be going; or whether a whole new direction emerges when proper light is used

For each of those five themes we shall see that our conventional way of looking made us ignore a principle or a rule of thumb, which readily emerges when we 'connect the dots', i.e. when we combine the published insights and "see things whole". And that by ignoring and violating those principles, we have created deep structural problems ('crack in the cup'), which are causing what we perceive as "problems" or specifically as "global issues".

We shall then be able to perceive our problems as consequences or mere symptoms of deeper structural issues. And we shall see, a bit later, that those structural issues can resolved. And that by resolving them, much larger benefits will result than mere "solutions to problems" or freedom of symptoms.

In that way the holotopia vision will be made concrete and actionable.

We shall see, by connecting the five insights as dots, that the "new discovery" we need to make to radically change our situation is stupefyingly simple—it's the discovery of ourselves!

Since the key to it all will turn out to be to change the relationship we have with information, and be able to "see things whole", a case for our proposal will also be made.

In the spirit of the holoscope, we here only summarize each of the five insights as a big picture—and provide the supporting evidence and details separately.


Power structure

"Man has acquired such decisive power that his future depends essentially on how he will use it", observed Peccei. We look at the way in which man uses his newly acquired and rapidly growing power—to innovate (to create, and induce change). We apply the holoscope to illuminate the way our civilization or 'bus' has been following in its evolution.

An easy observation will give us a head start: We use competition or "survival of the fittest" to orient innovation, not systemic thinking and information. The popular belief that "the free competition" or "the free market" is our best guide makes our "democracies" elect the "leaders" who represent it. But is that belief warranted? Or is it just a popular myth, which won in competition?

Genuine revolutions tend to include a new way in which the perennial issues of power and freedom are perceived. We offer this keyword, power structure as a means to that end. Think of the power structure as a new way to conceive of the intuitive notion "power holder", which, we suspect, might in some way obstruct our freedom, or cause us harm and be our "enemy".

While the exact meaning and character of the power structure will become clear as we go along, imagine, to begin with, that power structures are institutions; or a bit more accurately, that they are the systems in which we live and work, which we'll here simply call systems. Notice that the systems have an immense power—first of all the power over us, because we have to adopt them and adapt to them to be able to live and work; and then also the power over our environment, because by organizing us and using us in certain specific ways, they determine what the effects of our work will be. Whether the effects will be problems, or solutions.

How suitable are our contemporary systems for this all-important role?

Evidence, circumstantial and theoretical, shows that our systems waste a lion's share of our resources; that they cause the perceived problems, and make us incapable of solving them.

The reason is that the evolution by "the survival of the fittest" tends to favor the systems that are by nature predatory, not those that are the most useful. This excerpt from Joel Bakan's documentary "The Corporation" (which Bakan as a law professor created to federate an insight he considered essential) explains how the corporation, the most powerful institution, evolved to be a perfect "externalizing machine", just as the shark evolved as a perfect "killing machine". ("Externalizing", as explained in more detail in the excerpt, means maximizing profits by letting someone else, notably the people and the environment, bear the costs.) This excerpt from Sidney Pollack's 1969 film "They Shoot Horses, Don't They?" illustrates how this impacted our own condition.

So why do we put up with such systems? Why don't we treat them as we treat other human-made things—by adapting them to the purposes that need to be served?

The reasons are most interesting, and they'll be a recurring theme in holotopia.

One of them we have already seen: We don't have the habit or the means to see things whole. When we look in our conventional ways, we don't see the structure of our systems, because they are too large to be visible; just like the mountain on which we might be walking is too large to be seen. Because of this natural limitation of our perception, even such uncanny errors as 'using candles as headlights' may develop without us noticing.

A subtler reason why we tend to ignore the possibility of adapting the systems in which we live and work to their roles in larger systems, is that they perform for us a completely different role—of providing structure to our various turf strifes and power battles. Within our system, they provide us "objective" and "fair" criteria to compete for positions; and to all of us that compose the system, they give a "competitive edge" in strife with other systems .

Our media agencies, to illustrate this by an example, cannot combine their resources and give us the awareness we need, because they must compete with one another for our attention—and use whatever means that are sufficiently "cost-effective". But needless to say, in the situation we are in, our attention and awareness are no less important as resources than clean air and energy.

The deepest and most interesting reason, however, is that our systems or power structures have the capacity to socialize us in ways that suit their interests, through means that will be discussed with the socialized reality insight. Through socialization, they can adapt to their interests both our culture and our "human quality".

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A result is that bad intentions are no longer needed for cruelty and evil to result. The power structures can co-opt our sense of duty and commitment, and even our heroism and honor.

Zygmunt Bauman's key insight, that the concentration camp was only a special case, however extreme, of (what we are calling) the power structure, needs to be carefully digested and internalized: While our ethical sensibilities are focused on the power structures of the past, we (in all innocence, by acting through the power structures we belong to) are about to commit the greatest massive crime in human history.

Our civilization is "on the collision course with nature" not because someone violated the rules—but because we follow them.

The fact that we will not "solve our problems" unless we learned to collaborate and adapt our systems to their contemporary roles and our contemporary challenges has not remained unnoticed. Alredy in 1948, in his seminal Cybernetics, Norbert Wiener explained why "free competition" cannot be trusted in the role of 'headlights and steering'. Cybernetics was envisioned as a transdisciplinary academic effort to help us understand systems, and give them a structure that suits their function.

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The very first step the founders of The Club of Rome's did after its inception in 1968 was to gather a team of experts (in Bellagio, Italy), and develop a suitable methodology. They gave "making things whole" on the scale of socio-technical systems the name "systemic innovation"—and we adopted that as one of our keywords.


Collective mind

If our key evolutionary task is to (develop the ability to) make things whole at the level of systemswhere i.e. with what system should we begin?

Handling of information, or metaphorically our society's 'headlights', suggests itself as the answer for several reasons. One of them is that if we'll use information and not competition to guide our society's evolution, our information will have to be different. Another reason is that when the system at hand is a system of individuals, then communication is what brings the individuals together and in effect creates the system. So the nature of communication largely determines what a system will be like. In Cybernetics, Wiener makes that point by talking about ants, bees and other animals.

The complete title of Wiener's book was "Cybernetics or Control and Communication in the Animal and the Machine". To have control over its impact on its environment and vice versa (Wiener preferred the technical keyword "homeostasis", which we may interpret as "sustainability"), a system must have suitable communication. But the tie between information and action has been severed, Wiener too noted, and it needs to be restored.

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To make that point, Wiener cited an earlier work, Vannevar Bush's 1945 article "As We May Think", where Bush issued the call to action to the scientists to make the task of revising their system their next highest priority (the World War Two having just been won).

So why haven't we done that yet?

"As long as a paradox is treated as a problem, it can never be dissolved," observed David Bohm. The reason for our inaction is, of course, that the tie between information and action has been severed...

It may feel disheartening, especially to an academic researcher, to see the best ideas of our best minds unable to benefit our society; to see again and again (our portfolio has a wealth of examples) that when a researcher's insight challenges the "course"—it will as a rule be ignored.

But the pessimism readily changes to holotopia–style optimism when we look at the other side of this coin—the vast creative frontier that this insight is pointing to (for which our prototype portfolio may serve as an initial map).

This optimism turns into enthusiasm when we realize that characteristic parts of contemporary information technology have been created to enable a breakthrough on this frontier—by Doug Engelbart and his SRI team; and demonstrated in their famous 1968 demo!

By connecting each of us to a digital device through an interactive interface, and connecting those devices into a network, this technology in effect connects us together in a similar ways as cells in a higher-level organism are connected together by a nervous system—for the first time in history. The printing press too enabled a breakthrough in communication—but the process it enabled was entirely different. We can now "create, integrate and apply knowledge" concurrently (to use Engelbart's keywords), as cells in a human organism do; we can think, and create, together, as cells in a well-functioning mind do.

When, however, this 'nervous system' is used to implement the processes and the systems that have evolved through the centuries of use of the printing press, and only broadcast data—the consequences to our collective mind are disastrous.

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The above observation by Anthony Giddens points to an impact this has had on our culture, and "human quality". Dazzled by an overflow of data, in a reality whose complexity is well beyond our comprehsnsion, we have no other recourse but "ontological security"—we find meaning in learning a profession, and performing in it a competitively.

But this is, as we have seen, what binds us to power structure.



The power structure issue can be resolved

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The power structure issue is resolved through systemic innovation—by which systems, and hence also power structures, evolve in ways that make them whole; with recourse to information that allows us to "see things whole", or in other words the holoscope.

We give structure to systemic innovation by conceiving our prototypes by weaving together suitable design patterns—which are design challenge–design solution pairs, rendered so that they can be exported and adapted not only across prototypes, but also across application domains.

All our prototypes are examples of systemic innovation; any of them could be used to illustrate the techniques used, and the advantages gained. Of about a dozen design patterns of the Collaborology educational prototype, we here mention only a couple, to illustrate these abstract ideas,

(A challenge)The traditional education, conceived as a once-in-a-lifetime information package, presents an obstacle to systemic change or systemic innovation, because when a profession becomes obsolete, so do the professionals—and they will naturally resist change. (A solution) The Collaborology engenders a flexible education model, where the students learn what they need and at the time they need it. Furthermore, the theme of Collaborology is (online) collaboration; which is really knowledge federation and systemic innovation, organized under a name that the students can understand.

By having everyone (worldwide) create the learning resources for a single course, the Collaborology prototype illustrates the "economies of scale" that can result from online collaboration, when practiced as systemic innovation/knowledge federation. In Collaborology, a contributing author or instructor is required to contribute only a single lecture. By, furthermore, including creative media designers, the economies of scale allow the new media techniques (now largely confined to computer games) to revolutionize education.

A class is conceived as a design lab—where the students, self-organized in small teams, co-create learning resources. In this way the values that systemic innovation depends on are practiced and supported. The students contribute to the resulting innovation ecosystem, by acting as 'bacteria' (extracting 'nutrients' from the 'dead material' of published articles, and by combining them together give them a new life).

The Collaborology course model as a whole presents a solution to yet another design challenge—how to put together, organize and disseminate a new and transdisciplinary body of knowledge, about a theme of contemporary interest.

Our other prototypes show how similar benefits can be achieved in other core areas, such as health, tourism, and of course public informing and scientific communication. One of our Authentic Travel prototypes shows how to reconfigure the international corporation, concretely the franchise, and make it serve cultural revival.

Such prototypes, and the design patterns they embody, are new kinds of results, which in the paradigm we are proposing roughly correspond to today's scientific discoveries and technological inventions.

A different collection of design challenges and solution are related to the methodology for systemic innovation. Here the simple solution we developed is to organize a transdisciplinary team or transdiscipline around a prototype, with the mandate to update it continuously. This secures that the insights and innovations from the participating creative domains (represented by the members of the transdiscipline) have direct impact on systems.

Our experience with the very first application prototype, in public informing, revealed a new and general methodological and design challenge: The leading experts we brought together to form the transdiscipline (to represent in it the state of the art in their fields) are as a rule unable to change the systems in which they live and work themselves—because they are too busy and too much in demand; and because the power they have is invested in them by those system. But what they can and need to do is—empower the "young people" ("young" by the life phase they are in, as students or as entrepreneurs) to change systems ("change the world"), instead of having to conform to them. The result was The Game-Changing Game prototype, as a generic way to change real-life systems. We also produced a prototype which was an update of The Club of Rome, based on this insight and solution, called The Club of Zagreb.

Finally, and perhaps most importantly, the power structure issue can be resolved by simply identifying the issue; by making it understood, and widely known—because it motivates a radical change of values, and of "human quality".

Notice that the power structure insight radically changes "the name of the game" in politics—from "us against them", to "all of us against the power structure.

This potential of the power structure insight gains power when combined with the convenience paradox insight and the socialized reality insight. It then becomes obvious that those among us whom we perceive as winners in the economic or political power struggle are really "winners" only because the power structure defined "the game". The losses we are all suffering in the real "reality game" are indeed enormous.

The Adbusters gave us a potentially useful keyword: decooling. Fifty years ago, puffing on a large cigar in an elevator or an airplane might have seemed just "cool"; today it's unthinkable. Let's see if today's notions of "success" might be transformed by similar decolling.